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The Trail of the Serpent

by M. E. Braddon

Length: 146,404 words, about 586 pages, about 10 hours to read

Novels, Mystery

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What it is

In the town of Slopperton-on-the-Sloshy, the fate of Richard Marwood and Jabez North intertwine in a story of crime, intrigue, and redemption.

The best passages

Pages from the book itself, chosen to make you want to read on. Each opens in the reader at that exact spot.

I: The Good Schoolmaster

Slopperton believed in Jabez North. Partly because Slopperton had in a manner created, clothed, and fed him, set him on his feet, patted him on his head, and reared him under the shadow of Sloppertonian wings, to be the good and worthy individual he was.

The story was in this wise. Nineteen years before this bad November day, a little baby had been dragged, to all appearance drowned, out of the muddy waters of the Sloshy. Fortunately or unfortunately, as the case may be, he turned out to be less drowned than dirty, and after being subjected to very sharp treatment⁠—such as being held head downwards, and scrubbed raw with a jack-towel, by the Sloppertonian Humane Society, founded by a very excellent gentleman, somewhat renowned for maltreating his wife and turning his eldest son out of doors⁠—this helpless infant set up a feeble squall, and evinced, other signs of a return to life. He was found in a Slopperton river by a Slopperton bargeman, resuscitated by a Slopperton society, and taken by the Slopperton beadle to the Slopperton workhouse; he therefore belonged to Slopperton. Slopperton found him a species of barnacle rather difficult to shake off. The wisest thing, therefore, for Slopperton to do, was to put the best face on a bad matter, and, out of its abundance, rear this un-welcome little stranger. And truly virtue has its reward; for, from the workhouse brat to the Sunday-school teacher; from the Sunday-school teacher to the scrub at Dr. Tappenden’s academy; from scrub to usher of the fourth form; and from fourth form usher to first assistant, pet toady, and factotum, were so many steps in the ladder of fortune which Jabez mounted, as in seven-leagued boots.

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III: The Usher Washes His Hands

As the clocks chime the quarter, the rope is at work again, and five minutes afterwards the usher clambers into the room.

Not very good to look upon, either in costume or countenance; bad to look upon, with his clothes mud-bespattered and torn; wet to the skin; his hair in matted locks streaming over his forehead; worse to look upon, with his light blue eyes, bright with a dangerous and wicked fire⁠—the eyes of a wild beast baulked of his prey; dreadful to look upon, with his hands clenched in fury, and his tongue busy with half-suppressed but terrible imprecations.

“All for nothing!” he mutters. “All the toil, the scheming, and the danger for nothing⁠—all the work of the brain and the hands wasted⁠—nothing gained, nothing gained!”

He hides away the rope in his trunk, and begins to unbutton his mud-stained gaiters. The little boy cries out in a feeble voice for his medicine.

The usher pours a tablespoonful of the mixture into a wineglass with a steady hand, and carries it to the bedside.

The boy is about to take it from him, when he utters a sudden cry.

“What’s the matter?” asks Jabez, angrily.

“Your hand!⁠—your hand! What’s that upon your hand?”

A dark stain scarcely dry⁠—a dark stain, at the sight of which the boy trembles from head to foot.

“Nothing, nothing!” answers the tutor. “Take your medicine, and go to sleep.”

No, the boy cries hysterically, he won’t take his medicine; he will never take anything again from that dreadful hand. “I know what that horrid stain is. What have you been doing?

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IV: Richard Marwood Lights His Pipe

As Mr. Jinks made these complimentary remarks, he and his friend walked on. Richard, puzzled, bewildered, and unresisting, walked between them towards the railway station; but presently Mr. Jinks condescended to reply to his prisoner’s questions, in this wise:⁠—

“You want to know what inquest? Well, a inquest on a gentleman what’s been barbarously murdered. You want to know who’s dead? Why, your uncle is the gent as has been murdered. You want to know why we are going to take you back to Slopperton? Well, because we’ve got a warrant to arrest you upon suspicion of having committed the murder.”

“My uncle murdered!” cried Richard, with a face that now for the first time since his arrest betrayed anxiety and horror; for throughout his interview with Mr. Jinks he had never once seemed frightened. His manner had expressed only utter bewilderment of mind.

“Yes, murdered; his throat cut from ear to ear.”

“It cannot be,” said Richard. “There must be some horrid mistake here. My uncle, Montague Harding, murdered! I bade him goodbye at twelve last night in perfect health.”

“And this morning he was found murdered in his bed; with the cabinet in his room broken open, and rifled of a pocketbook known to contain upwards of three hundred pounds.”

“Why, he gave me that pocketbook last night. He gave it to me. I have it here in my breast-pocket.”

“You’d better keep that story for the coroner,” said Mr. Jinks. “Perhaps he’ll believe it.”

“I must be mad, I must be mad,” said Richard.

They had by this time reached the station, and Mr. Jinks having glanced into two or three carriages of the train about to start, selected one of the second-class, and ushered Richard into it.

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VIII: Seven Letters on the Dirty Alphabet

He was what is called hard of hearing on one side, and his⁠—to use a common expression⁠—game ear happened to be nearest Richard.

“Guilty,” said the judge. “So, so⁠—Guilty. Very good.”

“Pardon me, my lord,” said the counsel for the defence, “the prisoner pleaded not guilty.”

“Nonsense, sir. Do you suppose me deaf?” asked his lordship; at which there was a slight titter among the habitués of the court.

The barrister gave his head a deprecatory shake. Of course, a gentleman in his lordship’s position could not be deaf.

“Very well, then,” said the judge, “unless I am deaf, the prisoner pleaded guilty. I heard him, sir, with my own ears⁠—my own ears.”

The barrister thought his lordship should have said “my own ear,” as the game organ ought not to count.

“Perhaps,” said the judge, “perhaps the prisoner will be good enough to repeat his plea; and this time he will be good enough to speak out.”

“Not guilty,” said Richard again, in a firm but not a loud voice⁠—his long imprisonment, with days, weeks, and months of slow agony, had so exhausted his physical powers, that to speak at all, under such circumstances, was an effort.

“Not guilty?” said the judge. “Why, the man doesn’t know his own mind. The man must be a born idiot⁠—he can’t be right in his intellect.”

Scarcely had the words passed his lordship’s lips, when a long low whistle resounded through the court.

Everybody looked up towards a corner of the gallery from which the sound came, and the officials cried “Order!”

Among the rest the prisoner raised his eyes, and looking to the spot from which this unexampled and daring interruption proceeded, recognized the face of the man who had spelt out the words “Not guilty” in the railway carriage.

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II: Mr. Peters Sees a Ghost

Mr. Peters is very grave for some time, as they walk away; but at last, when they have got halfway down Piccadilly, he has recourse once more to his fingers, and addresses his young friend thus:

“What did you think of him, Slosh?”

“Which,” says the “fondling;” “the cove in the red velvet breeches as opened the door, or the swell ghost?”

“The swell.”

“Well, I think he’s uncommon handsome, and very easy in his manners, all things taken into consideration,” said that elderly juvenile with deliberation.

“Oh, you do, do you, Slosh?”

Slosh repeats that he does.

Mr. Peters’s gravity increases every moment. “Oh, you do, do you, Slosh?” he asks again, and again the boy answers. At last, to the considerable inconvenience of the passersby, the detective makes a dead stop, and says, “I’m glad you think him han’some, Slosh; and I’m glad you thinks him easy, which, all things considered, he is, uncommon. In fact, I’m glad he meets your views as far as personal appearance goes, because, between you and me, Slosh, that man’s your father.”

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10 of the best lines

A bad, determined, black-minded November day.

I: The Good SchoolmasterKeep reading from here

You could only describe him by negatives.

IV: Richard Marwood Lights His PipeKeep reading from here

For the theory of chances is to certain minds so delightful, that the range of subjects for a wager may ascend from a maggot-race to a trial for murder.

VIII: Seven Letters on the Dirty AlphabetKeep reading from here

I don’t look upon that hinfant as a hinfant, I looks upon him as a voice.

VI: The Quiet Figure on the HeathKeep reading from here

Bah! madame, after all, you were only the fool of a chiselled profile and a melodious voice.

III: The Wrong FootstepKeep reading from here

Believe me, when I tell you that disinterested villainy is as great an impossibility as disinterested virtue.

VIII: Bad Dreams and a Worse WakingKeep reading from here

If his questions were sometimes of rather a difficult and puzzling nature, he never did anything so underbred as to wait for an answer.

III: The Emperor Bids Adieu to ElbaKeep reading from here

Truly father and son⁠—all the world over, father and son.

I: Father and SonKeep reading from here

Gus brought a note from Martha’s mistress, which assured him a warm welcome.

IV: What They Find in the Room in Which the Murder Was CommittedKeep reading from here

The prisoner slightly elevated his arched eyebrows superciliously, as if he would say, “This is a pretty sort of witness to hang a man of my standing.”

VI: The End of the Dark RoadKeep reading from here

All 72 The Trail of the Serpent quotes, with the words around each

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Contents

All 54 parts
  1. Book I: A Respectable Young Man
  2. I: The Good Schoolmaster
  3. II: Good for Nothing
  4. III: The Usher Washes His Hands
  5. IV: Richard Marwood Lights His Pipe
  6. V: The Healing Waters
  7. VI: Two Coroner’s Inquests
  8. VII: The Dumb Detective a Philanthropist
  9. VIII: Seven Letters on the Dirty Alphabet
  10. IX: “Mad, Gentlemen of the Jury”
  11. Book II: A Clearance of All Scores
  12. I: Blind Peter
  13. II: Like and Unlike
  14. III: A Golden Secret
  15. IV: Jim Looks Over the Brink of the Terrible Gulf
  16. V: Midnight by the Slopperton Clocks
  17. VI: The Quiet Figure on the Heath
  18. VII: The Usher Resigns His Situation
  19. Book III: Holy Institution
  20. I: The Value of an Opera-Glass
  21. II: Working in the Dark
  22. III: The Wrong Footstep
  23. IV: Ocular Demonstration
  24. V: The King of Spades
  25. VI: A Glass of Wine
  26. VII: The Last Act of Lucretia Borgia
  27. VIII: Bad Dreams and a Worse Waking
  28. IX: A Marriage in High Life
  29. X: Animal Magnetism
  30. Book IV: Napoleon the Great
  31. I: The Boy from Slopperton
  32. II: Mr. Augustus Darley and Mr. Joseph Peters Go Out Fishing
  33. III: The Emperor Bids Adieu to Elba
  34. IV: Joy and Happiness for Everybody
  35. V: The Cherokees Take an Oath
  36. VI: Mr. Peters Relates How He Thought He Had a Clue, and How He Lost It
  37. Book V: The Dumb Detective
  38. I: The Count de Marolles at Home
  39. II: Mr. Peters Sees a Ghost
  40. III: The Cherokees Mark Their Man
  41. IV: The Captain, the Chemist, and the Lascar
  42. V: The New Milkman in Park Lane
  43. VI: Signor Mosquetti Relates an Adventure
  44. VII: The Golden Secret Is Told, and the Golden Bowl Is Broken
  45. VIII: One Step Further on the Right Track
  46. IX: Captain Lansdown Overhears a Conversation Which Appears to Interest Him
  47. Book VI: On the Track
  48. I: Father and Son
  49. II: Raymond de Marolles Shows Himself Better Than All Bow Street
  50. III: The Left-Handed Smasher Makes His Mark
  51. IV: What They Find in the Room in Which the Murder Was Committed
  52. V: Mr. Peters Decides on a Strange Step, and Arrests the Dead
  53. VI: The End of the Dark Road
  54. VII: Farewell to England

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Text from Standard Ebooks. Standard Ebooks dedicate their edition to the public domain (CC0 1.0). Every passage and line on this page is the book's own words, checked against the text.