Some Do Not …

The two young men⁠—they were of the English public official class⁠—sat in the perfectly appointed railway carriage. The leather straps to the windows were of virgin newness; the mirrors beneath the new luggage racks immaculate as if they had reflected very little; the bulging upholstery in its luxuriant, regulated curves was scarlet and yellow in an intricate, minute dragon pattern, the design of a geometrician in Cologne. The compartment smelt faintly, hygienically of admirable varnish⁠—the train ran as smoothly⁠—Tietjens remembered thinking⁠—as British gilt-edged securities. It travelled fast; yet had it swayed or jolted over the rail joints, except at the curve before Tonbridge or over the points at Ashford where these eccentricities are expected and allowed for, Macmaster, Tietjens felt certain, would have written to the company. Perhaps he would even have written to the Times.

Their class administered the world, not merely the newly-created Imperial Department of Statistics under Sir Reginald Ingleby. If they saw policemen misbehave, railway porters lack civility, an insufficiency of street lamps, defects in public services or in foreign countries, they saw to it, either with nonchalant Balliol voices, or with letters to the Times, asking in regretful indignation: “Has the British This or That come to this!” Or they wrote, in the serious reviews of which so many still survived, articles taking under their care, manners, the Arts, diplomacy, inter-Imperial trade or the personal reputations of deceased statesmen and men of letters.

Macmaster, that is to say, would do all that: of himself Tietjens was not so certain.

That morning, at breakfast, four months having passed, Tietjens had received a letter from his wife. She asked, without any contrition at all, to be taken back. She was fed-up with Perowne and Brittany.

Tietjens looked up at Macmaster. Macmaster was already half out of his chair, looking at him with enlarged, steel-blue eyes, his beard quivering. By the time Tietjens spoke Macmaster had his hand on the neck of the cut-glass brandy decanter in the brown wood tantalus.

Tietjens said:

“Sylvia asks me to take her back.”

Macmaster said:

“Have a little of this!”

Tietjens was about to say: “No,” automatically. He changed that to:

“Yes. Perhaps. A liqueur glass.”

He noticed that the lip of the decanter agitated, tinkling on the glass. Macmaster must be trembling.

Macmaster, with his back still turned, said:

“Shall you take her back?”

Tietjens answered:

“I imagine so.” The brandy warmed his chest in its descent. Macmaster said:

“Better have another.”

Tietjens answered:

“Yes. Thanks.”

Macmaster went on with his breakfast and his letters. So did Tietjens. Ferens came in, removed the bacon plates and set on the table a silver water-heated dish that contained poached eggs and haddock. A long time afterwards Tietjens said:

“Yes, in principle I’m determined to. But I shall take three days to think out the details.”

He seemed to have no feelings about the matter. Certain insolent phrases in Sylvia’s letter hung in his mind. He preferred a letter like that. The brandy made no difference to his mentality, but it seemed to keep him from shivering.

“I can’t understand, mother, why you live in rooms like a sergeants’ mess.” And Sylvia Tietjens wavered into the room. She added: “I suppose it doesn’t matter. I’m bored.”

Father Consett groaned:

“Heaven help us, she’s like a picture of Our Lady by Fra Angelico.”

Immensely tall, slight and slow in her movements, Sylvia Tietjens wore her reddish, very fair hair in great bandeaux right down over her ears. Her very oval, regular face had an expression of virginal lack of interest such as used to be worn by fashionable Paris courtesans a decade before that time. Sylvia Tietjens considered that, being privileged to go everywhere where one went and to have all men at her feet, she had no need to change her expression or to infuse into it the greater animation that marked the more common beauties of the early twentieth century. She moved slowly from the door and sat languidly on the sofa against the wall.

“There you are, Father,” she said. “I’ll not ask you to shake hands with me. You probably wouldn’t.”

“As I am a priest,” Father Consett answered, “I could not refuse. But I’d rather not.”

“This,” Sylvia repeated, “appears to be a boring place.”

“You won’t say so tomorrow,” the priest said. “There’s two young fellows.⁠ ⁠… And a sort of policeman to trepan away from your mother’s maid!”

“That,” Sylvia answered, “is meant to be bitter. But it doesn’t hurt. I am done with men.” She added suddenly: “Mother, didn’t you one day, while you were still young, say that you had done with men? Firmly! And mean it?”

“Sorry to spoil your shot,” the voice said. “But⁠ ⁠…”

Tietjens dropped his club altogether and straightened his back. A fair young woman with a fixed scowl was looking at him intently. She had a short skirt and was panting a little.

“I say,” she said, “go and see they don’t hurt Gertie. I’ve lost her⁠ ⁠…” She pointed back to the sandhills. “There looked to be some beasts among them.”

She seemed a perfectly negligible girl except for the frown: her eyes blue, her hair no doubt fair under a white canvas hat. She had a striped cotton blouse, but her fawn tweed skirt was well hung.

Tietjens said:

“You’ve been demonstrating.”

She said:

“Of course we have, and of course you object on principle. But you won’t let a girl be manhandled. Don’t wait to tell me I know it⁠ ⁠…”

Noises existed. Sandbach, from beyond the low garden wall fifty yards away, was yelping, just like a dog: “Hi! Hi! Hi! Hi!” and gesticulating. His little caddy, entangled in his golf-bag, was trying to scramble over the wall. On top of a high sandhill stood the policeman: he waved his arms like a windmill and shouted. Beside him and behind, slowly rising, were the heads of the General, Macmaster and their two boys. Further along, in completion were appearing the figures of Mr. Waterhouse, his two companions and their three boys. The Minister was waving his driver and shouting. They all shouted.

“A regular rat-hunt,” the girl said; she was counting. “Eleven and two more caddies!” She exhibited satisfaction. “I headed them all off except two beasts. They couldn’t run. But neither can Gertie⁠ ⁠…”

They turned the corner of the arch. Like something fitting in, exact and expected, Valentine Wannop stood looking at the lists of casualties that hung beneath a cheaply green-stained deal shelter against the wall, a tribute at once to the weaker art movements of the day and the desire to save the ratepayer’s money.

With the same air of finding Christopher Tietjens fit in exactly to an expected landscape she turned on him. Her face was blue-white and distorted. She ran upon him and exclaimed:

“Look at this horror! And you in that foul uniform can support it!”

The sheets of paper beneath the green roof were laterally striped with little serrated lines: each line meant the death of a man, for the day.

Tietjens had fallen a step back off the curb of the pavement that ran round the quadrangle. He said:

“I support it because I have to. Just as you decry it because you have to. They’re two different patterns that we see.” He added: “This is my brother Mark.”

She turned her head stiffly upon Mark: her face was perfectly waxen. It was as if the head of a shopkeeper’s lay-figure had been turned. She said to Mark:

“I didn’t know Mr. Tietjens had a brother. Or hardly. I’ve never heard him speak of you.”

Mark grinned feebly, exhibiting to the lady the brilliant lining of his hat.