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The Titan

by Theodore Dreiser

Length: 193,713 words, about 775 pages, about 14 hours to read

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What it is

A disgraced robber baron arrives in Chicago and schemes to control the streetcar system.

The best passages

Pages from the book itself, chosen to make you want to read on. Each opens in the reader at that exact spot.

I: The New City

When Frank Algernon Cowperwood emerged from the Eastern District Penitentiary in Philadelphia he realized that the old life he had lived in that city since boyhood was ended. His youth was gone, and with it had been lost the great business prospects of his earlier manhood. He must begin again.

It would be useless to repeat how a second panic following upon a tremendous failure⁠—that of Jay Cooke & Co.⁠—had placed a second fortune in his hands. This restored wealth softened him in some degree. Fate seemed to have his personal welfare in charge. He was sick of the stock-exchange, anyhow, as a means of livelihood, and now decided that he would leave it once and for all. He would get in something else⁠—street-railways, land deals, some of the boundless opportunities of the far West. Philadelphia was no longer pleasing to him. Though now free and rich, he was still a scandal to the pretenders, and the financial and social world was not prepared to accept him. He must go his way alone, unaided, or only secretly so, while his quondam friends watched his career from afar. So, thinking of this, he took the train one day, his charming mistress, now only twenty-six, coming to the station to see him off. He looked at her quite tenderly, for she was the quintessence of a certain type of feminine beauty.

“Bye-bye, dearie,” he smiled, as the train-bell signaled the approaching departure. “You and I will get out of this shortly. Don’t grieve. I’ll be back in two or three weeks, or I’ll send for you.

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I: The New City

Chicago, when it finally dawned on him, came with a rush on the second morning. He had spent two nights in the gaudy Pullman then provided⁠—a car intended to make up for some of the inconveniences of its arrangements by an over-elaboration of plush and tortured glass⁠—when the first lone outposts of the prairie metropolis began to appear. The sidetracks along the roadbed over which he was speeding became more and more numerous, the telegraph-poles more and more hung with arms and strung smoky-thick with wires. In the far distance, cityward, was, here and there, a lone workingman’s cottage, the home of some adventurous soul who had planted his bare hut thus far out in order to reap the small but certain advantage which the growth of the city would bring.

The land was flat⁠—as flat as a table⁠—with a waning growth of brown grass left over from the previous year, and stirring faintly in the morning breeze. Underneath were signs of the new green⁠—the New Year’s flag of its disposition. For some reason a crystalline atmosphere enfolded the distant hazy outlines of the city, holding the latter like a fly in amber and giving it an artistic subtlety which touched him. Already a devotee of art, ambitious for connoisseurship, who had had his joy, training, and sorrow out of the collection he had made and lost in Philadelphia, he appreciated almost every suggestion of a delightful picture in nature.

The tracks, side by side, were becoming more and more numerous. Freight-cars were assembled here by thousands from all parts of the country⁠—yellow, red, blue, green, white. (Chicago, he recalled, already had thirty railroads terminating here, as though it were the end of the world.)

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X: A Test

This parading throng that was more curious than interested, more jealous than sympathetic, more critical than kind, was coming almost solely to observe.

“Do you know, Mrs. Cowperwood,” Mrs. Simms remarked, lightly, “your house reminds me of an art exhibit today. I hardly know why.”

Aileen, who caught the implied slur, had no clever words wherewith to reply. She was not gifted in that way, but she flared with resentment.

“Do you think so?” she replied, caustically.

Mrs. Simms, not all dissatisfied with the effect she had produced, passed on with a gay air, attended by a young artist who followed amorously in her train.

Aileen saw from this and other things like it how little she was really “in.” The exclusive set did not take either her or Cowperwood seriously as yet. She almost hated the comparatively dull Mrs. Israels, who had been standing beside her at the time, and who had heard the remark; and yet Mrs. Israels was much better than nothing. Mrs. Simms had condescended a mild “how’d do” to the latter.

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XII: A New Retainer

“Well now, Mr. Cowperwood,” McKenty began, when they finally entered the cool, pleasant library, “what can I do for you?”

“Well, Mr. McKenty,” said Cowperwood, choosing his words and bringing the finest resources of his temperament into play, “it isn’t so much, and yet it is. I want a franchise from the Chicago city council, and I want you to help me get it if you will. I know you may say to me why not go to the councilmen direct. I would do that, except that there are certain other elements⁠—individuals⁠—who might come to you. It won’t offend you, I know, when I say that I have always understood that you are a sort of clearing-house for political troubles in Chicago.”

Mr. McKenty smiled. “That’s flattering,” he replied, dryly.

“Now, I am rather new myself to Chicago,” went on Cowperwood, softly. “I have been here only a year or two. I come from Philadelphia. I have been interested as a fiscal agent and an investor in several gas companies that have been organized in Lakeview, Hyde Park, and elsewhere outside the city limits, as you may possibly have seen by the papers lately. I am not their owner, in the sense that I have provided all or even a good part of the money invested in them. I am not even their manager, except in a very general way. I might better be called their promoter and guardian; but I am that for other people and myself.”

Mr. McKenty nodded.

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XVIII: The Clash

But in spite of this savage exultation her thoughts kept coming back to herself, to her own predicament, to torture and destroy her. Cowperwood, the liar! Cowperwood, the pretender! Cowperwood, the sneak! At one moment she conceived a kind of horror of the man because of all his protestations to her; at the next a rage⁠—bitter, swelling; at the next a pathetic realization of her own altered position. Say what one will, to take the love of a man like Cowperwood away from a woman like Aileen was to leave her high and dry on land, as a fish out of its native element, to take all the wind out of her sails⁠—almost to kill her. Whatever position she had once thought to hold through him, was now jeopardized. Whatever joy or glory she had had in being Mrs. Frank Algernon Cowperwood, it was now tarnished. She sat in her room, this same day after the detectives had given their report, a tired look in her eyes, the first set lines her pretty mouth had ever known showing about it, her past and her future whirling painfully and nebulously in her brain. Suddenly she got up, and, seeing Cowperwood’s picture on her dresser, his still impressive eyes contemplating her, she seized it and threw it on the floor, stamping on his handsome face with her pretty foot, and raging at him in her heart. The dog! The brute! Her brain was full of the thought of Rita’s white arms about him, of his lips to hers. The spectacle of Rita’s fluffy gowns, her enticing costumes, was in her eyes.

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10 of the best lines

Fate seemed to have his personal welfare in charge.

I: The New CityKeep reading from here

It is thus that life at its topmost toss irks and pains. Beyond is ever the unattainable, the lure of the infinite with its infinite ache.

III: A Chicago EveningKeep reading from here

The trouble with Aileen was that she never did these things with that ease which is a sure sign of the socially efficient.

X: A TestKeep reading from here

You have perhaps seen the would-be’s, the nearly’s, the pretenders in every field⁠—interesting people all⁠—devoted with a kind of mad enthusiasm to the thing they wish to do.

XIV: UndercurrentsKeep reading from here

It is a sad commentary that age almost invariably takes away the incentive to new achievement and makes “Let well enough alone” the most appealing motto.

XXI: A Matter of TunnelsKeep reading from here

Starve and beat a dog on the one hand; wheedle, pet, and hold meat in front of it on the other, and it can soon be brought to perform.

XXVI: Love and WarKeep reading from here

Change! Change! the inevitable passing of things! Who parts with a perfect thing, even if no more than an unreasoning love, without a touch of self-pity?

XXXVIII: An Hour of DefeatKeep reading from here

“Do you think the senses of the world are only five?” she asked, in the most charming and non-reproachful way.

XLVI: Depths and HeightsKeep reading from here

Life rises to a high plane of the dramatic, and hence of the artistic, whenever and wherever in the conflict regarding material possession there enters a conception of the ideal.

LV: Cowperwood and the GovernorKeep reading from here

Mr. Cowperwood, there isn’t anything you can do for me. You do not understand me, and I do not understand you. You cannot understand me because I am an honest man.

LIX: Capital and Public RightsKeep reading from here

All 64 The Titan quotes, with the words around each

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Contents

All 63 parts
  1. I: The New City
  2. II: A Reconnoiter
  3. III: A Chicago Evening
  4. IV: Peter Laughlin & Co.
  5. V: Concerning a Wife and Family
  6. VI: The New Queen of the Home
  7. VII: Chicago Gas
  8. VIII: Now This Is Fighting
  9. IX: In Search of Victory
  10. X: A Test
  11. XI: The Fruits of Daring
  12. XII: A New Retainer
  13. XIII: The Die Is Cast
  14. XIV: Undercurrents
  15. XV: A New Affection
  16. XVI: A Fateful Interlude
  17. XVII: An Overture to Conflict
  18. XVIII: The Clash
  19. XIX: “Hell Hath No Fury—”
  20. XX: “Man and Superman”
  21. XXI: A Matter of Tunnels
  22. XXII: Street-Railways at Last
  23. XXIII: The Power of the Press
  24. XXIV: The Coming of Stephanie Platow
  25. XXV: Airs from the Orient
  26. XXVI: Love and War
  27. XXVII: A Financier Bewitched
  28. XXVIII: The Exposure of Stephanie
  29. XXIX: A Family Quarrel
  30. XXX: Obstacles
  31. XXXI: Untoward Disclosures
  32. XXXII: A Supper Party
  33. XXXIII: Mr. Lynde to the Rescue
  34. XXXIV: Enter Hosmer Hand
  35. XXXV: A Political Agreement
  36. XXXVI: An Election Draws Near
  37. XXXVII: Aileen’s Revenge
  38. XXXVIII: An Hour of Defeat
  39. XXXIX: The New Administration
  40. XL: A Trip to Louisville
  41. XLI: The Daughter of Mrs. Fleming
  42. XLII: F. A. Cowperwood, Guardian
  43. XLIII: The Planet Mars
  44. XLIV: A Franchise Obtained
  45. XLV: Changing Horizons
  46. XLVI: Depths and Heights
  47. XLVII: American Match
  48. XLVIII: Panic
  49. XLIX: Mount Olympus
  50. L: A New York Mansion
  51. LI: The Revival of Hattie Starr
  52. LII: Behind the Arras
  53. LIII: A Declaration of Love
  54. LIV: Wanted—Fifty-Year Franchises
  55. LV: Cowperwood and the Governor
  56. LVI: The Ordeal of Berenice
  57. LVII: Aileen’s Last Card
  58. LVIII: A Marauder Upon the Commonwealth
  59. LIX: Capital and Public Rights
  60. LX: The Net
  61. LXI: The Cataclysm
  62. LXII: The Recompense
  63. In Retrospect

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Text from Standard Ebooks. Standard Ebooks dedicate their edition to the public domain (CC0 1.0). Every passage and line on this page is the book's own words, checked against the text.