The Forsyte Saga

On June 15, eighteen eighty-six, about four of the afternoon, the observer who chanced to be present at the house of old Jolyon Forsyte in Stanhope Gate, might have seen the highest efflorescence of the Forsytes.

This was the occasion of an “at home” to celebrate the engagement of Miss June Forsyte, old Jolyon’s granddaughter, to Mr. Philip Bosinney. In the bravery of light gloves, buff waistcoats, feathers and frocks, the family were present, even Aunt Ann, who now but seldom left the corner of her brother Timothy’s green drawing-room, where, under the aegis of a plume of dyed pampas grass in a light blue vase, she sat all day reading and knitting, surrounded by the effigies of three generations of Forsytes. Even Aunt Ann was there; her inflexible back, and the dignity of her calm old face personifying the rigid possessiveness of the family idea.

When a Forsyte was engaged, married, or born, the Forsytes were present; when a Forsyte died⁠—but no Forsyte had as yet died; they did not die; death being contrary to their principles, they took precautions against it, the instinctive precautions of highly vitalized persons who resent encroachments on their property.

A tall woman, with a beautiful figure, which some member of the family had once compared to a heathen goddess, stood looking at these two with a shadowy smile.

Her hands, gloved in French grey, were crossed one over the other, her grave, charming face held to one side, and the eyes of all men near were fastened on it. Her figure swayed, so balanced that the very air seemed to set it moving. There was warmth, but little colour, in her cheeks; her large, dark eyes were soft.

But it was at her lips⁠—asking a question, giving an answer, with that shadowy smile⁠—that men looked; they were sensitive lips, sensuous and sweet, and through them seemed to come warmth and perfume like the warmth and perfume of a flower.

The engaged couple thus scrutinized were unconscious of this passive goddess. It was Bosinney who first noticed her, and asked her name.

June took her lover up to the woman with the beautiful figure.

“Irene is my greatest chum,” she said: “Please be good friends, you two!”

At the little lady’s command they all three smiled; and while they were smiling, Soames Forsyte, silently appearing from behind the woman with the beautiful figure, who was his wife, said:

“Ah! introduce me too!”

He was seldom, indeed, far from Irene’s side at public functions, and even when separated by the exigencies of social intercourse, could be seen following her about with his eyes, in which were strange expressions of watchfulness and longing.

Family dinners of the Forsytes observe certain traditions. There are, for instance, no hors d’oeuvre. The reason for this is unknown. Theory among the younger members traces it to the disgraceful price of oysters; it is more probably due to a desire to come to the point, to a good practical sense deciding at once that hors d’oeuvre are but poor things. The Jameses alone, unable to withstand a custom almost universal in Park Lane, are now and then unfaithful.

A silent, almost morose, inattention to each other succeeds to the subsidence into their seats, lasting till well into the first entrée, but interspersed with remarks such as, “Tom’s bad again; I can’t tell what’s the matter with him!”⁠—“I suppose Ann doesn’t come down in the mornings?”⁠—“What’s the name of your doctor, Fanny? Stubbs? He’s a quack!”⁠—“Winifred? She’s got too many children. Four, isn’t it? She’s as thin as a lath!”⁠—“What d’you give for this sherry, Swithin? Too dry for me!”

With the second glass of champagne, a kind of hum makes itself heard, which, when divested of casual accessories and resolved into its primal element, is found to be James telling a story, and this goes on for a long time, encroaching sometimes even upon what must universally be recognised as the crowning point of a Forsyte feast⁠—“the saddle of mutton.”

No Forsyte has given a dinner without providing a saddle of mutton. There is something in its succulent solidity which makes it suitable to people “of a certain position.”

Soames hated sunshine, and he at once got up, to draw the blind. Then he took his own cup of tea from his wife, and said, more coldly than he had intended:

“Can’t you see your way to do it for eight thousand after all? There must be a lot of little things you could alter.”

Bosinney drank off his tea at a gulp, put down his cup, and answered:

“Not one!”

Soames saw that his suggestion had touched some unintelligible point of personal vanity.

“Well,” he agreed, with sulky resignation; “you must have it your own way, I suppose.”

A few minutes later Bosinney rose to go, and Soames rose too, to see him off the premises. The architect seemed in absurdly high spirits. After watching him walk away at a swinging pace, Soames returned moodily to the drawing-room, where Irene was putting away the music, and, moved by an uncontrollable spasm of curiosity, he asked:

“Well, what do you think of the Buccaneer?”

He looked at the carpet while waiting for her answer, and he had to wait some time.

“I don’t know,” she said at last.

“Do you think he’s good-looking?”

Irene smiled. And it seemed to Soames that she was mocking him.

“Yes,” she answered; “very.”

But the door did not open, nor when he pulled it and turned the handle firmly. She must have locked it for some reason, and forgotten.

Entering his dressing-room, where the gas was also lighted and burning low, he went quickly to the other door. That too was locked. Then he noticed that the camp bed which he occasionally used was prepared, and his sleeping-suit laid out upon it. He put his hand up to his forehead, and brought it away wet. It dawned on him that he was barred out.

He went back to the door, and rattling the handle stealthily, called: “Unlock the door, do you hear? Unlock the door!”

There was a faint rustling, but no answer.

“Do you hear? Let me in at once⁠—I insist on being let in!”

He could catch the sound of her breathing close to the door, like the breathing of a creature threatened by danger.

There was something terrifying in this inexorable silence, in the impossibility of getting at her. He went back to the other door, and putting his whole weight against it, tried to burst it open. The door was a new one⁠—he had had them renewed himself, in readiness for their coming in after the honeymoon. In a rage he lifted his foot to kick in the panel; the thought of the servants restrained him, and he felt suddenly that he was beaten.

Flinging himself down in the dressing-room, he took up a book.