Sea and Sardinia

Comes over one an absolute necessity to move. And what is more, to move in some particular direction. A double necessity then: to get on the move, and to know whither.

Why can't one sit still? Here in Sicily it is so pleasant: the sunny Ionian sea, the changing jewel of Calabria, like a fire-opal moved in the light; Italy and the panorama of Christmas clouds, night with the dog-star laying a long, luminous gleam across the sea, as if baying at us, Orion marching above; how the dog-star Sirius looks at one, looks at one! he is the hound of heaven, green, glamorous and fierce!—and then oh regal evening star, hung westward flaring over the jagged dark precipices of tall Sicily: then Etna, that wicked witch, resting her thick white snow under heaven, and slowly, slowly rolling her orange-coloured smoke. They called her the Pillar of Heaven, the Greeks.

Slowly, slowly we turn round: and as the ship turns, our hearts turn. Palermo fades from our consciousness: the Naples boat, the disembarking crowds, the rattling carriages to the land—the great City of Trieste—all fades from our heart. We see only the open gap of the harbour entrance, and the level, pale-grey void of the sea beyond. There are wisps of gleamy light—out there.

And out there our heart watches—though Palermo is near us, just behind. We look round, and see it all behind us—but already it is gone, gone from our heart. The fresh wind, the gleamy wisps of light, the running, open sea beyond the harbour bars.

And so we steam out. And almost at once the ship begins to take a long, slow, dizzy dip, and a fainting swoon upwards, and a long, slow, dizzy dip, slipping away from beneath one. The q-b turns pale. Up comes the deck in that fainting swoon backwards—then down it fades in that indescribable slither forwards. It is all quite gentle—quite, quite gentle. But oh, so long, and so slow, and so dizzy.

Now behold her with her hands thrown to heaven, and hear the wild shriek "Madonna!" through all the hubbub. But she picks up her two skirt-knees, and with her thin legs in grey stockings starts with a mad rush after the train. In vain. The train inexorably pursues its course. Prancing, she reaches one end of the platform as we leave the other end. Then she realizes it is not going to stop for her. And then, oh horror, her long arms thrown out in wild supplication after the retreating train: then flung aloft to God: then brought down in absolute despair on her head. And this is the last sight we have of her, clutching her poor head in agony and doubling forward. She is left—she is abandoned.

The poor fat husband has been all the time on the little outside platform at the end of the carriage, holding out his hand to her and shouting frenzied scolding to her and frenzied yells for the train to stop. And the train has not stopped. And she is left—left on that God-forsaken station in the waning light.

The train gives a last sigh, and draws to a last standstill in the tiny terminus station. An old fellow fluttering with rags as a hen in the wind flutters, asked me if I wanted the Albergo, the inn. I said yes, and let him take my knapsack. Pretty Sorgono! As we went down the brief muddy lane between hedges, to the village high-road, we seemed almost to have come to some little town in the English west-country, or in Hardy's country. There were glades of stripling oaks, and big slopes with oak trees, and on the right a saw-mill buzzing, and on the left the town, white and close, nestling round a baroque church-tower. And the little lane was muddy.

Three minutes brought us to the high-road, and a great, pink-washed building blank on the road facing the station lane, and labelled in huge letters: RISTORANTE RISVEGLIO: the letter N being printed backwards. Risveglio if you please: which means waking up or rousing, like the word reveille. Into the doorway of the Risveglio bolted the flutterer. "Half a minute," said I. "Where is the Albergo d'Italia?" I was relying on Baedeker.

"Non c'è più," replied my rag-feather. "There isn't it any more." This answer, being very frequent nowadays, is always most disconcerting.

"Well then, what other hotel?"

"There is no other."

But look at it now.

There is an altercation because a man wants to get into the bus with two little black pigs, each of which is wrapped in a little sack, with its face and ears appearing like a flower from a wrapped bouquet. He is told that he must pay the fare for each pig as if it were a Christian. Cristo del mondo! A pig, a little pig, and paid for as if it were a Christian. He dangles the pig-bouquets, one from each hand, and the little pigs open their black mouths and squeal with self-conscious appreciation of the excitement they are causing. Dio benedetto! it is a chorus. But the bus mate is inexorable. Every animal, even if it were a mouse, must be paid for and have a ticket as if it were a Christian. The pig-master recoils stupified with indignation, a pig-bouquet under each arm. "How much do you charge for the fleas you carry?" asks a sarcastic youth.