Sentimental Education

On the 15th of September, 1840, about six o’clock in the morning, the Ville de Montereau, just on the point of starting, was sending forth great whirlwinds of smoke, in front of the Quai St. Bernard.

People came rushing on board in breathless haste. The traffic was obstructed by casks, cables, and baskets of linen. The sailors answered nobody. People jostled one another. Between the two paddle-boxes was piled up a heap of parcels; and the uproar was drowned in the loud hissing of the steam, which, making its way through the plates of sheet-iron, enveloped everything in a white cloud, while the bell at the prow kept ringing continuously.

At last, the vessel set out; and the two banks of the river, stocked with warehouses, timber-yards, and manufactories, opened out like two huge ribbons being unrolled.

A young man of eighteen, with long hair, holding an album under his arm, remained near the helm without moving. Through the haze he surveyed steeples, buildings of which he did not know the names; then, with a parting glance, he took in the Île St. Louis, the Cité, Notre Dame; and presently, as Paris disappeared from his view, he heaved a deep sigh.

What he then saw was like an apparition. She was seated in the middle of a bench all alone, or, at any rate, he could see no one, dazzled as he was by her eyes. At the moment when he was passing, she raised her head; his shoulders bent involuntarily; and, when he had seated himself, some distance away, on the same side, he glanced towards her.

She wore a wide straw hat with red ribbons which fluttered in the wind behind her. Her black tresses, twining around the edges of her large brows, descended very low, and seemed amorously to press the oval of her face. Her robe of light muslin spotted with green spread out in numerous folds. She was in the act of embroidering something; and her straight nose, her chin, her entire person was cut out on the background of the luminous air and the blue sky.

As she remained in the same attitude, he took several turns to the right and to the left to hide from her his change of position; then he placed himself close to her parasol which lay against the bench, and pretended to be looking at a sloop on the river.

Never before had he seen more lustrous dark skin, a more seductive figure, or more delicately shaped fingers than those through which the sunlight gleamed. He stared with amazement at her workbasket, as if it were something extraordinary. What was her name, her place of residence, her life, her past?

Somebody exclaimed:

“Down with the slaughterers!”

This was a form of insult usual since the troubles of the month of September. Everyone echoed it. The guardians of public order were hooted and hissed. They began to grow pale. One of them could endure it no longer, and, seeing a low-sized young man approaching too close, laughing in his teeth, pushed him back so roughly, that he tumbled over on his back some five paces away, in front of a wine-merchant’s shop. All made way; but almost immediately afterwards the policeman rolled on the ground himself, felled by a blow from a species of Hercules, whose hair hung down like a bundle of tow under an oilskin cap. Having stopped for a few minutes at the corner of the Rue Saint-Jacques, he had very quickly laid down a large case, which he had been carrying, in order to make a spring at the policeman, and, holding down that functionary, punched his face unmercifully. The other policemen rushed to the rescue of their comrade. The terrible shop-assistant was so powerfully built that it took four of them at least to get the better of him. Two of them shook him, while keeping a grip on his collar; two others dragged his arms; a fifth gave him digs of the knee in the ribs; and all of them called him “brigand,” “assassin,” “rioter.” With his breast bare, and his clothes in rags, he protested that he was innocent; he could not, in cold blood, look at a child receiving a beating.

“My name is Dussardier. I’m employed at Messieurs Valincart Brothers’ lace and fancy warehouse, in the Rue de Cléry. Where’s my case? I want my case!”

He kept repeating:

“Dussardier, Rue de Cléry. My case!”

But she came into the corner of the drawing-room in which he was sitting, asked him whether he was acquainted with any of the guests, whether he was fond of painting, how long he had been a student in Paris. Every word that came out of her mouth seemed to Frederick something entirely new, an exclusive appendage of her personality. He gazed attentively at the fringes of her headdress, the ends of which caressed her bare shoulder, and he was unable to take away his eyes; he plunged his soul into the whiteness of that feminine flesh, and yet he did not venture to raise his eyelids to glance at her higher, face to face.

Rosenwald interrupted them, begging of Madame Arnoux to sing something. He played a prelude, she waited, her lips opened slightly, and a sound, pure, long-continued, silvery, ascended into the air.

Frederick did not understand a single one of the Italian words. The song began with a grave measure, something like church music, then in a more animated strain, with a crescendo movement, it broke into repeated bursts of sound, then suddenly subsided, and the melody came back again in a tender fashion with a wide and easy swing.

She stood beside the keyboard with her arms hanging down and a far-off look on her face. Sometimes, in order to read the music, she advanced her forehead for a moment and her eyelashes moved to and fro.

“Make your mind easy,” said the other.

He met nobody on the staircase. On the first floor, he pushed his way head-foremost into an empty room. It was the drawing-room. He called out at the top of his voice. There was no reply. No doubt, the cook had gone out, and so had the housemaid. At length, having reached the second floor, he pushed a door open. Madame Arnoux was alone in this room, in front of a press with a mirror attached. The belt of her dressing-gown hung down her hips; one entire half of her hair fell in a dark wave over her right shoulder; and she had raised both arms in order to hold up her chignon with one hand and to put a pin through it with the other. She broke into an exclamation and disappeared.

Then, she came back again properly dressed. Her waist, her eyes, the rustle of her dress, her entire appearance, charmed him. Frederick felt it hard to keep from covering her with kisses.

“I beg your pardon,” said she, “but I could not⁠—”

He had the boldness to interrupt her with these words:

“Nevertheless⁠—you looked very nice⁠—just now.”

She probably thought this compliment a little coarse, for her cheeks reddened. He was afraid that he might have offended her. She went on:

“What lucky chance has brought you here?”

He did not know what reply to make; and, after a slight chuckle, which gave him time for reflection:

“If I told you, would you believe me?”

“Why not?”

Frederick informed her that he had had a frightful dream a few nights before.