The Golden Triangle

It was close upon half-past six and the evening shadows were growing denser when two soldiers reached the little space, planted with trees, opposite the Musée Galliéra, where the Rue de Chaillot and the Rue Pierre-Charron meet. One wore an infantryman’s sky-blue greatcoat; the other, a Senegalese, those clothes of undyed wool, with baggy breeches and a belted jacket, in which the Zouaves and the native African troops have been dressed since the war. One of them had lost his right leg, the other his left arm.

They walked round the open space, in the center of which stands a fine group of Silenus figures, and stopped. The infantryman threw away his cigarette. The Senegalese picked it up, took a few quick puffs at it, put it out by squeezing it between his forefinger and thumb and stuffed it into his pocket. All this without a word.

Almost at the same time two more soldiers came out of the Rue Galliéra. It would have been impossible to say to what branch they belonged, for their military attire was composed of the most incongruous civilian garments. However, one of them sported a Zouave’s chechia, the other an artilleryman’s képi. The first walked on crutches, the other on two sticks. These two kept near the newspaper-kiosk which stands at the edge of the pavement.

Three others came singly by the Rue Pierre-Charron, the Rue Brignoles and the Rue de Chaillot: a one-armed rifleman, a limping sapper and a marine with a hip that looked as if it was twisted. Each of them made straight for a tree and leant against it.

She came forward, stopped once more and, suddenly bending, seized the dagger. Without waiting, she took two more steps. These brought her to the right of the chair in which Essarès lay. He had only to turn his head a little way to see her. And an awful minute passed, during which the husband and wife looked into each other’s eyes.

The whirl of thoughts, of fear, of hatred, of vagrant and conflicting passions that passed through the brains of her who was about to kill and him who was about to die, was reproduced in Patrice Belval’s mind and deep down in his inner consciousness. What was he to do? What part ought he to play in the tragedy that was being enacted before his eyes? Should he intervene? Was it his duty to prevent Coralie from committing the irreparable deed? Or should he commit it himself by breaking the man’s head with a bullet from his revolver?

Yet, from the beginning, Patrice had really been swayed by a feeling which, mingling with all the others, gradually paralyzed him and rendered any inward struggle illusory: a feeling of curiosity driven to its utmost pitch. It was not the everyday curiosity of unearthing a squalid secret, but the higher curiosity of penetrating the mysterious soul of a woman whom he loved, who was carried away by the rush of events and who suddenly, becoming once more mistress of herself, was of her own accord and with impressive calmness taking the most fearful resolution. Thereupon other questions forced themselves upon him. What prompted her to take this resolution?

Under the dome of this little temple was a tombstone and, in front of it, an old wooden praying-chair, from the bars of which hung, on the left, an ivory crucifix and, on the right, a rosary composed of amethyst beads in a gold filigree setting.

“Coralie, Coralie,” whispered Patrice, in a voice trembling with emotion, “who can be buried here?”

They went nearer. There were bead wreaths laid in rows on the tombstone. They counted nineteen, each bearing the date of one of the last nineteen years. Pushing them aside, they read the following inscription in gilt letters worn and soiled by the rain:

Here lie Patrice and Coralie, both of whom were murdered on the 14th of April, 1895. Revenge to me: I will repay.

He rushed to one of the windows, tore back the curtain that veiled it and pulled upon the casement. A cry escaped him. The window was walled up, walled up with building-stones that filled the space between the glass and the shutters.

He ran to the other window and found the same obstacle.

There were two doors, leading probably to the bedroom on the right and to a room next to the kitchen on the left. He opened them quickly. Both doors were walled up.

He ran in every direction, during the first moment of terror, and then hurled himself against the first of the three doors and tried to break it down. It did not move. It might have been an immovable block.

Then, once again, they looked at each other with eyes of fear; and the same terrible thought came over them both. The thing that had happened before was being repeated! The tragedy was being played a second time. After the mother and the father, it was the turn of the daughter and the son. Like the lovers of yesteryear, those of today were prisoners. The enemy held them in his powerful grip; and they would doubtless soon know how their parents had died by seeing how they themselves would die.⁠ ⁠… 14 April, 1895.⁠ ⁠… 14 April, 1915.⁠ ⁠…

He tapped him on the shoulder. The man was on his feet at once, his face lit up with a smile:

“Pardon me, captain, but my life is so much taken up that, when I have a few minutes to myself, I use them for sleeping, wherever I may be⁠ ⁠… like Napoleon, eh? Well, I don’t object to the comparison.⁠ ⁠… But enough about myself. How are you feeling now? And madame⁠—‘Little Mother Coralie’⁠—is she better? I saw no use in waking you, after I had opened the doors and taken you outside. I had done what was necessary and felt quite easy. You were both breathing. So I left the rest to the good pure air.”

He broke off, at the sight of Patrice’s disconcerted attitude; and his smile made way for a merry laugh:

“Oh, I was forgetting: you don’t know me! Of course, it’s true, the letter I sent you was intercepted. Let me introduce myself. Don Luis Perenna, a member of an old Spanish family, genuine patent of nobility, papers all in order.⁠ ⁠… But I can see that all this tells you nothing,” he went on, laughing still more gaily. “No doubt Ya-Bon described me differently when he wrote my name on that street-wall, one evening a fortnight ago. Aha, you’re beginning to understand!⁠ ⁠… Yes, I’m the man you sent for to help you. Shall I mention the name, just bluntly? Well, here goes, captain!⁠ ⁠… Arsène Lupin, at your service.”