Victory

There is, as every schoolboy knows in this scientific age, a very close chemical relation between coal and diamonds. It is the reason, I believe, why some people allude to coal as “black diamonds.” Both these commodities represent wealth; but coal is a much less portable form of property. There is, from that point of view, a deplorable lack of concentration in coal. Now, if a coal-mine could be put into one’s waistcoat pocket⁠—but it can’t! At the same time, there is a fascination in coal, the supreme commodity of the age in which we are camped like bewildered travellers in a garish, unrestful hotel. And I suppose those two considerations, the practical and the mystical, prevented Heyst⁠—Axel Heyst⁠—from going away.

The Tropical Belt Coal Company went into liquidation. The world of finance is a mysterious world in which, incredible as the fact may appear, evaporation precedes liquidation. First the capital evaporates, and then the company goes into liquidation. These are very unnatural physics, but they account for the persistent inertia of Heyst, at which we “out there” used to laugh among ourselves⁠—but not inimically. An inert body can do no harm to anyone, provokes no hostility, is scarcely worth derision. It may, indeed, be in the way sometimes; but this could not be said of Axel Heyst. He was out of everybody’s way, as if he were perched on the highest peak of the Himalayas, and in a sense as conspicuous. Everyone in that part of the world knew of him, dwelling on his little island. An island is but the top of a mountain. Axel Heyst, perched on it immovably, was surrounded, instead of the imponderable stormy and transparent ocean of air merging into infinity, by a tepid, shallow sea; a passionless offshoot of the great waters which embrace the continents of this globe.

The uproar in that small, barn-like structure, built of imported pine boards, and raised clear of the ground, was simply stunning. An instrumental uproar, screaming, grunting, whining, sobbing, scraping, squeaking some kind of lively air; while a grand piano, operated upon by a bony, red-faced woman with bad-tempered nostrils, rained hard notes like hail through the tempest of fiddles. The small platform was filled with white muslin dresses and crimson sashes slanting from shoulders provided with bare arms, which sawed away without respite. Zangiacomo conducted. He wore a white mess-jacket, a black dress waistcoat, and white trousers. His longish, tousled hair and his great beard were purple-black. He was horrible. The heat was terrific. There were perhaps thirty people having drinks at several little tables. Heyst, quite overcome by the volume of noise, dropped into a chair. In the quick time of that music, in the varied, piercing clamour of the strings, in the movements of the bare arms, in the low dresses, the coarse faces, the stony eyes of the executants, there was a suggestion of brutality⁠—something cruel, sensual and repulsive.

“This is awful!” Heyst murmured to himself.

But there is an unholy fascination in systematic noise. He did not flee from it incontinently, as one might have expected him to do. He remained, astonished at himself for remaining, since nothing could have been more repulsive to his tastes, more painful to his senses, and, so to speak, more contrary to his genius, than this rude exhibition of vigour. The Zangiacomo band was not making music; it was simply murdering silence with a vulgar, ferocious energy.

“Excuse me,” he said in English, “but that horrible female has done something to you. She has pinched you, hasn’t she? I am sure she pinched you just now, when she stood by your chair.”

The girl received this overture with the wide, motionless stare of profound astonishment. Heyst, vexed with himself, suspected that she did not understand what he said. One could not tell what nationality these women were, except that they were of all sorts. But she was astonished almost more by the near presence of the man himself, by this largely bald head, by the white brow, the sunburnt cheeks, the long, horizontal moustaches of crinkly bronze hair, by the kindly expression of the man’s blue eyes looking into her own. He saw the stony amazement in hers give way to a momentary alarm, which was succeeded by an expression of resignation.

“I am sure she pinched your arm most cruelly,” he murmured, rather disconcerted now at what he had done.

It was a great comfort to hear her say:

“It wouldn’t have been the first time. And suppose she did⁠—what are you going to do about it?”

“I don’t know,” he said with a faint, remote playfulness in his tone which had not been heard in it lately, and which seemed to catch her ear pleasantly. “I am grieved to say that I don’t know. But can I do anything? What would you wish me to do? Pray command me.”

The business was done by a guest who arrived one fine morning by mail-boat⁠—immediately from Celebes, having boarded her in Macassar, but generally, Schomberg understood, from up China Sea way; a wanderer clearly, even as Heyst was, but not alone and of quite another kind.

Schomberg, looking up from the stern-sheets of his steam-launch, which he used for boarding passenger ships on arrival, discovered a dark, sunken stare plunging down on him over the rail of the first-class part of the deck. He was no great judge of physiognomy. Human beings, for him, were either the objects of scandalous gossip or else the recipients of narrow strips of paper, with proper bill-heads stating the name of his hotel⁠—“W. Schomberg, proprietor; accounts settled weekly.”

So in the clean-shaven, extremely thin face hanging over the mail-boat’s rail Schomberg saw only the face of a possible “account.” The steam-launches of other hotels were also alongside, but he obtained the preference.

“You are Mr. Schomberg, aren’t you?” the face asked quite unexpectedly.

“I am, at your service,” he answered from below; for business is business, and its forms and formulas must be observed, even if one’s manly bosom is tortured by that dull rage which succeeds the fury of baffled passion, like the glow of embers after a fierce blaze.

Presently the possessor of the handsome but emaciated face was seated beside Schomberg in the stern-sheets of the launch. His body was long and loose-jointed; his slender fingers, intertwined, clasped the leg resting on his knee, as he lolled back in a careless yet tense attitude. On the other side of Schomberg sat another passenger, who was introduced by the clean-shaven man as⁠—

He ran back for a dozen yards or so, and then looked over. His sight plunged straight into the stern-sheets of a big boat, the greater part of which was hidden from him by the planking of the jetty. His eyes fell on the thin back of a man doubled up over the tiller in a queer, uncomfortable attitude of drooping sorrow. Another man, more directly below Heyst, sprawled on his back from gunwale to gunwale, half off the after thwart, his head lower than his feet. This second man glared wildly upward, and struggled to raise himself, but to all appearance was much too drunk to succeed. The visible part of the boat contained also a flat, leather trunk, on which the first man’s long legs were tucked up nervelessly. A large earthenware jar, with its wide mouth uncorked, rolled out on the bottom-boards from under the sprawling man.

Heyst had never been so much astonished in his life. He stared dumbly at the strange boat’s crew. From the first he was positive that these men were not sailors. They wore the white drill suit of tropical civilisation; but their apparition in a boat Heyst could not connect with anything plausible. The civilisation of the tropics could have had nothing to do with it. It was more like those myths, current in Polynesia, of amazing strangers, who arrive at an island, gods or demons, bringing good or evil to the innocence of the inhabitants⁠—gifts of unknown things, words never heard before.