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The Beetle

by Richard Marsh

Length: 110,337 words, about 441 pages, about 8 hours to read

Horror

Read The Beetle free, starting with its best pages and lines below. Listen to it free too, read aloud by your phone's own voice.

What it is

A group of middle-class Victorians find themselves pitted against an ancient Egyptian evil.

The best passages

Pages from the book itself, chosen to make you want to read on. Each opens in the reader at that exact spot.

I: Outside

“No room!⁠—Full up!”

He banged the door in my face.

That was the final blow.

To have tramped about all day looking for work; to have begged even for a job which would give me money enough to buy a little food; and to have tramped and to have begged in vain⁠—that was bad. But, sick at heart, depressed in mind and in body, exhausted by hunger and fatigue, to have been compelled to pocket any little pride I might have left, and solicit, as the penniless, homeless tramp which indeed I was, a night’s lodging in the casual ward⁠—and to solicit it in vain!⁠—that was worse. Much worse. About as bad as bad could be.

I stared, stupidly, at the door which had just been banged in my face. I could scarcely believe that the thing was possible. I had hardly expected to figure as a tramp; but, supposing it conceivable that I could become a tramp, that I should be refused admission to that abode of all ignominy, the tramp’s ward, was to have attained a depth of misery of which never even in nightmares I had dreamed.

As I stood wondering what I should do, a man slouched towards me out of the shadow of the wall.

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II: Inside

I moved a step or two forward, gingerly, reaching out with my hands, lest I struck, unawares, against some unseen thing. When I had taken three or four such steps, without encountering an obstacle, or, indeed, anything at all, I began, all at once, to wish I had not seen the house; that I had passed it by; that I had not come through the window; that I were safely out of it again. I became, on a sudden, aware, that something was with me in the room. There was nothing, ostensible, to lead me to such a conviction; it may be that my faculties were unnaturally keen; but, all at once, I knew that there was something there. What was more, I had a horrible persuasion that, though unseeing, I was seen; that my every movement was being watched.

What it was that was with me I could not tell; I could not even guess. It was as though something in my mental organisation had been stricken by a sudden paralysis. It may seem childish to use such language; but I was overwrought, played out; physically speaking, at my last counter; and, in an instant, without the slightest warning, I was conscious of a very curious sensation, the like of which I had never felt before, and the like of which I pray that I never may feel again⁠—a sensation of panic fear.

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III: The Man in the Bed

The illumination which instantly followed was unexpected. It startled me, causing a moment’s check, from which I was just recovering when a voice said,

“Keep still!”

There was a quality in the voice which I cannot describe. Not only an accent of command, but a something malicious, a something saturnine. It was a little guttural, though whether it was a man speaking I could not have positively said; but I had no doubt it was a foreigner. It was the most disagreeable voice I had ever heard, and it had on me the most disagreeable effect; for when it said, “Keep still!” I kept still. It was as though there was nothing else for me to do.

“Turn round!”

I turned round, mechanically, like an automaton. Such passivity was worse than undignified, it was galling; I knew that well. I resented it with secret rage. But in that room, in that presence, I was invertebrate.

When I turned I found myself confronting someone who was lying in bed. At the head of the bed was a shelf. On the shelf was a small lamp which gave the most brilliant light I had ever seen. It caught me full in the eyes, having on me such a blinding effect that for some seconds I could see nothing. Throughout the whole of that strange interview I cannot affirm that I saw clearly; the dazzling glare caused dancing specks to obscure my vision. Yet, after an interval of time, I did see something; and what I did see I had rather have left unseen.

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X: Rejected

It was after our second waltz I did it. In the usual quiet corner⁠—which, that time, was in the shadow of a palm in the hall. Before I had got into my stride she checked me⁠—touching my sleeve with her fan, turning towards me with startled eyes.

“Stop, please!”

But I was not to be stopped. Cliff Challoner passed, with Gerty Cazell. I fancy that, as he passed, he nodded. I did not care. I was wound up to go, and I went it. No man knows how he can talk till he does talk⁠—to the girl he wants to marry. It is my impression that I gave her recollections of the Restoration poets. She seemed surprised⁠—not having previously detected in me the poetic strain, and insisted on cutting in.

“Mr. Atherton, I am so sorry.”

Then I did let fly.

“Sorry that I love you!⁠—why? Why should you be sorry that you have become the one thing needful in any man’s eyes⁠—even in mine? The one thing precious⁠—the one thing to be altogether esteemed! Is it so common for a woman to come across a man who would be willing to lay down his life for her that she should be sorry when she finds him?”

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XXVII: The Terror by Night

She went to bed⁠—with quite sufficient willingness.

The instant that she was out of the room I wished that she was back again. Such a paroxysm of fear came over me, that I was incapable of stirring from the spot on which I stood, and it was all I could do to prevent myself from collapsing in heap on the floor. I had never, till then, had reason to suppose that I was a coward. Nor to suspect myself of being the possessor of “nerves.” I was as little likely as anyone to be frightened by shadows. I told myself that the whole thing was sheer absurdity, and that I should be thoroughly ashamed of my own conduct when the morning came. “If you don’t want to be self-branded as a contemptible idiot, Marjorie Lindon, you will call up your courage, and these foolish fears will fly.” But it would not do. Instead of flying, they grew worse. I became convinced⁠—and the process of conviction was terrible beyond words!⁠—that there actually was something with me in the room, some invisible horror⁠—which, at any moment, might become visible. I seemed to understand⁠—with a sense of agony which nothing can describe!⁠—that this thing which was with me was with Paul. That we were linked together by the bond of a common, and a dreadful terror. That, at that moment, that same awful peril which was threatening me, was threatening him, and that I was powerless to move a finger in his aid.

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10 of the best lines

That was the final blow.

I: OutsideKeep reading from here

I knew that these were eyes, and I knew they were not cats’ eyes, but what eyes they were I did not know⁠—nor dared to think.

II: InsideKeep reading from here

No man knows how he can talk till he does talk⁠—to the girl he wants to marry.

X: RejectedKeep reading from here

In the book of every man’s life there is a page which he would wish to keep turned down.

XIV: The Duchess’ BallKeep reading from here

“I have come because you wanted me.”

XVIII: The Apotheosis of the BeetleKeep reading from here

When a man has to resort to alcohol to keep his nerves up to concert pitch, things are in a bad way with him, you may be sure of that⁠—but then you have never known what it is to stand in momentary expectation of a tête-à-tête with the devil.

XXII: The Haunted ManKeep reading from here

He is the most extraordinary mixture. The things which most people would like to have proclaimed in the street, he keeps tightly locked in his own bosom; while those which the same persons would be only too glad to conceal, he shouts from the roofs.

XXIV: A Woman’s ViewKeep reading from here

I have been anticipating for some weeks past, that things would become exciting⁠—and they have.

XXVIII: The Strange Story of the Man in the StreetKeep reading from here

It was covered with beetles!

XXXI: The Terror by DayKeep reading from here

“The beetle’s going to kill Miss Lindon.”

XLIV: The Man Who Was MurderedKeep reading from here

All 29 The Beetle quotes, with the words around each

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Contents

All 52 parts
  1. Book I: The House with the Open Window
  2. I: Outside
  3. II: Inside
  4. III: The Man in the Bed
  5. IV: A Lonely Vigil
  6. V: An Instruction to Commit Burglary
  7. VI: A Singular Felony
  8. VII: The Great Paul Lessingham
  9. VIII: The Man in the Street
  10. IX: The Contents of the Packet
  11. Book II: The Haunted Man
  12. X: Rejected
  13. XI: A Midnight Episode
  14. XII: A Morning Visitor
  15. XIII: The Picture
  16. XIV: The Duchess’ Ball
  17. XV: Mr. Lessingham Speaks
  18. XVI: Atherton’s Magic Vapour
  19. XVII: Magic?—Or Miracle?
  20. XVIII: The Apotheosis of the Beetle
  21. XIX: The Lady Rages
  22. XX: A Heavy Father
  23. XXI: The Terror in the Night
  24. XXII: The Haunted Man
  25. Book III: The Terror by Night and the Terror by Day
  26. XXIII: The Way He Told Her
  27. XXIV: A Woman’s View
  28. XXV: The Man in the Street
  29. XXVI: A Father’s No
  30. XXVII: The Terror by Night
  31. XXVIII: The Strange Story of the Man in the Street
  32. XXIX: The House on the Road from the Workhouse
  33. XXX: The Singular Behaviour of Mr. Holt
  34. XXXI: The Terror by Day
  35. Book IV: In Pursuit
  36. XXXII: A New Client
  37. XXXIII: What Came of Looking Through a Lattice
  38. XXXIV: After Twenty Years
  39. XXXV: A Bringer of Tidings
  40. XXXVI: What the Tidings Were
  41. XXXVII: What Was Hidden Under the Floor
  42. XXXVIII: The Rest of the Find
  43. XXXIX: Miss Louisa Coleman
  44. XL: What Miss Coleman Saw Through the Window
  45. XLI: The Constable—His Clue—and the Cab
  46. XLII: The Quarry Doubles
  47. XLIII: The Murder at Mrs. ’Enderson’s
  48. XLIV: The Man Who Was Murdered
  49. XLV: All That Mrs. ’Enderson Knew
  50. XLVI: The Sudden Stopping
  51. XLVII: The Contents of the Third-Class Carriage
  52. XLVIII: The Conclusion of the Matter

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About this edition

Text from Standard Ebooks. Standard Ebooks dedicate their edition to the public domain (CC0 1.0). Every passage and line on this page is the book's own words, checked against the text.