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The Tale of Genji

by Murasaki Shikibu

Length: 101,085 words, about 404 pages, about 7 hours to read

Novels, Romance

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The best passages

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CHAPTER I KIRITSUBO

AT the Court of an Emperor (he lived it matters not when) there was among the many gentlewomen of the Wardrobe and Chamber one, who though she was not of very high rank was favoured far beyond all the rest; so that the great ladies of the Palace, each of whom had secretly hoped that she herself would be chosen, looked with scorn and hatred upon the upstart who had dispelled their dreams. Still less were her former companions, the minor ladies of the Wardrobe, content to see her raised so far above them. Thus her position at Court, preponderant though it was, exposed her to constant jealousy and ill will; and soon, worn out with petty vexations, she fell into a decline, growing very melancholy and retiring frequently to her home. But the Emperor, so far from wearying of her now that she was no longer well or gay, grew every day more tender, and paid not the smallest heed to those who reproved him, till his conduct became the talk of all the land; and even his own barons and courtiers began to look askance at an attachment so ill-advised. They whispered among themselves that in the Land Beyond the Sea such happenings had led to riot and disaster. The people of the country did indeed soon have many grievances to show: and some likened her to Yang Kuei-fei, the mistress of Ming Huang.2 Yet, for all this discontent, so great was the sheltering power of her master’s love that none dared openly molest her.

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CHAPTER II THE BROOM-TREE

It was on a night when the rain never ceased its dismal downpour. There were not many people about in the palace and Genji’s rooms seemed even quieter than usual. He was sitting by the lamp, looking at various books and papers. Suddenly he began pulling some letters out of the drawers of a desk which stood near by. This aroused Tō no Chūjō’s curiosity. ‘Some of them I can show to you’ said Genji, ‘but there are others which I had rather....’ ‘It is just those which I want to see. Ordinary, commonplace letters are very much alike and I do not suppose that yours differ much from mine. What I want to see are passionate letters written in moments of resentment, letters hinting consent, letters written at dusk....’

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CHAPTER IV YŪGAO

IT was at the time when he was secretly visiting the lady of the Sixth Ward.1 One day on his way back from the Palace he thought that he would call upon his foster-mother who, having for a long while been very ill, had become a nun. She lived in the Fifth Ward. After many enquiries he managed to find the house; but the front gate was locked and he could not drive in. He sent one of his servants for Koremitsu, his foster-nurse’s son, and while he was waiting began to examine the rather wretched looking by-street. The house next door was fenced with a new paling, above which at one place were four or five panels of open trellis-work, screened by blinds which were very white and bare. Through chinks in these blinds a number of foreheads could be seen. They seemed to belong to a group of ladies who must be peeping with interest into the street below.

At first he thought they had merely peeped out as they passed; but he soon realized that if they were standing on the floor they must be giants. No, evidently they had taken the trouble to climb on to some table or bed; which was surely rather odd!

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CHAPTER IV YŪGAO

It was the fifteenth night of the eighth month. The light of an unclouded full-moon shone between the ill-fitting planks of the roof and flooded the room. What a queer place to be lying in! thought Genji, as he gazed round the garret, so different from any room he had ever known before. It must be almost day. In the neighbouring houses people were beginning to stir, and there was an uncouth sound of peasant voices: ‘Eh! how cold it is! I can’t believe we shall do much with the crops this year.’ ‘I don’t know what’s going to happen about my carrying-trade’ said another; ‘things look very bad.’ Then (banging on the wall of another house) ‘Wake up, neighbour. Time to start. Did he hear, d’you think?’ and they rose and went off each to the wretched task by which he earned his bread.

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CHAPTER VI THE SAFFRON-FLOWER

The melancholy snow was now falling faster and faster. Dark clouds hung in the sky, the wind blew fierce and wild. The big lamp had burnt out and it seemed to be no one’s business to light it. He remembered the terrible night upon which Yūgao had been bewitched. The house indeed was almost as dilapidated. But it was not quite so large and was (to Genji’s comfort) at least to some small degree inhabited. Nevertheless it was a depressing place to spend the night at in such weather as this. Yet the snow-storm had a beauty and fascination of its own and it was tiresome that the lady whom he had come to visit was far too stiff and awkward to join him in appreciating its wildness. The dawn was just breaking and lifting one of the shutters with his own hand, he looked out at the snow-covered flower-beds. Beyond them stretched great fields of snow untrodden by any foot. The sight was very strange and lovely, and moved by the thought that he must soon leave it: ‘Come and look how beautiful it is out of doors,’ he cried to the princess who was in an inner room. ‘It is unkind of you always to treat me as though I were a stranger.’ Although it was still dark the light of the snow enabled the ancient gentlewomen who had now returned to the room to see the freshness and beauty of Genji’s face. Gazing at him with undisguised wonder and delight, they cried out to their mistress: ‘Yes, madam, indeed you must come. You are not behaving as you should. A young lady should be all kindness and pretty ways.’

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10 of the best lines

The Emperor lay motionless as though he had not understood.

CHAPTER I KIRITSUBOKeep reading from here

But if I were to tell you of all his accomplishments, you would think that he was soon going to become a bore.

CHAPTER I KIRITSUBOKeep reading from here

But in the passionless visage of the sky men read only their own comfort or despair; and Genji, as with many backward glances he went upon his way, paid little heed to the beauty of the dawn.

CHAPTER II THE BROOM-TREEKeep reading from here

Hers was the flippancy that goes with inexperience, and even this sudden visitation did not seem very much to perturb her.

CHAPTER III UTSUSEMIKeep reading from here

People such as old nurses regard even the most blackguardly and ill-favoured foster-children as prodigies of beauty and virtue.

CHAPTER IV YŪGAOKeep reading from here

Would it never be day? It seemed to him that this night was lasting a thousand years.

CHAPTER IV YŪGAOKeep reading from here

Among them it was the plum-trees that gave the surest promise, for already their blossoms were uncurling, like lips parted in a faint smile.

CHAPTER VI THE SAFFRON-FLOWERKeep reading from here

It seemed to those who saw so many public honours showered upon him that no flower of fortune could resist the favouring gale which blew towards his side.

CHAPTER IX AOIKeep reading from here

Whatever he did and wherever he went he felt that a light was gone out of his life and he was very despondent.

CHAPTER IX AOIKeep reading from here

Life, he had come to the conclusion, was not long enough for diversions and experiments; henceforward he would concentrate.

CHAPTER IX AOIKeep reading from here

All 26 The Tale of Genji quotes, with the words around each

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Contents

  1. PREFACE
  2. LIST OF MOST IMPORTANT PERSONS
  3. GENEALOGICAL TABLES
  4. CHAPTER I KIRITSUBO
  5. CHAPTER II THE BROOM-TREE
  6. CHAPTER III UTSUSEMI
  7. CHAPTER IV YŪGAO
  8. CHAPTER V MURASAKI
  9. CHAPTER VI THE SAFFRON-FLOWER
  10. CHAPTER VII THE FESTIVAL OF RED LEAVES
  11. CHAPTER VIII THE FLOWER FEAST
  12. CHAPTER IX AOI
  13. APPENDIX I
  14. APPENDIX II The Vestal Virgins of Ise and Kamo.

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About this edition

Text from Project Gutenberg. In the public domain in the USA. The Project Gutenberg License is kept inside the file. Every passage and line on this page is the book's own words, checked against the text.