The Moon Pool

For two months I had been on the d’Entrecasteaux Islands gathering data for the concluding chapters of my book upon the flora of the volcanic islands of the South Pacific. The day before I had reached Port Moresby and had seen my specimens safely stored on board the Southern Queen. As I sat on the upper deck I thought, with homesick mind, of the long leagues between me and Melbourne, and the longer ones between Melbourne and New York.

It was one of Papua’s yellow mornings when she shows herself in her sombrest, most baleful mood. The sky was smouldering ochre. Over the island brooded a spirit sullen, alien, implacable, filled with the threat of latent, malefic forces waiting to be unleashed. It seemed an emanation out of the untamed, sinister heart of Papua herself⁠—sinister even when she smiles. And now and then, on the wind, came a breath from virgin jungles, laden with unfamiliar odours, mysterious and menacing.

It is on such mornings that Papua whispers to you of her immemorial ancientness and of her power. And, as every white man must, I fought against her spell. While I struggled I saw a tall figure striding down the pier; a Kapa-Kapa boy followed swinging a new valise. There was something familiar about the tall man. As he reached the gangplank he looked up straight into my eyes, stared for a moment, then waved his hand.

And now I knew him.

He paused abruptly and arose; the cigarette dropped from his fingers. The moon had again broken through the clouds, and this time much nearer. Not a mile away was the patch of light that it threw upon the waves. Back of it, to the rim of the sea was a lane of moonlight; a gigantic gleaming serpent racing over the edge of the world straight and surely toward the ship.

Throckmartin stiffened to it as a pointer does to a hidden covey. To me from him pulsed a thrill of horror⁠—but horror tinged with an unfamiliar, an infernal joy. It came to me and passed away⁠—leaving me trembling with its shock of bitter sweet.

He bent forward, all his soul in his eyes. The moon path swept closer, closer still. It was now less than half a mile away. From it the ship fled⁠—almost as though pursued. Down upon it, swift and straight, a radiant torrent cleaving the waves, raced the moon stream.

“Good God!” breathed Throckmartin, and if ever the words were a prayer and an invocation they were.

And then, for the first time⁠—I saw⁠—it!

The moon path stretched to the horizon and was bordered by darkness. It was as though the clouds above had been parted to form a lane⁠—drawn aside like curtains or as the waters of the Red Sea were held back to let the hosts of Israel through. On each side of the stream was the black shadow cast by the folds of the high canopies. And straight as a road between the opaque walls gleamed, shimmered, and danced the shining, racing, rapids of the moonlight.

There came a whining hail from the Tonga boy lookout draped lazily over the bow.

“Sail he b’long port side!”

Da Costa straightened and gazed while I raised my glass. The vessel was a scant mile away, and must have been visible long before the sleepy watcher had seen her. She was a sloop about the size of the Suwarna, without power. All sails set, even to a spinnaker she carried, she was making the best of the little breeze. I tried to read her name, but the vessel jibed sharply as though the hands of the man at the wheel had suddenly dropped the helm⁠—and then with equal abruptness swung back to her course. The stern came in sight, and on it I read “Brunhilda.”

I shifted my glasses to the man at wheel. He was crouching down over the spokes in a helpless, huddled sort of way, and even as I looked the vessel veered again, abruptly as before. I saw the helmsman straighten up and bring the wheel about with a vicious jerk.

He stood so for a moment, looking straight ahead, entirely oblivious of us, and then seemed again to sink down within himself. It came to me that his was the action of a man striving vainly against a weariness unutterable.

The end of this alcove was another wall of the same rose stone, but upon it the design of vines was much heavier.

We took a step forward⁠—there was a gasp of awe from the Norseman, a guttural exclamation from Marakinoff. For on, or rather within, the wall before us, a great oval began to glow, waxed almost to a flame and then shone steadily out as though from behind it a light was streaming through the stone itself!

And within the roseate oval two flame-tipped shadows appeared, stood for a moment, and then seemed to float out upon its surface. The shadows wavered; the tips of flame that nimbused them with flickering points of vermilion pulsed outward, drew back, darted forth again, and once more withdrew themselves⁠—and as they did so the shadows thickened⁠—and suddenly there before us stood two figures!

One was a girl⁠—a girl whose great eyes were golden as the fabled lilies of Kwan-Yung that were born of the kiss of the sun upon the amber goddess the demons of Lao-Tz’e carved for him; whose softly curved lips were red as the royal coral, and whose golden-brown hair reached to her knees!

And the second was a gigantic frog⁠—A woman frog, head helmeted with carapace of shell around which a fillet of brilliant yellow jewels shone; enormous round eyes of blue circled with a broad iris of green; monstrous body of banded orange and white girdled with strand upon strand of the flashing yellow gems; six feet high if an inch, and with one webbed paw of its short, powerfully muscled forelegs resting upon the white shoulder of the golden-eyed girl!

Yolara threw her white arms high. From the mountainous tiers came a mighty sigh; a rippling ran through them. And upon the moment, before Yolara’s arms fell, there issued, apparently from the air around us, a peal of sound that might have been the shouting of some playful god hurling great suns through the net of stars. It was like the deepest notes of all the organs in the world combined in one; summoning, majestic, cosmic!

It held within it the thunder of the spheres rolling through the infinite, the birth-song of suns made manifest in the womb of space; echoes of creation’s supernal chord! It shook the body like a pulse from the heart of the universe⁠—pulsed⁠—and died away.

On its death came a blaring as of all the trumpets of conquering hosts since the first Pharaoh led his swarms⁠—triumphal, compelling! Alexander’s clamouring hosts, brazen-throated wolf-horns of Caesar’s legions, blare of trumpets of Genghis Khan and his golden horde, clangor of the locust levies of Tamerlane, bugles of Napoleon’s armies⁠—war-shout of all Earth’s conquerors! And it died!

Fast upon it, a throbbing, muffled tumult of harp sounds, mellownesses of myriads of wood horns, the subdued sweet shrilling of multitudes of flutes, Pandean pipings⁠—inviting, carrying with them the calling of waterfalls in the hidden places, rushing brooks and murmuring forest winds⁠—calling, calling, languorous, lulling, dripping into the brain like the very honeyed essence of sound.