Short Fiction

It would be unjust to say that Nature had injured Ivan Akindinich Bargamotov, who in his official capacity was called “Constable No. 20,” and unofficially simply Bargamotov. The inhabitants of one of the outskirts of the provincial towns of Orel, who in their turn were nicknamed “gunners,” from the name of their abode (Gunner Street) and, from the moral side were characterized as “broken-headed gunners,” when they dubbed Ivan Akindinovich “Bargamot,” were without doubt not thinking of the qualities which belong to such a delicate and delicious fruit as the bergamot. By his exterior Bargamot reminded one rather of the mastodon, or of any of those engaging, but extinct creatures, which for want of room have long ago deserted a world already filling up with flaccid little humans. Tall, stout, strong, loud-voiced Bargamot loomed big on the police horizon, and certainly would long ago have attained notable rank, if only his soul, compressed within those stout walls, had not been sunk in an heroic sleep.

Outward impressions in passing to Bargamot’s soul by means of his little fat-encased eyes, lost all their sharpness and force, and arrived at their destination only in the form of feeble echoes and reflections. A person of sublime requirements would have called him a lump of flesh; his superior officers called him a “stock,” but a useful one⁠—while to the “gunners,” the persons most interested in this question, he was a staid, serious matter-of-fact man, one worthy of every respect and consideration.

At times Sashka wished to give up what is called living: to cease to wash every morning in cold water, on which thin sheets of ice floated about; to go no more to the grammar school, and there to have to listen to everyone scolding him; no more to experience the pain in the small of his back and indeed over his whole body when his mother made him kneel in the corner all the evening. But, since he was only thirteen years of age, and did not know all the means by which people abandon life at will, he continued to go to the grammar school and to kneel in the corner, and it seemed to him as if life would never end. A year would go by, and another, and yet another, and still he would be going to school, and be made to kneel in the corner. And since Sashka possessed an indomitable and bold spirit, he could not supinely tolerate evil, and so found means to avenge himself on life. With this object in view he would thrash his companions, be rude to the Head, impertinent to the masters, and tell lies all day long to his teachers and to his mother⁠—but to his father only he never lied. If in a fight he got his nose broken, he would purposely make the damage worse, and howl, without shedding a single tear, but so loudly that all who heard him were fain to stop their ears to keep out the disagreeable sound.

“You lie! I know you lie!”

“What are you shouting for? Is it necessary that everyone should hear us?”

And here again she lied, for I had not shouted, but spoken in the quietest voice, holding her hand and speaking quite gently while that venomous word “lie” hissed like a little serpent.

“I love you,” she continued, “and you ought to believe me. Does not this convince you?”

And she kissed me. But when I was about to take hold of her hand and press it⁠—she was already gone. She left the semi-dark corridor, and I followed her once more to the place where a gay party was just coming to an end. How did I know where it was? She had told me that I might go there, and I went there and watched the dancing all the night through. No one came near me, or spoke to me, I was a stranger to all, and sat in the corner near the band. Pointed straight at me was the mouth of a great brass instrument, through which someone hidden in the depths of it kept bellowing, and every minute or so would give a rude staccato laugh: “Ho! ho! ho!”

There was but one costume left⁠—that of a distinguished Chinaman. “Give me the Chinaman’s,” said I with a wave of my hand. And they gave it me. It was the devil knows what! I am not speaking of the costume itself. I pass over in silence those idiotic flowered boots, which were too short for me, and reached only halfway to my knees; but in the remaining, by far the most essential part, stuck out like two incomprehensible adjuncts on either side of my feet. I say nothing of the pink rag which covered my head like a wig, and was tied by threads to my ears, so that they protruded and stood up like a bat’s. But the mask!

It was, if one may use the expression, a face in the abstract. It had nose, eyes, and mouth all right enough, and all in the proper places; but there was nothing human about it. A human being could not look so placid⁠—even in his coffin. It was expressive neither of sorrow, nor cheerfulness, nor surprise⁠—it expressed absolutely nothing! It looked at you squarely, and placidly⁠—and an uncontrollable laughter overwhelmed you. My companions rolled about on the sofas, sank impotently down on the chairs, and gesticulated.

“It will be the most original mask of the evening,” they declared.

I was ready to weep; but no sooner did I glance in the mirror than I too was convulsed with laughter. Yes, it will be a most original mask!

When Lazarus emerged from the grave wherein for the space of three days and three nights he had dwelt under the mysterious dominion of death, and returned living to his abode, the ominous peculiarities which later made his very name a thing of dread remained for a long time unnoticed.

Rejoicing in his return to life, his friends and neighbors overwhelmed him with caresses and they satisfied their eager interest by ministering to him and caring for his food, his drink and his raiment. They clothed him in rich attire, bright with the hues of hope and merriment, and when he sat among them once more, arrayed like the bridegroom in his wedding garments, and ate and drank once more, they wept for joy and summoned the neighbors to view him, who had so miraculously risen from the dead. The neighbors came and rejoiced; strangers too came from distant cities and villages and in accents of tumultuous praise voiced their homage to the miracle⁠—the house of Mary and Martha hummed like a beehive.

All that seemed novel in the features of Lazarus and in his demeanor they explained as natural traces of his serious illness and the shock through which he had passed. It was manifest that the destructive effect of Death upon the corpse had been merely arrested by the miraculous power, but not altogether undone.