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The House of the Seven Gables

by Nathaniel Hawthorne

Length: 103,779 words, about 415 pages, about 7 hours to read

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What it is

A dignified but poor woman and her young relative open a shop in a room of a house with a dark history.

The best passages

Pages from the book itself, chosen to make you want to read on. Each opens in the reader at that exact spot.

I: The Old Pyncheon Family

Halfway down a by-street of one of our New England towns stands a rusty wooden house, with seven acutely peaked gables, facing towards various points of the compass, and a huge, clustered chimney in the midst. The street is Pyncheon Street; the house is the old Pyncheon House; and an elm-tree, of wide circumference, rooted before the door, is familiar to every town-born child by the title of the Pyncheon Elm. On my occasional visits to the town aforesaid, I seldom failed to turn down Pyncheon Street, for the sake of passing through the shadow of these two antiquities⁠—the great elm-tree and the weather-beaten edifice.

The aspect of the venerable mansion has always affected me like a human countenance, bearing the traces not merely of outward storm and sunshine, but expressive also, of the long lapse of mortal life, and accompanying vicissitudes that have passed within.

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I: The Old Pyncheon Family

One inauspicious circumstance there was, which awakened a hardly concealed displeasure in the breasts of a few of the more punctilious visitors. The founder of this stately mansion⁠—a gentleman noted for the square and ponderous courtesy of his demeanor, ought surely to have stood in his own hall, and to have offered the first welcome to so many eminent personages as here presented themselves in honor of his solemn festival. He was as yet invisible; the most favored of the guests had not beheld him. This sluggishness on Colonel Pyncheon’s part became still more unaccountable, when the second dignitary of the province made his appearance, and found no more ceremonious a reception. The lieutenant-governor, although his visit was one of the anticipated glories of the day, had alighted from his horse, and assisted his lady from her side-saddle, and crossed the Colonel’s threshold, without other greeting than that of the principal domestic.

This person⁠—a gray-headed man, of quiet and most respectful deportment⁠—found it necessary to explain that his master still remained in his study, or private apartment; on entering which, an hour before, he had expressed a wish on no account to be disturbed.

“Do not you see, fellow,” said the high-sheriff of the county, taking the servant aside, “that this is no less a man than the lieutenant-governor? Summon Colonel Pyncheon at once! I know that he received letters from England this morning; and, in the perusal and consideration of them, an hour may have passed away without his noticing it.

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II: The Little Shopwindow

could not bear to be observed in the gradual process, and chose rather to flash forth on the world’s astonished gaze at once.

The inevitable moment was not much longer to be delayed. The sunshine might now be seen stealing down the front of the opposite house, from the windows of which came a reflected gleam, struggling through the boughs of the elm-tree, and enlightening the interior of the shop more distinctly than heretofore. The town appeared to be waking up. A baker’s cart had already rattled through the street, chasing away the latest vestige of night’s sanctity with the jingle-jangle of its dissonant bells. A milkman was distributing the contents of his cans from door to door; and the harsh peal of a fisherman’s conch shell was heard far off, around the corner. None of these tokens escaped Hepzibah’s notice. The moment had arrived. To delay longer would be only to lengthen out her misery. Nothing remained, except to take down the bar from the shop-door, leaving the entrance free⁠—more than free⁠—welcome, as if all were household friends⁠—to every passerby, whose eyes might be attracted by the commodities at the window. This last act Hepzibah now performed, letting the bar fall with what smote upon her excited nerves as a most astounding clatter. Then⁠—as if the only barrier betwixt herself and the world had been thrown down, and a flood of evil consequences would come tumbling through the gap⁠—she fled into the inner parlor, threw herself into the ancestral elbow-chair, and wept.

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IV: A Day Behind the Counter

During the latter process, an omnibus came to a standstill under the branches of the elm-tree. Hepzibah’s heart was in her mouth. Remote and dusky, and with no sunshine on all the intervening space, was that region of the Past whence her only guest might be expected to arrive! Was she to meet him now?

Somebody, at all events, was passing from the farthest interior of the omnibus towards its entrance. A gentleman alighted; but it was only to offer his hand to a young girl whose slender figure, nowise needing such assistance, now lightly descended the steps, and made an airy little jump from the final one to the sidewalk. She rewarded her cavalier with a smile, the cheery glow of which was seen reflected on his own face as he reentered the vehicle. The girl then turned towards the House of the Seven Gables, to the door of which, meanwhile⁠—not the shop-door, but the antique portal⁠—the omnibus-man had carried a light trunk and a bandbox. First giving a sharp rap of the old iron knocker, he left his passenger and her luggage at the doorstep, and departed.

“Who can it be?” thought Hepzibah, who had been screwing her visual organs into the acutest focus of which they were capable. “The girl must have mistaken the house.”

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XIII: Alice Pyncheon

There was a message brought, one day, from the worshipful Gervayse Pyncheon to young Matthew Maule, the carpenter, desiring his immediate presence at the House of the Seven Gables.

“And what does your master want with me?” said the carpenter to Mr. Pyncheon’s black servant. “Does the house need any repair? Well it may, by this time; and no blame to my father who built it, neither! I was reading the old Colonel’s tombstone, no longer ago than last Sabbath; and, reckoning from that date, the house has stood seven-and-thirty years. No wonder if there should be a job to do on the roof.”

“Don’t know what massa wants,” answered Scipio. “The house is a berry good house, and old Colonel Pyncheon think so too, I reckon;⁠—else why the old man haunt it so, and frighten a poor niggar as he does?”

“Well, well, friend Scipio; let your master know that I’m coming,” said the carpenter with a laugh. “For a fair, workmanlike job, he’ll find me his man. And so the house is haunted, is it? It will take a tighter workman than I am to keep the spirits out of the Seven Gables. Even if the Colonel would be quiet,” he added, muttering to himself, “my old grandfather, the wizard, will be pretty sure to stick to the Pyncheons as long as their walls hold together.”

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10 of the best lines

The aspect of the venerable mansion has always affected me like a human countenance, bearing the traces not merely of outward storm and sunshine, but expressive also, of the long lapse of mortal life, and accompanying vicissitudes that have passed within.

I: The Old Pyncheon FamilyKeep reading from here

People in difficulty and distress, or in any manner at odds with the world, can endure a vast amount of harsh treatment, and perhaps be only the stronger for it; whereas they give way at once before the simplest expression of what they perceive to be genuine sympathy.

III: The First CustomerKeep reading from here

It is like death, without death’s quiet privilege⁠—its freedom from mortal care.

IV: A Day Behind the CounterKeep reading from here

In short, I make pictures out of sunshine; and, not to be too much dazzled with my own trade, I have prevailed with Miss Hepzibah to let me lodge in one of these dusky gables.

VI: Maule’s WellKeep reading from here

Why are poets so apt to choose their mates, not for any similarity of poetic endowment, but for qualities which might make the happiness of the rudest handicraftsman as well as that of the ideal craftsman of the spirit? Because, probably, at his highest elevation, the poet needs no human intercourse; but he finds it dreary to descend, and be a stranger.

IX: Clifford and PhoebeKeep reading from here

There is no greater bugbear than a strong-willed relative in the circle of his own connections.

XI: The Arched WindowKeep reading from here

Human blood, in order to keep its freshness, should run in hidden streams, as the water of an aqueduct is conveyed in subterranean pipes.

XII: The DaguerreotypistKeep reading from here

But, I suppose, people never feel so much like angels as when they are doing what little good they may.

XIV: Phoebe’s GoodbyeKeep reading from here

They give us wings; they annihilate the toil and dust of pilgrimage; they spiritualize travel!

XVII: The Flight of Two OwlsKeep reading from here

This contrast, or intermingling of tragedy with mirth, happens daily, hourly, momently.

XIX: Alice’s PosiesKeep reading from here

All 103 The House of the Seven Gables quotes, with the words around each

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Contents

  1. Preface
  2. I: The Old Pyncheon Family
  3. II: The Little Shopwindow
  4. III: The First Customer
  5. IV: A Day Behind the Counter
  6. V: May and November
  7. VI: Maule’s Well
  8. VII: The Guest
  9. VIII: The Pyncheon of Today
  10. IX: Clifford and Phoebe
  11. X: The Pyncheon Garden
  12. XI: The Arched Window
  13. XII: The Daguerreotypist
  14. XIII: Alice Pyncheon
  15. XIV: Phoebe’s Goodbye
  16. XV: The Scowl and Smile
  17. XVI: Clifford’s Chamber
  18. XVII: The Flight of Two Owls
  19. XVIII: Governor Pyncheon
  20. XIX: Alice’s Posies
  21. XX: The Flower of Eden
  22. XXI: The Departure

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About this edition

Text from Standard Ebooks. Standard Ebooks dedicate their edition to the public domain (CC0 1.0). Every passage and line on this page is the book's own words, checked against the text.