The Crystal Stopper

The two boats fastened to the little pier that jutted out from the garden lay rocking in its shadow. Here and there lighted windows showed through the thick mist on the margins of the lake. The Enghien Casino opposite blazed with light, though it was late in the season, the end of September. A few stars appeared through the clouds. A light breeze ruffled the surface of the water.

Arsène Lupin left the summerhouse where he was smoking a cigar and, bending forward at the end of the pier:

“Growler?” he asked. “Masher?⁠ ⁠… Are you there?”

A man rose from each of the boats, and one of them answered:

“Yes, governor.”

“Get ready. I hear the car coming with Gilbert and Vaucheray.”

He crossed the garden, walked round a house in process of construction, the scaffolding of which loomed overhead, and cautiously opened the door on the Avenue de Ceinture. He was not mistaken: a bright light flashed round the bend and a large, open motorcar drew up, whence sprang two men in greatcoats, with the collars turned up, and caps.

It was Gilbert and Vaucheray: Gilbert, a young fellow of twenty or twenty-two, with an attractive cast of features and a supple and sinewy frame; Vaucheray, older, shorter, with grizzled hair and a pale, sickly face.

“Well,” asked Lupin, “did you see him, the deputy?”

“Yes, governor,” said Gilbert, “we saw him take the 7: train for Paris, as we knew he would.”

“Then we are free to act?”

“Absolutely. The Villa Marie-Thérèse is ours to do as we please with.”

The chauffeur had kept his seat. Lupin gave him his orders:

They had returned to the dining-room and Gilbert was bending over the wounded man, when Lupin stopped him:

“Listen.”

They exchanged one look of alarm⁠ ⁠… Someone was speaking in the pantry⁠ ⁠… a very low, strange, very distant voice⁠ ⁠… Nevertheless, as they at once made certain, there was no one in the room, no one except the dead man, whose dark outline lay stretched upon the floor.

And the voice spake anew, by turns shrill, stifled, bleating, stammering, yelling, fearsome. It uttered indistinct words, broken syllables.

Lupin felt the top of his head covering with perspiration. What was this incoherent voice, mysterious as a voice from beyond the grave?

He had knelt down by the manservant’s side. The voice was silent and then began again:

“Give us a better light,” he said to Gilbert.

He was trembling a little, shaken with a nervous dread which he was unable to master, for there was no doubt possible: when Gilbert had removed the shade from the lamp, Lupin realized that the voice issued from the corpse itself, without a movement of the lifeless mass, without a quiver of the bleeding mouth.

“Governor, I’ve got the shivers,” stammered Gilbert.

Again the same voice, the same snuffling whisper.

Suddenly, Lupin burst out laughing, seized the corpse and pulled it aside:

“Exactly!” he said, catching sight of an object made of polished metal. “Exactly! That’s it!⁠ ⁠… Well, upon my word, it took me long enough!”

On the spot on the floor which he had uncovered lay the receiver of a telephone, the cord of which ran up to the apparatus fixed on the wall, at the usual height.

“Because you don’t know that nine minus eight equals one. And that, you see, is a fact of the highest importance. Life becomes impossible if you are ignorant of that fundamental truth.”

He rose, as he spoke, and walked round the room, with his hands behind his back, swaying upon his hips. He did so once more. Then, stopping at the dining-room, he opened the door:

“For that matter, there’s another way of putting the problem. Take eight from nine; and one remains. And the one who remains is here, eh? Correct! And monsieur supplies us with a striking proof, does he not?”

He patted the velvet curtain in which Lupin had hurriedly wrapped himself:

“Upon my word, sir, you must be stifling under this! Not to say that I might have amused myself by sticking a dagger through the curtain. Remember Hamlet’s madness and Polonius’ death: ‘How now! A rat? Dead, for a ducat, dead!’ Come along, Mr. Polonius, come out of your hole.”

It was one of those positions to which Lupin was not accustomed and which he loathed. To catch others in a trap and pull their leg was all very well; but it was a very different thing to have people teasing him and roaring with laughter at his expense. Yet what could he answer back?

“You look a little pale, Mr. Polonius⁠ ⁠… Hullo! Why, it’s the respectable old gentleman who has been hanging about the square for some days! So you belong to the police too, Mr. Polonius? There, there, pull yourself together, I shan’t hurt you!⁠ ⁠… But you see, Clémence, how right my calculation was. You told me that nine spies had been to the house.

“I shall!”

“And why? By favour of what saint will you succeed where everybody else has failed? There must be a reason?”

“There is.”

“What is it?”

“My name is Arsène Lupin.”

He had let go of Daubrecq, but held him for a time under the dominion of his authoritative glance and will. At last, Daubrecq drew himself up, gave him a couple of sharp taps on the shoulder and, with the same calm, the same intense obstinacy, said:

“And my name’s Daubrecq. My whole life has been one desperate battle, one long series of catastrophes and routs in which I spent all my energies until victory came: complete, decisive, crushing, irrevocable victory. I have against me the police, the government, France, the world. What difference do you expect it to make to me if I have M. Arsène Lupin against me into the bargain? I will go further: the more numerous and skilful my enemies, the more cautiously I am obliged to play. And that is why, my dear sir, instead of having you arrested, as I might have done⁠—yes, as I might have done and very easily⁠—I let you remain at large and beg charitably to remind you that you must quit in less than three minutes.”

“Then the answer is no?”

“The answer is no.”

“You won’t do anything for Gilbert?”

“Yes, I shall continue to do what I have been doing since his arrest⁠—that is to say, to exercise indirect influence with the minister of justice, so that the trial may be hurried on and end in the way in which I want to see it end.”

“What!” cried Lupin, beside himself with indignation. “It’s because of you, it’s for you⁠ ⁠…”

The torture-chamber showed beneath him. It was a large, irregular room, divided into unequal portions by the four wide, massive pillars that supported its arched roof. A smell of damp and mildew came from its walls and from its flags moistened by the water that trickled from without. Its appearance at any time must have been gruesome. But, at that moment, with the tall figures of Sébastiani and his sons, with the slanting gleams of light that fell between the pillars, with the vision of the captive chained down upon the truckle-bed, it assumed a sinister and barbarous aspect.

Daubrecq was in the front part of the room, four or five yards down from the window at which Lupin lurked. In addition to the ancient chains that had been used to fasten him to his bed and to fasten the bed to an iron hook in the wall, his wrists and ankles were girt with leather thongs; and an ingenious arrangement caused his least movement to set in motion a bell hung to the nearest pillar.

A lamp placed on a stool lit him full in the face.

The Marquis d’Albufex was standing beside him. Lupin could see his pale features, his grizzled moustache, his long, lean form as he looked at his prisoner with an expression of content and of gratified hatred.

A few minutes passed in profound silence. Then the marquis gave an order:

“Light those three candles, Sébastiani, so that I can see him better.”