The Mysteries of Udolpho

On the pleasant banks of the Garonne, in the province of Gascony, stood, in the year 1584, the château of Monsieur St. Aubert. From its windows were seen the pastoral landscapes of Guienne and Gascony stretching along the river, gay with luxuriant woods and vine, and plantations of olives. To the south, the view was bounded by the majestic Pyrenees, whose summits, veiled in clouds, or exhibiting awful forms, seen, and lost again, as the partial vapours rolled along, were sometimes barren, and gleamed through the blue tinge of air, and sometimes frowned with forests of gloomy pine, that swept downward to their base. These tremendous precipices were contrasted by the soft green of the pastures and woods that hung upon their skirts; among whose flocks, and herds, and simple cottages, the eye, after having scaled the cliffs above, delighted to repose. To the north, and to the east, the plains of Guienne and Languedoc were lost in the mist of distance; on the west, Gascony was bounded by the waters of Biscay.

To relieve, or perhaps to indulge, the pensive temper of his mind, he bade Emily fetch the lute she knew how to touch with such sweet pathos. As she drew near the fishing-house, she was surprised to hear the tones of the instrument, which were awakened by the hand of taste, and uttered a plaintive air, whose exquisite melody engaged all her attention. She listened in profound silence, afraid to move from the spot, lest the sound of her steps should occasion her to lose a note of the music, or should disturb the musician. Everything without the building was still, and no person appeared. She continued to listen, till timidity succeeded to surprise and delight; a timidity, increased by a remembrance of the pencilled lines she had formerly seen, and she hesitated whether to proceed, or to return.

The room was dark, but a light glimmered through some panes of glass that were placed in the upper part of a closet-door. Emily believed her father to be in the closet, and, surprised that he was up at so late an hour, apprehended he was unwell, and was going to enquire; but, considering that her sudden appearance at this hour might alarm him, she removed her light to the staircase, and then stepped softly to the closet. On looking through the panes of glass, she saw him seated at a small table, with papers before him, some of which he was reading with deep attention and interest, during which he often wept and sobbed aloud. Emily, who had come to the door to learn whether her father was ill, was now detained there by a mixture of curiosity and tenderness. She could not witness his sorrow, without being anxious to know the subject of it; and she therefore continued to observe him in silence, concluding that those papers were letters of her late mother. Presently he knelt down, and with a look so solemn as she had seldom seen him assume, and which was mingled with a certain wild expression, that partook more of horror than of any other character, he prayed silently for a considerable time.

When he rose, a ghastly paleness was on his countenance. Emily was hastily retiring; but she saw him turn again to the papers, and she stopped.

“It is an echo, monsieur, I fancy. That guitar is often heard at night, when all is still, but nobody knows who touches it, and it is sometimes accompanied by a voice so sweet, and so sad, one would almost think the woods were haunted.” “They certainly are haunted,” said St. Aubert with a smile, “but I believe it is by mortals.” “I have sometimes heard it at midnight, when I could not sleep,” rejoined La Voisin, not seeming to notice this remark, “almost under my window, and I never heard any music like it. It has often made me think of my poor wife till I cried. I have sometimes got up to the window to look if I could see anybody, but as soon as I opened the casement all was hushed, and nobody to be seen; and I have listened, and listened till I have been so timorous, that even the trembling of the leaves in the breeze has made me start. They say it often comes to warn people of their death, but I have heard it these many years, and outlived the warning.”

The splendour of these illumined objects was heightened by the contrasted shade, which involved the valley below.

“There,” said Montoni, speaking for the first time in several hours, “is Udolpho.”

Emily gazed with melancholy awe upon the castle, which she understood to be Montoni’s; for, though it was now lighted up by the setting sun, the gothic greatness of its features, and its mouldering walls of dark grey stone, rendered it a gloomy and sublime object. As she gazed, the light died away on its walls, leaving a melancholy purple tint, which spread deeper and deeper, as the thin vapour crept up the mountain, while the battlements above were still tipped with splendour. From those, too, the rays soon faded, and the whole edifice was invested with the solemn duskiness of evening. Silent, lonely, and sublime, it seemed to stand the sovereign of the scene, and to frown defiance on all, who dared to invade its solitary reign. As the twilight deepened, its features became more awful in obscurity, and Emily continued to gaze, till its clustering towers were alone seen, rising over the tops of the woods, beneath whose thick shade the carriages soon after began to ascend.