The Cosmic Computer

Thirty minutes to Litchfield.

Conn Maxwell, at the armor-glass front of the observation deck, watched the landscape rush out of the horizon and vanish beneath the ship, ten thousand feet down. He thought he knew how an hourglass must feel with the sand slowly draining out.

It had been six months to Litchfield when the Mizar lifted out of La Plata Spaceport and he watched Terra dwindle away. It had been two months to Litchfield when he boarded the City of Asgard at the port of the same name on Odin. It had been two hours to Litchfield when the Countess Dorothy rose from the airship dock at Storisende. He had had all that time, and now it was gone, and he was still unprepared for what he must face at home.

Thirty minutes to Litchfield.

The words echoed in his mind as though he had spoken them aloud, and then, realizing that he never addressed himself as sir, he turned. It was the first mate.

He had a clipboard in his hand, and he was wearing a Terran Federation Space Navy uniform of forty years, or about a dozen regulation-changes, ago. Once Conn had taken that sort of thing for granted. Now it was obtruding upon him everywhere.

“Thirty minutes to Litchfield, sir,” the first officer repeated, and gave him the clipboard to check the luggage list. Valises, two; trunks, two; microbook case, one. The last item fanned a small flicker of anger, not at any person, not even at himself, but at the whole infernal situation. He nodded.

“That’s everything. Not many passengers left aboard, are there?”

It wasn’t until they were down to the main level and outside in the little plaza to the east of the Airlines Building that his father broke the silence.

“That was quite a talk you gave them, Conn. They believed every word of it. I even caught myself starting to believe it once or twice.”

Conn stopped short; his father halted beside him. “Why didn’t you tell them the truth, son?” Rodney Maxwell asked.

The question, which he had been throwing at himself, angered him. “Why didn’t I just grab a couple of pistols and shoot the lot of them?” he retorted. “It wouldn’t have killed them any deader, and it wouldn’t have hurt as much.”

“There is no Merlin. Is that it?”

He realized, suddenly, that his father had known, or suspected that all along. He started to say something, then checked himself and began again:

“There never was one. I was going to tell them, but you saw them. I couldn’t.”

“You’re sure of it?”

“You know what it’ll cost? If you go ahead with it, I’m in it with you, make no mistake about that. But you and I will be the only two people on Poictesme who can be trusted with the truth. We’ll have to lie to everybody else, with every word we speak. We’ll have to lie to Flora, and we’ll have to lie to your mother. Your mother most of all. She believes in absolutes. Lying is absolutely wrong, no matter whom it helps; telling the truth is absolutely right, no matter how much damage it does or how many hearts it breaks. You think this is going to be worth a price like that?”

“Don’t you?” he demanded, and then pointed along the crumbling and littered Mall. “Look at that. Pretend you never saw it before and are looking at it for the first time. And then tell me whether it’ll be worth it or not.”

His father took a cigar from his mouth. For a moment, he sat staring silently.

“Great Ghu!” Rodney Maxwell turned. “I wonder how that sneaked up on me; I honestly never realized⁠ ⁠… Yes, Conn. This is a cause worth lying for.” He looked at his watch. “We ought to be starting for Senta’s, but let’s take a few minutes and talk this over. How are you going to get it started?”

They sent a snooper in first; it picked up faint radiation leakage from inactive power units of overhead lights, and nothing else. The tunnel stretched ahead of it, empty, and dark beyond its infrared vision. After it had gone a mile without triggering anything, the jeep followed, Anse Dawes piloting and Conn at the snooper controls watching what it transmitted back. The two lorries followed, loaded with men and equipment, and another jeep brought up the rear. They had cut screen-and-radio communication with the outside; they weren’t even using inter-vehicle communication.

At length, the snooper emerged into a big cavern, swinging slowly to scan it. The walls and ceiling were rough and irregular; it was natural instead of excavated. Only the floor had been leveled smooth. There were a lot of things in it, machinery and vehicles, all battered and in poor condition, dusty and cobwebbed: the spaceport junkheap. A passage, still large enough for one of the gunboats, led deeper into the mountain toward the crater. They sent the snooper in and, after a while, followed.

They came to other rectangular, excavated caverns. On the plans, they were marked as storerooms. Cases and crates, indeterminate shrouded objects; some had never been disturbed, but here and there they found evidence of recent investigation.

Beyond was another passage, almost as wide as the Mall in Litchfield; even the Lester Dawes could have negotiated it. According to the plans, it ran straight out to the ship docks and the open crater beyond.

There was a self-powered lift inside the control tower. Conn and Anse rode it to the top and got out, Anse snapping on his flashlight. It was dark in the dome at the top; instead of windows there were viewscreens all around it. Five men had worked here; at least, there were four chairs at four intricate control panels, one for each of the four production lines, and a fifth chair in front of a number of communication screens. There was a heavy-duty power unit, turned off. Conn threw the switch. Lights came on inside, and the outside viewscreens lit.

They were examining the control-panels when Conn’s belt radio buzzed. He plugged it in on his helmet. It was Mohammed Matsui.

“There’s one big power plant back here,” the engineer said. “Right in the middle. It only powers what’s in front of it. There must be another one in either wing, for the isotope plant and the cartridge-case plant. I’ll go look at them. But the power’s been cut off from the machines in the main building. There’s four big switches, one for each production line⁠—”

He was interrupted by a shout, almost a shriek, from somewhere. It sounded like Jerry Rivas. A moment later, Rivas was clamoring:

“Conn! What did you turn on? Turn it off, right away!”

Anse jumped to the switch, pulling it with one hand and getting on his flashlight with the other. The lights went out and the screens went dark.

“It’s off.”

“The dickens it is!” Rivas disputed. “There are a couple of big supervisor-robots circling around, and a flock of workers⁠ ⁠…”

At the same time, Clyde Nichols began cursing. Or maybe he was praying; it was hard to be certain.