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The Face in the Abyss quotes

The lines readers remember from The Face in the Abyss, by Abraham Merritt.

27 quotes · About the book

Standout lines

Strange how the wilderness, the jungle, the desert, bring out the latent man in all of us.

OUT OF THE HAUNTED HILLS.Read from here
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Sterrett manages to keep himself evenly drunk all the time. That spare burro of his must be loaded with nothing but that Indian hell-brew. Dancre is moody and sullen. Soames seems to have developed a morbid suspicion of all of us.

Strange how the wilderness, the jungle, the desert, bring out the latent man in all of us.

In Quito none of the three was half bad. But now—well, the luckiest thing for me will be for us to find no treasure. If we do, my throat will probably be the first to be cut.

The wilderness, the loneliness of it, their disappointment, had brought out the real man that lies hidden beneath the veneer we all of us carry.

SUARRA OF THE GOLDEN SPEARS.Read from here
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But worst of all was the change that had come over his companions. As high as they had been lifted by their certainty of success, just so deep were they now cast into despair.

The wilderness, the loneliness of it, their disappointment, had brought out the real man that lies hidden beneath the veneer we all of us carry.

Sterrett kept himself at a steady level of drunkenness, alternately quarrelsome and noisy or sunk in a sullen mood of brooding, brutal rage. Dancre had become silent and irritable.

It is death that blots out not alone the body, but that lord whose castle is the body; that which looks out through the windows of your eyes—that presence, that flame, you believe can never die.

SUARRA OF THE GOLDEN SPEARS.Read from here
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"Do not laugh," she said. "The death I mean is not such as you who live beyond the high rim of our land may know.

It is death that blots out not alone the body, but that lord whose castle is the body; that which looks out through the windows of your eyes—that presence, that flame, you believe can never die.

That, too, our death blots out; makes as though it never had been. Or letting it live, changes it in—dreadful—ways.

Her face was ageless, neither young nor old; it came to him that it was free from time forever, free from the etching acid of the years.

THE EYES OF THE SNAKE MOTHER.Read from here
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She lay just beyond the lip of a wide alcove set high above the pillared floor. Between her and him the azure beams fell, curtaining the great niche with a misty radiance that half-shadowed, half-revealed her.

Her face was ageless, neither young nor old; it came to him that it was free from time forever, free from the etching acid of the years.

She might have been born yesterday or a million years agone. Her eyes, set wide apart, were round and luminous; they were living jewels filled with purple fires. Above them rose her forehead, wide and high and sloping sharply back.

Nevertheless it is never wise to threaten unless you know the strength of what it is you menace.

THE WHITE LLAMA.Read from here
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"I was hasty," she said to Soames. "

Nevertheless it is never wise to threaten unless you know the strength of what it is you menace.

And remember, of me you know nothing. Yet I know all that you wish to learn. You wish to know how I came by this—and this—and this—" she touched her coronal, her bracelet, her anklets.

Not alone the doors of death, but the doors of life are closed to them—the dream makers!

"COME BACK—GRAYDON!"Read from here
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Why should they mate with their kind when they can create new lovers in dream, new loves and hates! Yea, new emotions, and forms utterly unknown to earth, each as he or she may will. And so they are—barren.

Not alone the doors of death, but the doors of life are closed to them—the dream makers!

"

All quotes

Jump to a chapter
  1. OUT OF THE HAUNTED HILLS.
  2. SUARRA OF THE GOLDEN SPEARS.
  3. THE EYES OF THE SNAKE MOTHER.
  4. THE WHITE LLAMA.
  5. THE THING THAT FLED.
  6. THE ELFIN HORNS.
  7. "COME BACK—GRAYDON!"
  8. "I AM GOING BACK TO HER!"

OUT OF THE HAUNTED HILLS.

Strange how the wilderness, the jungle, the desert, bring out the latent man in all of us.

Read from here
Show the passage

Sterrett manages to keep himself evenly drunk all the time. That spare burro of his must be loaded with nothing but that Indian hell-brew. Dancre is moody and sullen. Soames seems to have developed a morbid suspicion of all of us.

Strange how the wilderness, the jungle, the desert, bring out the latent man in all of us.

In Quito none of the three was half bad. But now—well, the luckiest thing for me will be for us to find no treasure. If we do, my throat will probably be the first to be cut.

There are certain pictures, certain sculptures, certain works of art which carry to their beholders conviction that no fantasy, no imagination, went into their making and that they are careful, accurate copies of something seen by those who made them.

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Yet it was not that which called forth the full measure of my wonder; no.

There are certain pictures, certain sculptures, certain works of art which carry to their beholders conviction that no fantasy, no imagination, went into their making and that they are careful, accurate copies of something seen by those who made them.

This bit of golden carving carried that conviction.

SUARRA OF THE GOLDEN SPEARS.

The wilderness, the loneliness of it, their disappointment, had brought out the real man that lies hidden beneath the veneer we all of us carry.

Read from here
Show the passage

But worst of all was the change that had come over his companions. As high as they had been lifted by their certainty of success, just so deep were they now cast into despair.

The wilderness, the loneliness of it, their disappointment, had brought out the real man that lies hidden beneath the veneer we all of us carry.

Sterrett kept himself at a steady level of drunkenness, alternately quarrelsome and noisy or sunk in a sullen mood of brooding, brutal rage. Dancre had become silent and irritable.

And drinking in her loveliness, Graydon forgot the man at his feet; forgot all, and was content to let his soul sit undisturbed within his eyes and take its delight to her.

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She stood there; looking at him!

And drinking in her loveliness, Graydon forgot the man at his feet; forgot all, and was content to let his soul sit undisturbed within his eyes and take its delight to her.

Her skin was palest ivory. It gleamed translucent through the rents of the soft amber fabric like the thickest silk that swathed her. Her eyes were deep velvety pools, oval, a little tilted; Egyptian in the wide midnight of their irises.

Suddenly she smiled upon him—and it was as though a draft of wild sweet wine had been lifted to his lips.

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"Perhaps," she said, slowly, "perhaps—knowing that—is why—I do not call them!"

Suddenly she smiled upon him—and it was as though a draft of wild sweet wine had been lifted to his lips.

He took a swift step toward her. She drew up to her slim lithe height, thrust out a warning hand.

It is death that blots out not alone the body, but that lord whose castle is the body; that which looks out through the windows of your eyes—that presence, that flame, you believe can never die.

Read from here
Show the passage

"Do not laugh," she said. "The death I mean is not such as you who live beyond the high rim of our land may know.

It is death that blots out not alone the body, but that lord whose castle is the body; that which looks out through the windows of your eyes—that presence, that flame, you believe can never die.

That, too, our death blots out; makes as though it never had been. Or letting it live, changes it in—dreadful—ways.

The sun dropped behind the peaks; the edges of their frozen mantles glittered as though sewn with diamonds; darkened into a fringe of gleaming rubies.

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Far, far away the horns sounded again; faint echoings of the tumult that had swept about Suarra—faint, faint and faerie sweet.

The sun dropped behind the peaks; the edges of their frozen mantles glittered as though sewn with diamonds; darkened into a fringe of gleaming rubies.

The golden fields dulled, grew amber and then blushed forth a glowing rose. They changed to pearl and faded into a ghostly silver, shining like cloud wraiths in the highest heavens. Down upon the algarroba clump the quick Andean dusk fell.

THE EYES OF THE SNAKE MOTHER.

The camp was ringed with silence!

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The silence? Suddenly it came to him that the night had become strangely still. There was no sound either of insect or bird nor any stirring of the familiar after-twilight life of the wilderness.

The camp was ringed with silence!

He strode away, through the algarroba clump. There was a scant score of the trees. They stood up like a little leafy island peak within the brush covered savannah.

The spaces seemed filled with watchers; he felt their gaze upon him; knew with an absolute certainty that some hidden host girdled the camp.

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the yellow blooms of the chilca shrubs that pressed to the very feet of the trees shone wanly in the silver flood. The faintly aromatic fragrance of the quenuar stole around him. Movement or sign of life there was none.

The spaces seemed filled with watchers; he felt their gaze upon him; knew with an absolute certainty that some hidden host girdled the camp.

He scanned every bush and shadow; saw nothing. Nevertheless the certainty of a hidden, unseen multitude persisted. A wave of nervous irritation passed through him. He would force them, whatever they were, to show themselves.

On the instant the silence intensified; seemed to draw taut; to lift itself up whole octaves of stillnesses; to become alert, expectant—as though poised to spring upon him should he take one step further!

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He stepped boldly into the full moonlight.

On the instant the silence intensified; seemed to draw taut; to lift itself up whole octaves of stillnesses; to become alert, expectant—as though poised to spring upon him should he take one step further!

A coldness wrapped him, a shudder shook him. He drew swiftly back to the shadow of the trees; stood there, his heart beating furiously. The silence lost its poignancy, dropped back upon its haunches—but watchful and alert!

The silence lost its poignancy, dropped back upon its haunches—but watchful and alert!

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A coldness wrapped him, a shudder shook him. He drew swiftly back to the shadow of the trees; stood there, his heart beating furiously.

The silence lost its poignancy, dropped back upon its haunches—but watchful and alert!

What had frightened him? What was there in that tightening of the stillness that had touched him with finger of nightmare terror?

A city rushed up to meet him, a city ruby roofed and opal turreted and fantastic as though built by jinn out of the stuff of dreams.

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He caught wheeling sight of carved collossi, gigantic shapes that sat bathed in the milky flood of the moon guarding each the mouth of a cavern.

A city rushed up to meet him, a city ruby roofed and opal turreted and fantastic as though built by jinn out of the stuff of dreams.

And then it seemed to him that he came to rest within a vast and columned hall from whose high roof fell beams of soft and dimly azure light.

Her face was ageless, neither young nor old; it came to him that it was free from time forever, free from the etching acid of the years.

Read from here
Show the passage

She lay just beyond the lip of a wide alcove set high above the pillared floor. Between her and him the azure beams fell, curtaining the great niche with a misty radiance that half-shadowed, half-revealed her.

Her face was ageless, neither young nor old; it came to him that it was free from time forever, free from the etching acid of the years.

She might have been born yesterday or a million years agone. Her eyes, set wide apart, were round and luminous; they were living jewels filled with purple fires. Above them rose her forehead, wide and high and sloping sharply back.

THE WHITE LLAMA.

Nevertheless it is never wise to threaten unless you know the strength of what it is you menace.

Read from here
Show the passage

"I was hasty," she said to Soames. "

Nevertheless it is never wise to threaten unless you know the strength of what it is you menace.

And remember, of me you know nothing. Yet I know all that you wish to learn. You wish to know how I came by this—and this—and this—" she touched her coronal, her bracelet, her anklets.

I tell you again that what there is to fear as we go on that way is that which is in yourselves.

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But you are wrong. I tell you again that you have nothing to fear from me—who come only to show you a way.

I tell you again that what there is to fear as we go on that way is that which is in yourselves.

"

You can't hypnotize a gun, Sterrett.

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"Hypnotism," said Soames, "that's what it was. The Indian priests down here know how to work it. But he won't catch me again with that trick. I'll shoot.

You can't hypnotize a gun, Sterrett.

"

THE THING THAT FLED.

They were judges, watching a game.

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There had been some vow—some bargain—even as Suarra had said. She had promised to save him, Graydon—if she could. She had promised the others treasure and freedom—if they could win them. Very well—the hooded pair would not interfere. But neither would they help.

They were judges, watching a game.

They had given Suarra permission to play that game—but left the playing of it rigidly up to her.

What manner of people were these who hunted with dinosaurs for dogs and a dinosaur for steed!

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Graydon's glasses dropped from a nerveless hand.

What manner of people were these who hunted with dinosaurs for dogs and a dinosaur for steed!

His eyes fell to the base of the monolith where had crouched the scarlet thing. It was no longer there. He caught a gleam of crimson in the high grass not a thousand feet from him where he watched.

A loom is but a dead machine on which fingers work more or less clumsily.

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Might it not be then that in Yu-Atlanchi dwelt those who knew so well the secrets of evolution that in the laboratories of birth they could create men and women things of any shape desired?

A loom is but a dead machine on which fingers work more or less clumsily.

The spider is both machine and living artisan, spinning, weaving, more surely, more exquisitely than could any dead mechanism worked by man. Who had approached the delicacy, the beauty, of the spider's web?

The spider is both machine and living artisan, spinning, weaving, more surely, more exquisitely than could any dead mechanism worked by man.

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A loom is but a dead machine on which fingers work more or less clumsily.

The spider is both machine and living artisan, spinning, weaving, more surely, more exquisitely than could any dead mechanism worked by man.

Who had approached the delicacy, the beauty, of the spider's web?

THE ELFIN HORNS.

The llama faded—and then grew again on the silvery warp and woof of the rays like a pattern on an enchanted loom.

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Strange, too, he thought, how its shape seemed now to stand forth sharply and now to fade almost to a ghostly tenuity. And when it reappeared it was as though the moonbeams thickened, whirled and wove swiftly and spun it from themselves.

The llama faded—and then grew again on the silvery warp and woof of the rays like a pattern on an enchanted loom.

Sterrett's hand swept down to his belt. Before he could cover the white beast with the automatic Soames caught his wrist. The New Englander spoke fiercely, wrathfully. Graydon knew that he was warning the giant of the danger of the pistol crack; urging silence.

"COME BACK—GRAYDON!"

Through dream they create their own worlds; do therein as they will; live life upon life as they will it.

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What use in that, Graydon? None. So they let the years stream by while they dream—the most of them. For they have conquered dream.

Through dream they create their own worlds; do therein as they will; live life upon life as they will it.

In their dreams they shape world upon world upon world—-and each of their worlds is a real world to them. And so they let the years stream by while they live in dream!

Not alone the doors of death, but the doors of life are closed to them—the dream makers!

Read from here
Show the passage

Why should they mate with their kind when they can create new lovers in dream, new loves and hates! Yea, new emotions, and forms utterly unknown to earth, each as he or she may will. And so they are—barren.

Not alone the doors of death, but the doors of life are closed to them—the dream makers!

"

When I think of you it is like warm wine in my veins.

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"Because you make me feel as I have never felt before!" she whispered slowly. "Because you make me happy—because you make me sorrowful.

When I think of you it is like warm wine in my veins.

I want both to sing—and to weep. I want your touch—to be close to you. When you go—the world will be darkened—life will be drab."

When you go—the world will be darkened—life will be drab.

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she whispered slowly. "Because you make me happy—because you make me sorrowful. When I think of you it is like warm wine in my veins. I want both to sing—and to weep. I want your touch—to be close to you.

When you go—the world will be darkened—life will be drab.

"

He carried her into his dreams.

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He threw himself down where their hands had clasped—where their lips had met. Hour after hour he lay there—thinking, thinking. His head dropped forward at last.

He carried her into his dreams.

"I AM GOING BACK TO HER!"

Like calls to like the world over.

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The subconsciousness, the consciousness, too, leaped out in response to what the Face portrayed with such tremendous power. In proportion to the strength of that hunger, so was the strength of the response.

Like calls to like the world over.

"

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