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The Beautiful and Damned

by F. Scott Fitzgerald

Length: 124,219 words, about 497 pages, about 9 hours to read

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Read The Beautiful and Damned free, starting with its best pages and lines below. Listen to it free too, read aloud by your phone's own voice.

What it is

The marriage between a down-and-out aesthete and a self-indulgent flapper begins to crumble against the backdrop of World War I and America’s Jazz Age.

The best passages

Pages from the book itself, chosen to make you want to read on. Each opens in the reader at that exact spot.

I: Anthony Patch

In 1913, when Anthony Patch was twenty-five, two years were already gone since irony, the Holy Ghost of this later day, had, theoretically at least, descended upon him. Irony was the final polish of the shoe, the ultimate dab of the clothes-brush, a sort of intellectual “There!”⁠—yet at the brink of this story he has as yet gone no further than the conscious stage. As you first see him he wonders frequently whether he is not without honor and slightly mad, a shameful and obscene thinness glistening on the surface of the world like oil on a clean pond, these occasions being varied, of course, with those in which he thinks himself rather an exceptional young man, thoroughly sophisticated, well adjusted to his environment, and somewhat more significant than anyone else he knows.

This was his healthy state and it made him cheerful, pleasant, and very attractive to intelligent men and to all women. In this state he considered that he would one day accomplish some quiet subtle thing that the elect would deem worthy and, passing on, would join the dimmer stars in a nebulous, indeterminate heaven halfway between death and immortality. Until the time came for this effort he would be Anthony Patch⁠—not a portrait of a man but a distinct and dynamic personality, opinionated, contemptuous, functioning from within outward⁠—a man who was aware that there could be no honor and yet had honor, who knew the sophistry of courage and yet was brave.

A Worthy Man and His Gifted Son

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I: Anthony Patch

He lit a cigarette, tossed the match out the open top of the window, then paused in his tracks with the cigarette two inches from his mouth⁠—which fell faintly ajar. His eyes were focused upon a spot of brilliant color on the roof of a house farther down the alley.

It was a girl in a red negligee, silk surely, drying her hair by the still hot sun of late afternoon. His whistle died upon the stiff air of the room; he walked cautiously another step nearer the window with a sudden impression that she was beautiful. Sitting on the stone parapet beside her was a cushion the same color as her garment and she was leaning both arms upon it as she looked down into the sunny areaway, where Anthony could hear children playing.

He watched her for several minutes. Something was stirred in him, something not accounted for by the warm smell of the afternoon or the triumphant vividness of red. He felt persistently that the girl was beautiful⁠—then of a sudden he understood: it was her distance, not a rare and precious distance of soul but still distance, if only in terrestrial yards. The autumn air was between them, and the roofs and the blurred voices. Yet for a not altogether explained second, posing perversely in time, his emotion had been nearer to adoration than in the deepest kiss he had ever known.

He finished his dressing, found a black bow tie and adjusted it carefully by the three-sided mirror in the bathroom. Then yielding to an impulse he walked quickly into the bedroom and again looked out the window.

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III: The Connoisseur of Kisses

Reaching the ground floor they naively avoided the hotel candy counter, descended the wide front staircase, and walking through several corridors found a drugstore in the Grand Central Station. After an intense examination of the perfume counter she made her purchase. Then on some mutual unmentioned impulse they strolled, arm in arm, not in the direction from which they had come, but out into Forty-Third Street.

The night was alive with thaw; it was so nearly warm that a breeze drifting low along the sidewalk brought to Anthony a vision of an unhoped-for hyacinthine spring. Above in the blue oblong of sky, around them in the caress of the drifting air, the illusion of a new season carried relief from the stiff and breathed-over atmosphere they had left, and for a hushed moment the traffic sounds and the murmur of water flowing in the gutters seemed an illusive and rarefied prolongation of that music to which they had lately danced. When Anthony spoke it was with surety that his words came from something breathless and desirous that the night had conceived in their two hearts.

“Let’s take a taxi and ride around a bit!” he suggested, without looking at her.

Oh, Gloria, Gloria!

A cab yawned at the curb. As it moved off like a boat on a labyrinthine ocean and lost itself among the inchoate night masses of the great buildings, among the now stilled, now strident, cries and clangings, Anthony put his arm around the girl, drew her over to him and kissed her damp, childish mouth.

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III: The Connoisseur of Kisses

An hour passed, and the fire leaped up in little ecstasies as though its fading life was sweet. It was five now, and the clock over the mantel became articulate in sound. Then as if a brutish sensibility in him was reminded by those thin, tinny beats that the petals were falling from the flowered afternoon, Anthony pulled her quickly to her feet and held her helpless, without breath, in a kiss that was neither a game nor a tribute.

Her arms fell to her side. In an instant she was free.

“Don’t!” she said quietly. “I don’t want that.”

She sat down on the far side of the lounge and gazed straight before her. A frown had gathered between her eyes. Anthony sank down beside her and closed his hand over hers. It was lifeless and unresponsive.

“Why, Gloria!” He made a motion as if to put his arm about her but she drew away.

“I don’t want that,” she repeated.

“I’m very sorry,” he said, a little impatiently. “I⁠—I didn’t know you made such fine distinctions.”

She did not answer.

“Won’t you kiss me, Gloria?”

“I don’t want to.” It seemed to him she had not moved for hours.

“A sudden change, isn’t it?” Annoyance was growing in his voice.

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II: Symposium

She became rigid. Someone had come to the door and was standing regarding her, very quiet except for a slight swaying motion. She could see the outline of his figure distinct against some indistinguishable light. There was no sound anywhere, only a great persuasive silence⁠—even the dripping had ceased⁠ ⁠… only this figure, swaying, swaying in the doorway, an indiscernible and subtly menacing terror, a personality filthy under its varnish, like smallpox spots under a layer of powder. Yet her tired heart, beating until it shook her breasts, made her sure that there was still life in her, desperately shaken, threatened.⁠ ⁠…

The minute or succession of minutes prolonged itself interminably, and a swimming blur began to form before her eyes, which tried with childish persistence to pierce the gloom in the direction of the door. In another instant it seemed that some unimaginable force would shatter her out of existence⁠ ⁠… and then the figure in the doorway⁠—it was Hull, she saw, Hull⁠—turned deliberately and, still slightly swaying, moved back and off, as if absorbed into that incomprehensible light that had given him dimension.

Blood rushed back into her limbs, blood and life together. With a start of energy she sat upright, shifting her body until her feet touched the floor over the side of the bed. She knew what she must do⁠—now, now, before it was too late. She must go out into this cool damp, out, away, to feel the wet swish of the grass around her feet and the fresh moisture on her forehead.

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10 of the best lines

Irony was the final polish of the shoe, the ultimate dab of the clothes-brush, a sort of intellectual “There!”⁠—yet at the brink of this story he has as yet gone no further than the conscious stage.

I: Anthony PatchKeep reading from here

Your life on earth will be, as always, the interval between two significant glances in a mundane mirror.

I: Anthony PatchKeep reading from here

I suppose so, if they’re gracefully lazy. Is that possible for an American?

II: Portrait of a SirenKeep reading from here

Happiness, remarked Maury Noble one day, is only the first hour after the alleviation of some especially intense misery.

III: The Connoisseur of KissesKeep reading from here

“My exquisite wife wearies of thought,” remarked Anthony ironically. “She must have a tomato sandwich to stimulate her jaded nerves. Let’s go out to tea.”

I: The Radiant HourKeep reading from here

I did not think⁠—I was a battleground for the thoughts of many men; rather was I one of those desirable but impotent countries over which the great powers surge back and forth.

II: SymposiumKeep reading from here

At last everyone had something to talk about⁠—and almost everyone fully enjoyed it, as though they had been cast for parts in a sombre and romantic play.

III: The Broken LuteKeep reading from here

For years now he had dreamed the world away, basing his decisions upon emotions unstable as water.

I: A Matter of CivilizationKeep reading from here

It seemed that the only lover she had ever wanted was a lover in a dream.

II: A Matter of AestheticsKeep reading from here

To get attention poetry has got to strain for the unusual word, the harsh, earthy word that’s never been beautiful before.

III: No Matter!Keep reading from here

All 95 The Beautiful and Damned quotes, with the words around each

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Contents

  1. Book I
  2. I: Anthony Patch
  3. II: Portrait of a Siren
  4. III: The Connoisseur of Kisses
  5. Book II
  6. I: The Radiant Hour
  7. II: Symposium
  8. III: The Broken Lute
  9. Book III
  10. I: A Matter of Civilization
  11. II: A Matter of Aesthetics
  12. III: No Matter!

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About this edition

Text from Standard Ebooks. Standard Ebooks dedicate their edition to the public domain (CC0 1.0). Every passage and line on this page is the book's own words, checked against the text.