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The Return

by Walter de la Mare

Length: 80,566 words, about 322 pages, about 6 hours to read

Horror, Fantasy

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What it is

After visiting a graveyard, a man finds his appearance has mysteriously changed.

The best passages

Pages from the book itself, chosen to make you want to read on. Each opens in the reader at that exact spot.

Chapter I

The churchyard in which Arthur Lawford found himself wandering that mild and golden September afternoon was old, green, and refreshingly still. The silence in which it lay seemed as keen and mellow as the light⁠—the pale, almost heatless, sunlight that filled the air. Here and there robins sang across the stones, elvishly shrill in the quiet of harvest. The only other living creature there seemed to Lawford to be his own rather fair, not insubstantial, rather languid self, who at the noise of the birds had raised his head and glanced as if between content and incredulity across his still and solitary surroundings. An increasing inclination for such lonely ramblings, together with the feeling that his continued ill-health had grown a little irksome to his wife, and that now that he was really better she would be relieved at his absence, had induced him to wander on from home without much considering where the quiet lanes were leading him. And in spite of a peculiar melancholy that had welled up into his mind during these last few days, he had certainly smiled with a faint sense of the irony of things on lifting his eyes in an unusually depressed moodiness to find himself looking down on the shadows and peace of Widderstone.

With that anxious irresolution which illness so often brings in its train he had hesitated for a few minutes before actually entering the graveyard.

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Chapter I

Its narrow flame lengthened, drooped, brightened, gleamed clearly. He glanced around him, unusually contented⁠—at the ruddiness of the low fire, the brass bedstead, the warm red curtains, the soft silveriness here and there. It seemed as if a heavy and dull dream had withdrawn out of his mind. He would go again some day, and sit on the little hard seat beside the crooked tombstone of the friendless old Huguenot. He opened a drawer, took out his razors, and, faintly whistling, returned to the table and lit a second candle. And still with this strange heightened sense of life stirring in his mind, he drew his hand gently over his chin and looked unto the glass.

For an instant he stood head to foot icily still, without the least feeling, or thought, or stir⁠—staring into the looking-glass. Then an inconceivable drumming beat on his ear. A warm surge, like the onset of a wave, broke in him, flooding neck, face, forehead, even his hands with colour. He caught himself up and wheeled deliberately and completely round, his eyes darting to and fro, suddenly to fix themselves in a prolonged stare, while he took a deep breath, caught back his self-possession and paused. Then he turned and once more confronted the changed strange face in the glass.

Without a sound he drew up a chair and sat down, just as he was, frigid and appalled, at the foot of the bed.

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Chapter II

But the coolness and deliberation of his scrutiny, had to a certain extent calmed Lawford’s mind and given him confidence. Hitherto he had met the little difficulties of life only to vanquish them with ease and applause. Now he was standing face to face with the unknown. He burst out laughing, into a long, low, helpless laughter. Then he arose and began to walk softly, swiftly, to and fro across the room⁠—from wall to wall seven paces, and at the fourth, that awful, unseen, brightly-lit profile passed as swiftly over the tranquil surface of the looking-glass. The power of concentration was gone again. He simply paced on mechanically, listening to a Babel of questions, a conflicting medley of answers. But above all the confusion and turmoil of his brain, as a boatswain’s whistle rises above a storm, so sounded that same infinitesimal voice, incessantly repeating another question now, “What are you going to do? What are you going to do?”

And in the midst of this confusion, out of the infinite, as it were, came another sharp tap at the door, and all within sank to utter stillness again.

“It’s nearly half-past eight, Arthur; I can’t wait any longer.”

Lawford cast a last fleeting look into the glass, turned, and confronted the closed door. “Very well, Sheila, you shall not wait any longer.” He crossed over to the door, and suddenly a swift crafty idea flashed into his mind.

He tapped on the panel. “Sheila,” he said softly, “I want you first, before you come in, to get me something out of my old writing-desk in the smoking-room. Here is the key.”

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Chapter XII

“What’s in a name?” laughed Herbert. “But it really is a queer show-up of human oddity. A fellow comes in here, searching; that’s all.” His back was turned, as he stood staring absently out, sipping his tea between his sentences. “He comes in⁠—oh, it’s a positive fact, for I’ve seen him myself, just sitting back in my chair here, you know, watching him as one would a tramp in one’s orchard.” He cast a candid glance over his shoulder. “First he looks round, like a prying servant. Then he comes cautiously on⁠—a kind of grizzled, fawn-coloured face, middle-size, with big hands; and then just like some quiet, groping, nocturnal creature, he begins his precious search⁠—shelves, drawers that are not here, cupboards gone years ago, questing and nosing no end, and quite methodically too, until he reaches the window. Then he stops, looks back, narrows his foxy lids, listens⁠—quite perceptibly, you know, a kind of gingerish blur; then he seems to open this corner bookcase here, as if it were a door and goes out along what I suppose might at some time have been an outside gallery or balcony, unless, as I rather fancy, the house extended once beyond these windows. Anyhow, out he goes quite deliberately, treading the air as lightly as Botticelli’s angels, until, however far you lean out of the window, you can’t follow him any further. And then⁠—and this is the bit that takes one’s fancy⁠—when you have contentedly noddled down again to whatever you may have been doing when the wretch appeared, or are sitting in a cold

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10 of the best lines

Now that cleverness was the fashion most people were clever⁠—even perfect fools; and cleverness after all was often only a bore: all head and no body.

Chapter IKeep reading from here

He was simply caught in some unheard-of snare⁠—caught, how? when? where? by whom?

Chapter IKeep reading from here

A smile can turn a face we dread into a face we’d die for.

Chapter XKeep reading from here

Acquaintances, after all, are little else than a bad habit.

Chapter XIKeep reading from here

I don’t put very much truck in what one calls one’s sanity: except, of course, as a bond of respectability and a means of livelihood.

Chapter XIIKeep reading from here

Peace on earth we bring, and it’s mainly between husband and wife.

Chapter XVKeep reading from here

It’s one of the dullest stupidities of the present day, my dear fellow, to dote on a man simply because he’s different from the rest of us.

Chapter XVKeep reading from here

Once a man strays out of the common herd, he’s more likely to meet wolves in the thickets than angels.

Chapter XVKeep reading from here

I can sup with the devil, spoon for spoon, and could sleep in Bluebeard’s linen-closet without turning a hair.

Chapter XVIIKeep reading from here

Government to me is merely the spectacle of the clever, or the specious, managing the dull.

Chapter XXKeep reading from here

All 17 The Return quotes, with the words around each

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Contents

  1. Chapter I
  2. Chapter II
  3. Chapter III
  4. Chapter IV
  5. Chapter V
  6. Chapter VI
  7. Chapter VII
  8. Chapter VIII
  9. Chapter IX
  10. Chapter X
  11. Chapter XI
  12. Chapter XII
  13. Chapter XIII
  14. Chapter XIV
  15. Chapter XV
  16. Chapter XVI
  17. Chapter XVII
  18. Chapter XVIII
  19. Chapter XIX
  20. Chapter XX
  21. Chapter XXI
  22. Chapter XXII
  23. Chapter XXIII

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About this edition

Text from Standard Ebooks. Standard Ebooks dedicate their edition to the public domain (CC0 1.0). Every passage and line on this page is the book's own words, checked against the text.