The Murder on the Links quotes
The lines readers remember from The Murder on the Links, by Agatha Christie.
29 quotes · About the book
Standout lines
“The true work, it is done from within. The little grey cells—remember always the little grey cells, mon ami!”
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Then he would tap his egg-shaped head with absurd complacency, and remark with great satisfaction:
“The true work, it is done from within. The little grey cells—remember always the little grey cells, mon ami!”
I slipped into my seat, and remarked idly, in answer to Poirot’s greeting, that an hour’s sea passage from Calais to Dover could hardly be dignified by the epithet “terrible.”
Mon ami, a clue of two feet long is every bit as valuable as one measuring two millimetres!
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“
Mon ami, a clue of two feet long is every bit as valuable as one measuring two millimetres!
But it is the romantic idea that all important clues must be infinitesimal! As to the piece of lead-piping having nothing to do with the crime, you say that because Giraud told you so.
A malformation of the grey cells may coincide quite easily with the face of a madonna.
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“Some of the greatest criminals I have known had the faces of angels,” remarked Poirot cheerfully. “
A malformation of the grey cells may coincide quite easily with the face of a madonna.
”
Man is an unoriginal animal. Unoriginal within the law in his daily respectable life, equally unoriginal outside the law.
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(Japp would tell you the same, Hastings.)
Man is an unoriginal animal. Unoriginal within the law in his daily respectable life, equally unoriginal outside the law.
If a man commits a crime, any other crime he commits will resemble it closely. The English murderer who disposed of his wives in succession by drowning them in their baths was a case in point.
One may have a crime without a murderer, but for two crimes it is essential to have two bodies.
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“Ta-ta-ta.” Poirot made his favourite ejaculation of impatience. “Still you do not understand.
One may have a crime without a murderer, but for two crimes it is essential to have two bodies.
”
For whom will a woman lie? Sometimes for herself, usually for the man she loves, always for her children.
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“You mock yourself at me. But I will give you one last irrefutable proof. Madame Renauld’s story was false—a fabrication from beginning to end. We believe Madame Renauld to have loved her husband—yet she lied to shield his murderer.
For whom will a woman lie? Sometimes for herself, usually for the man she loves, always for her children.
That is the last—the irrefutable proof. You can not get round it.”
All quotes
Jump to a chapter
- I: A Fellow Traveller
- II: An Appeal for Help
- VI: The Scene of the Crime
- VII: The Mysterious Madame Daubreuil
- IX: M. Giraud Finds Some Clues
- XII: Poirot Elucidates Certain Points
- XIII: The Girl with the Anxious Eyes
- XVII: We Make Further Investigations
- XVIII: Giraud Acts
- XIX: I Use My Grey Cells
- XXIII: Difficulties Ahead
- XXIV: “Save Him!”
- XXVII: Jack Renauld’s Story
I: A Fellow Traveller
Strangely enough, this tale of mine opens in much the same fashion. Only the lady who gave utterance to the exclamation was not a Duchess!
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“ ‘Hell!’ said the Duchess.”
Strangely enough, this tale of mine opens in much the same fashion. Only the lady who gave utterance to the exclamation was not a Duchess!
It was a day in early June. I had been transacting some business in Paris and was returning by the morning service to London where I was still sharing rooms with my old friend, the Belgian ex-detective, Hercule Poirot.
To this essentially moral sentiment, I had no reply. A point of view makes a great difference.
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“That’s better. Keeping up appearances is a bit of a fag, I grant, but if a girl respects herself it’s up to her not to let herself get slack.”
To this essentially moral sentiment, I had no reply. A point of view makes a great difference.
I secured a couple of porters, and we alighted on the platform. My companion held out her hand.
II: An Appeal for Help
“The true work, it is done from within. The little grey cells—remember always the little grey cells, mon ami!”
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Then he would tap his egg-shaped head with absurd complacency, and remark with great satisfaction:
“The true work, it is done from within. The little grey cells—remember always the little grey cells, mon ami!”
I slipped into my seat, and remarked idly, in answer to Poirot’s greeting, that an hour’s sea passage from Calais to Dover could hardly be dignified by the epithet “terrible.”
Because in that case she would have come, not written. A woman cannot wait—always remember that, Hastings.
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“
Because in that case she would have come, not written. A woman cannot wait—always remember that, Hastings.
”
“And has, without doubt, hanged more than one innocent man,” remarked Poirot dryly.
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“It’s all very well, Poirot, but I think you are falling into the habit of despising certain things too much. A fingerprint has led sometimes to the arrest and conviction of a murderer.”
“And has, without doubt, hanged more than one innocent man,” remarked Poirot dryly.
“But surely the study of fingerprints and footprints, cigarette ash, different kinds of mud, and other clues that comprise the minute observation of details—all these are of vital importance?”
“Mon ami, two people rarely see the same thing. You, for instance, saw a goddess. I—”
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“Possibly. I did not remark the fact.”
“Mon ami, two people rarely see the same thing. You, for instance, saw a goddess. I—”
he hesitated.
VI: The Scene of the Crime
“Crimes, though, are very much the same,” remarked Poirot gently.
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“I know you by name, M. Poirot,” he said. “You cut quite a figure in the old days, didn’t you? But methods are very different now.”
“Crimes, though, are very much the same,” remarked Poirot gently.
I saw at once that Giraud was prepared to be hostile. He resented the other being associated with him, and I felt that if he came across any clue of importance he would be more than likely to keep it to himself.
VII: The Mysterious Madame Daubreuil
Mon ami, a clue of two feet long is every bit as valuable as one measuring two millimetres!
Show the passage
“
Mon ami, a clue of two feet long is every bit as valuable as one measuring two millimetres!
But it is the romantic idea that all important clues must be infinitesimal! As to the piece of lead-piping having nothing to do with the crime, you say that because Giraud told you so.
A malformation of the grey cells may coincide quite easily with the face of a madonna.
Show the passage
“Some of the greatest criminals I have known had the faces of angels,” remarked Poirot cheerfully. “
A malformation of the grey cells may coincide quite easily with the face of a madonna.
”
IX: M. Giraud Finds Some Clues
Man is an unoriginal animal. Unoriginal within the law in his daily respectable life, equally unoriginal outside the law.
Show the passage
(Japp would tell you the same, Hastings.)
Man is an unoriginal animal. Unoriginal within the law in his daily respectable life, equally unoriginal outside the law.
If a man commits a crime, any other crime he commits will resemble it closely. The English murderer who disposed of his wives in succession by drowning them in their baths was a case in point.
You may know all about cigarettes and match ends, M. Giraud, but I, Hercule Poirot, know the mind of man!
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“That when you have two crimes precisely similar in design and execution, you find the same brain behind them both. I am looking for that brain, M. Giraud—and I shall find it. Here we have a true clue—a psychological clue.
You may know all about cigarettes and match ends, M. Giraud, but I, Hercule Poirot, know the mind of man!
” And the ridiculous little fellow tapped his forehead with emphasis.
XII: Poirot Elucidates Certain Points
The great criminal can be a great actor.
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Regard a great actress, does not her acting of grief carry you away and impress you with its reality? No, however strong my own impression and belief, I needed other evidence before I allowed myself to be satisfied.
The great criminal can be a great actor.
I base my certainty in this case, not upon my own impression, but upon the undeniable fact that Mrs. Renauld actually fainted. I turned up her eyelids and felt her pulse. There was no deception—the swoon was genuine.
Arrange your facts. Arrange your ideas. And if some little fact will not fit in—do not reject it but consider it closely.
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“Method, you comprehend! Method!
Arrange your facts. Arrange your ideas. And if some little fact will not fit in—do not reject it but consider it closely.
Though its significance escapes you, be sure that it is significant.”
That is well. That is excellent. Out of confusion comes forth order.
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“But yes, it is better so. Before, there was at all events a clear theory as to how and by whose hands he met his death. Now that is all gone. We are in darkness. A hundred conflicting points confuse and worry us.
That is well. That is excellent. Out of confusion comes forth order.
But if you find order to start with, if a crime seems simple and aboveboard, eh bien, méfiez vous! It is, how do you say it?—cooked! The great criminal is simple—but very few criminals are great.
The great criminal is simple—but very few criminals are great.
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That is well. That is excellent. Out of confusion comes forth order. But if you find order to start with, if a crime seems simple and aboveboard, eh bien, méfiez vous! It is, how do you say it?—cooked!
The great criminal is simple—but very few criminals are great.
In trying to cover up their tracks, they invariably betray themselves. Ah, mon ami, I would that some day I could meet a really great criminal—one who commits his crime, and then—does nothing! Even I, Hercule Poirot, might fail to catch such a one.”
Ah, mon ami, I would that some day I could meet a really great criminal—one who commits his crime, and then—does nothing! Even I, Hercule Poirot, might fail to catch such a one.
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It is, how do you say it?—cooked! The great criminal is simple—but very few criminals are great. In trying to cover up their tracks, they invariably betray themselves.
Ah, mon ami, I would that some day I could meet a really great criminal—one who commits his crime, and then—does nothing! Even I, Hercule Poirot, might fail to catch such a one.
”
XIII: The Girl with the Anxious Eyes
“Les Anglais!” he murmured. “No method—absolutely none whatever. They leave all to chance!”
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Poirot sighed and shook his head.
“Les Anglais!” he murmured. “No method—absolutely none whatever. They leave all to chance!”
He frowned, and altered the position of the salt cellar.
XVII: We Make Further Investigations
Again you have the sentiment, and not the logic!
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“Ta-ta-ta,” said Poirot impatiently. “
Again you have the sentiment, and not the logic!
If it is necessary for a criminal to be a consummate actress, then by all means assume her to be one. But is it necessary?
One may have a crime without a murderer, but for two crimes it is essential to have two bodies.
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“Ta-ta-ta.” Poirot made his favourite ejaculation of impatience. “Still you do not understand.
One may have a crime without a murderer, but for two crimes it is essential to have two bodies.
”
XVIII: Giraud Acts
I have seen mothers who murdered their little children for the sake of the insurance money! After that, one can believe anything.
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“Mon ami,” said Poirot, “you continue to be of a sentimentality unbelievable!
I have seen mothers who murdered their little children for the sake of the insurance money! After that, one can believe anything.
”
He builds a case, as a beaver builds a dam, with a fatiguing industry.
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“Of course.
He builds a case, as a beaver builds a dam, with a fatiguing industry.
But he will not have looked for the things that I am seeking—in all probability he would not have seen their importance if they stared him in the face. Let us begin.”
XIX: I Use My Grey Cells
For whom will a woman lie? Sometimes for herself, usually for the man she loves, always for her children.
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“You mock yourself at me. But I will give you one last irrefutable proof. Madame Renauld’s story was false—a fabrication from beginning to end. We believe Madame Renauld to have loved her husband—yet she lied to shield his murderer.
For whom will a woman lie? Sometimes for herself, usually for the man she loves, always for her children.
That is the last—the irrefutable proof. You can not get round it.”
Arrange your ideas. Be methodical. Be orderly. There is the secret of success.
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“Think, my friend,” said Poirot’s voice encouragingly. “
Arrange your ideas. Be methodical. Be orderly. There is the secret of success.
”
XXIII: Difficulties Ahead
I had learned, with Poirot, that the less dangerous he looked, the more dangerous he was.
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But, in the meantime, what was Poirot doing? I studied him attentively. He was wearing his most innocent air, and staring meditatively into the far distance. He looked altogether too placid and supine to give me reassurance.
I had learned, with Poirot, that the less dangerous he looked, the more dangerous he was.
His quiescence alarmed me. Observing a troubled quality in my glance, he smiled benignantly.
XXIV: “Save Him!”
A famous old imbecile, that one! Of a stupidity to make pity!
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“
A famous old imbecile, that one! Of a stupidity to make pity!
”
“One must stand by one’s friends,” replied the other dryly. “Especially when they are unjustly accused.”
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“And what are you doing here, M. Stonor?” inquired Poirot.
“One must stand by one’s friends,” replied the other dryly. “Especially when they are unjustly accused.”
“Then you do not believe that Jack Renauld committed the crime?” I asked eagerly.
XXVII: Jack Renauld’s Story
It is that I have arranged you a marriage, Hastings.
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“
It is that I have arranged you a marriage, Hastings.
”
And suddenly I felt afraid of her, as one might feel afraid of a beautiful poisonous snake.
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Madame Daubreuil accompanied us down the stairs. Since I had learned of her past history, I viewed this woman with increased interest. She stood there with her eyes cast down, the same very faint enigmatical smile that I remembered on her lips.
And suddenly I felt afraid of her, as one might feel afraid of a beautiful poisonous snake.
“I hope we have not deranged you, madame,” said Poirot politely as she opened the door for us to pass out.
“Take care of your grandmother!” retorted the girl. “This is child’s play to me.”
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Then rushing to the tree in the flowerbed, he swarmed up it with the agility of a cat. I followed him, as with a bound he sprang in through the open window. Looking over my shoulder, I saw Dulcie reaching the branch behind me.
“Take care of your grandmother!” retorted the girl. “This is child’s play to me.”
Poirot had rushed through the empty room and was pounding on the door leading into the corridor.
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