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Short Fiction

by Herman Melville

Length: 171,032 words, about 684 pages, about 12 hours to read

Short stories

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What it is

A collection of Herman Melville’s short stories, ordered by date of publication.

Famous works inside

The best passages

Pages from the book itself, chosen to make you want to read on. Each opens in the reader at that exact spot.

Bartleby

I am a rather elderly man. The nature of my avocations, for the last thirty years, has brought me into more than ordinary contact with what would seem an interesting and somewhat singular set of men, of whom, as yet, nothing, that I know of, has ever been written⁠—I mean, the law-copyists, or scriveners. I have known very many of them, professionally and privately, and, if I pleased, could relate divers histories, at which good-natured gentlemen might smile, and sentimental souls might weep. But I waive the biographies of all other scriveners, for a few passages in the life of Bartleby, who was a scrivener, the strangest I ever saw, or heard of. While, of other law-copyists, I might write the complete life, of Bartleby nothing of that sort can be done. I believe that no materials exist, for a full and satisfactory biography of this man. It is an irreparable loss to literature. Bartleby was one of those beings of whom nothing is ascertainable, except from the original sources, and, in his case, those are very small. What my own astonished eyes saw of Bartleby, that is all I know of him, except, indeed, one vague report, which will appear in the sequel.

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Bartleby

In this very attitude did I sit when I called to him, rapidly stating what it was I wanted him to do⁠—namely, to examine a small paper with me. Imagine my surprise, nay, my consternation, when, without moving from his privacy, Bartleby, in a singularly mild, firm voice, replied, “I would prefer not to.”

I sat awhile in perfect silence, rallying my stunned faculties. Immediately it occurred to me that my ears had deceived me, or Bartleby had entirely misunderstood my meaning. I repeated my request in the clearest tone I could assume; but in quite as clear a one came the previous reply, “I would prefer not to.”

“Prefer not to,” echoed I, rising in high excitement, and crossing the room with a stride. “What do you mean? Are you moonstruck? I want you to help me compare this sheet here⁠—take it,” and I thrust it towards him.

“I would prefer not to,” said he.

I looked at him steadfastly. His face was leanly composed; his gray eye dimly calm. Not a wrinkle of agitation rippled him. Had there been the least uneasiness, anger, impatience or impertinence in his manner; in other words, had there been anything ordinarily human about him, doubtless I should have violently dismissed him from the premises. But as it was, I should have as soon thought of turning my pale plaster-of-paris bust of Cicero out of doors. I stood gazing at him awhile, as he went on with his own writing, and then reseated myself at my desk.

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Cock-a-Doodle-Doo!

In all parts of the world many high-spirited revolts from rascally despotisms had of late been knocked on the head; many dreadful casualties, by locomotive and steamer, had likewise knocked hundreds of high-spirited travelers on the head (I lost a dear friend in one of them); my own private affairs were also full of despotisms, casualties, and knockings on the head, when early one morning in spring, being too full of hypoes to sleep, I sallied out to walk on my hillside pasture.

It was a cool and misty, damp, disagreeable air. The country looked underdone, its raw juices squirting out all round. I buttoned out this squitchy air as well as I could with my lean, double-breasted dress-coat⁠—my overcoat being so long-skirted I only used it in my wagon⁠—and spitefully thrusting my crab-stick into the oozy sod, bent my blue form to the steep ascent of the hill. This toiling posture brought my head pretty well earthward, as if I were in the act of butting it against the world. I marked the fact, but only grinned at it with a ghastly grin.

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Sketch Eighth: Norfolk Isle and the Chola Widow

Glancing across the water in the direction pointed out, I saw some white thing hanging from an inland rock, perhaps half a mile from the sea.

“It is a bird; a white-winged bird; perhaps a⁠—no; it is⁠—it is a handkerchief!”

“Ay, a handkerchief!” echoed my comrade, and with a louder shout apprised the captain.

Quickly now⁠—like the running out and training of a great gun⁠—the long cabin spyglass was thrust through the mizzen rigging from the high platform of the poop; whereupon a human figure was plainly seen upon the inland rock, eagerly waving towards us what seemed to be the handkerchief.

Our captain was a prompt, good fellow. Dropping the glass, he lustily ran forward, ordering the anchor to be dropped again; hands to stand by a boat, and lower away.

In a half-hour’s time the swift boat returned. It went with six and came with seven; and the seventh was a woman.

It is not artistic heartlessness, but I wish I could but draw in crayons; for this woman was a most touching sight; and crayons, tracing softly melancholy lines, would best depict the mournful image of the dark-damasked Chola widow.

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The Tarturus of Maids

Immediately I found myself standing in a spacious place, intolerably lighted by long rows of windows, focusing inward the snowy scene without.

At rows of blank-looking counters sat rows of blank-looking girls, white folders in their blank hands, all blankly folding blank paper.

In one corner stood some huge frame of ponderous iron, with a vertical thing like a piston periodically rising and falling upon a heavy wooden block. Before it⁠—its tame minister⁠—stood a tall girl, feeding the iron animal with half-quires of rose-hued note paper, which, at every downward dab of the piston-like machine, received in the corner the impress of a wreath of roses. I looked from the rosy paper to the pallid cheek, but said nothing.

Seated before a long apparatus, strung with long, slender strings like any harp, another girl was feeding it with foolscap sheets, which, so soon as they curiously traveled from her on the cords, were withdrawn at the opposite end of the machine by a second girl. They came to the first girl blank; they went to the second girl ruled.

I looked upon the first girl’s brow, and saw it was young and fair; I looked upon the second girl’s brow, and saw it was ruled and wrinkled. Then, as I still looked, the two⁠—for some small variety to the monotony⁠—changed places; and where had stood the young, fair brow, now stood the ruled and wrinkled one.

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10 of the best lines

It is an irreparable loss to literature.

BartlebyKeep reading from here

On errands of life, these letters speed to death.

BartlebyKeep reading from here

So far as yon Abington Isle is concerned, Adam and his billions of posterity remain uncreated.

Sketch Fourth: A Pisgah View from the RockKeep reading from here

And to any shiverer, ill-ventilated warmth is better than well-ventilated cold.

Picture First: Poor Man’s PuddingKeep reading from here

The ceiling of the room was low. Who wants to dine under the dome of St. Peter’s?

The Paradise of BachelorsKeep reading from here

In short, to the Spaniard’s black-letter text, it was best, for awhile, to leave open margin.

Benito CerenoKeep reading from here

Biscuit he crunches, but sentiment he eschews.

The ’GeesKeep reading from here

Now, the possession of a key to anything, at once provokes a desire to unlock and explore; and this, too, from a mere instinct of gratification, irrespective of any particular benefit to accrue.

The Apple-Tree TableKeep reading from here

But he might have been is but boggy ground to build on.

Chapter IVKeep reading from here

Everything is for a season remarkable in navies.

Chapter XXVIKeep reading from here

All 168 Short Fiction quotes, with the words around each

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Contents

All 62 parts
  1. Bartleby
  2. Cock-a-Doodle-Doo!
  3. The Encantadas
  4. Sketch First: The Isles at Large
  5. Sketch Second: Two Sides to a Tortoise
  6. Sketch Third: Rock Rodondo
  7. Sketch Fourth: A Pisgah View from the Rock
  8. Sketch Fifth: The Frigate, and Ship Flyaway
  9. Sketch Sixth: Barrington Isle and the Buccaneers
  10. Sketch Seventh: Charles’s Isle and the Dog-King
  11. Sketch Eighth: Norfolk Isle and the Chola Widow
  12. Sketch Ninth: Hood’s Isle and the Hermit Oberlus
  13. Sketch Tenth: Runaways, Castaways, Solitaries, Gravestones, etc.
  14. Poor Man’s Pudding and Rich Man’s Crumbs
  15. Picture First: Poor Man’s Pudding
  16. Picture Second: Rich Man’s Crumbs
  17. The Happy Failure
  18. The Lightning-Rod Man
  19. The Fiddler
  20. The Paradise of Bachelors and the Tartarus of Maids
  21. The Paradise of Bachelors
  22. The Tarturus of Maids
  23. The Bell-Tower
  24. Benito Cereno
  25. Jimmy Rose
  26. The ’Gees
  27. I and My Chimney
  28. The Apple-Tree Table
  29. The Piazza
  30. Billy Budd, Foretopman
  31. Preface
  32. I: (An Inside Narrative)
  33. Chapter II
  34. Chapter III
  35. Chapter IV
  36. Chapter V
  37. Chapter VI
  38. Chapter VII
  39. Chapter VIII
  40. Chapter IX
  41. Chapter X
  42. Chapter XI
  43. Chapter XII
  44. Chapter XIII
  45. Chapter XIV
  46. Chapter XV
  47. Chapter XVI
  48. Chapter XVII
  49. Chapter XVIII
  50. Chapter XIX
  51. Chapter XX
  52. Chapter XXI
  53. Chapter XXII
  54. A Digression
  55. Chapter XXIII
  56. Chapter XXIV
  57. Chapter XXV
  58. Chapter XXVI
  59. Daniel Orme
  60. The Two Temples
  61. Temple First
  62. Temple Second

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About this edition

Text from Standard Ebooks. Standard Ebooks dedicate their edition to the public domain (CC0 1.0). Every passage and line on this page is the book's own words, checked against the text.