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Salem Chapel

by Margaret Oliphant

Length: 164,322 words, about 657 pages, about 12 hours to read

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What it is

A young dissenting minister experiences challenges to his pastorate while going through personal crises.

The best passages

Pages from the book itself, chosen to make you want to read on. Each opens in the reader at that exact spot.

Chapter I

Towards the west end of Grove Street, in Carlingford, on the shabby side of the street, stood a red brick building, presenting a pinched gable terminated by a curious little belfry, not intended for any bell, and looking not unlike a handle to lift up the edifice by to the public observation. This was Salem Chapel, the only Dissenting place of worship in Carlingford. It stood in a narrow strip of ground, just as the little houses which flanked it on either side stood in their gardens, except that the enclosure of the chapel was flowerless and sombre, and showed at the farther end a few sparsely-scattered tombstones⁠—unmeaning slabs, such as the English mourner loves to inscribe his sorrow on. On either side of this little tabernacle were the humble houses⁠—little detached boxes, each two storeys high, each fronted by a little flower-plot⁠—clean, respectable, meagre, little habitations, which contributed most largely to the ranks of the congregation in the Chapel. The big houses opposite, which turned their backs and staircase windows to the street, took little notice of the humble Dissenting community. Twice in the winter, perhaps, the Miss Hemmings, mild evangelical women, on whom the late rector⁠—the Low-Church rector, who reigned before the brief and exceptional incumbency of the Rev. Mr. Proctor⁠—had bestowed much of his confidence, would cross the street, when other profitable occupations failed them, to hear a special sermon on a Sunday evening.

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Chapter II

“Come in,” said the stranger, “I am glad to see you. I know you, Mr. Vincent, though I can’t suppose you’ve observed me. Take a seat. I have heard you preach ever since you came⁠—so, knowing in a manner how your thoughts run, I’ve a kind of acquaintance with you: which, to be sure, isn’t the same on your side. I daresay the woman at the Dairy sent you to me?”

“I understood⁠—from Mrs. Brown certainly⁠—that you wanted to see me,” said the puzzled pastor.

“Yes, it was quite true. I have resources in myself, to be sure, as much as most people,” said his new acquaintance, whom he had been directed to ask for as Mrs. Hilyard, “but still human relations are necessary; and as I don’t know anybody here, I thought I’d join the Chapel. Queer set of people, rather, don’t you think?” she continued, glancing up from her rapid stitching to catch Vincent’s conscious eye; “they thought I was in spiritual distress, I suppose, and sent me the butterman. Lord bless us! if I had been, what could he have done for me, does anybody imagine? and when he didn’t succeed, there came the Dairy person, who, I daresay, would have understood what I wanted had I been a cow. Now I can make out what I’m doing when I have you, Mr. Vincent. I know your line a little from your sermons. That was wonderfully clever on Sunday morning about confirmation.

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Chapter III

At that moment, however, fate was approaching in the shape of a handsome carriage, which made quite an exaggeration of echo in this narrow back-street, which rang back every jingle of the harness and dint of the hoofs from every court and opening. It drew up before Mrs. Hilyard’s door⁠—at the door of the house, at least, in which Mrs. Hilyard was a humble lodger; and while Vincent slowly approached, a brilliant vision suddenly appeared before him, rustling forth upon the crowded pavement, where the dirty children stood still to gape at her. A woman⁠—a lady⁠—a beautiful dazzling creature, resplendent in the sweetest English roses, the most delicate bewildering bloom. Though it was but for a moment, the bewildered young minister had time to note the dainty foot, the daintier hand, the smiling sunshiny eyes, the air of conscious supremacy, which was half command and half entreaty⁠—an ineffable combination. That vision descended out of the heavenly chariot upon the mean pavement just as Mr. Vincent came up; and at the same moment a ragged boy, struck speechless, like the young minister, by the apparition, planted himself full in her way with open mouth and staring eyes, too much overpowered by sudden admiration to perceive that he stopped the path. Scarcely aware what he was doing, as much beauty-struck as his victim, Vincent, with a certain unconscious fury, seized the boy by the collar, and swung him impatiently off the pavement, with a feeling of positive resentment against the imp, whose rags were actually touching those sacred splendid draperies.

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Chapter X

“If you must speak, speak here,” said that voice which Vincent had recognised: “it is scarcely the atmosphere for a man of your fine taste, to be sure; but considering the subject of the conference, it will do. What do you want with me?”

“By Jove, it looks dangerous!⁠—what do you mean to suggest by this sweet rendezvous⁠—murder?” said the man, whoever he was, who had accompanied Mrs. Hilyard to the damp yard of Salem Chapel, with its scattered graves.

“My nerves are strong,” she answered. “It is a pity you should take the trouble to be melodramatic. Do you think I am vain enough to imagine that you could subject yourself to all the unpleasant accessories of being hanged on my account? Fancy a rough hempen rope, and the dirty fingers that would adjust it. Pah! you would not risk it for me.”

Her companion swore a muttered oath. “By Jove! I believe you’d be content to be murdered, to make such an end of me,” he answered, in the baffled tone of rage which a man naturally sinks into when engaged in unequal conflict of recrimination with a woman.

“This is too conjugal,” said Mrs. Hilyard; “it reminds me of former experiences: come to the point, I beg of you. You did not come here and seek me out that we might have an amusing conversation⁠—what do you want with me?”

“Don’t tempt me too far with your confounded impertinence,” exclaimed the man, “or there is no telling what may happen. I want to know where that child is; you know I do. I mean to reclaim my rights so far as she is concerned. If she had been a ward in Chancery, a man might have submitted.

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Chapter XVI

There was a little pause; not a sound, except the tinkling of the bell, which they could hear inside as the peal gradually subsided, was in the air; breathless silence, darkness, cold, an inhuman preternatural chill and watchfulness, no welcome sound of awakening sleepers, only their own dark shadows in the darkness, listening like all the hushed surrounding world at that closed door.

“Poor dear! Oh, Arthur, it is dreadful to come and break her sleep,” sighed Mrs. Vincent, whose strain of suspense and expectation heightened the effect of the cold: “when will she sleep as sound again? Give another ring, dear. How terribly dark and quiet it is! Ring again, again, Arthur!⁠—dear, dear me, to think of Susan in such a sound sleep!⁠—and generally she starts at any noise. It is to give her strength to bear what is coming, poor child, poor child!”

The bell seemed to echo out into the silent road, it pealed so clearly and loudly through the shut-up house, but not another sound disturbed the air without or within. Mrs. Vincent began to grow restless and alarmed. She went out into the road, and gazed up at the closed windows; her very teeth chattered with anxiety and cold.

“It is very odd she does not wake,” said the widow; “she must be rousing now, surely. Arthur, don’t look as if we had bad news. Try to command your countenance, dear. Hush! don’t you hear them stirring? Now, Arthur, Arthur, oh remember not to look so dreadful as you did in Carlingford! I am sure I hear her coming downstairs. Hark! what is it?

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10 of the best lines

Somehow he had come down in the world all at once, and without expecting it.

Chapter IKeep reading from here

He had seen her⁠—and lo! the universe was changed.

Chapter IIIKeep reading from here

Society was not cruel, or repulsive, or severely exclusive, but simply did not know him, could not make out who he was

Chapter VIIKeep reading from here

Don’t sneer⁠—never sneer⁠—no gentleman does,

Chapter IXKeep reading from here

All his life after the young man never saw that colour without thinking of the stains on those poor hands.

Chapter XIKeep reading from here

Woman’s weaker nature, that could mingle the common with the great; or woman’s strength, that could endure all things⁠—which was it?

Chapter XVIKeep reading from here

Happy are the houses that have not seen such dreadful pretences of meals where tears were the only possible food!

Chapter XVIIIKeep reading from here

To this sensitive, spotless, inexperienced household, suspicion was worse than death.

Chapter XXIVKeep reading from here

Nothing had any pity for him⁠—all the world, and every voice and breath therein, sided with the others in their joy.

Chapter XLKeep reading from here

Spring! everlasting mockery of human trouble!

Chapter XLKeep reading from here

All 30 Salem Chapel quotes, with the words around each

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Contents

All 43 parts
  1. Chapter I
  2. Chapter II
  3. Chapter III
  4. Chapter IV
  5. Chapter V
  6. Chapter VI
  7. Chapter VII
  8. Chapter VIII
  9. Chapter IX
  10. Chapter X
  11. Chapter XI
  12. Chapter XII
  13. Chapter XIII
  14. Chapter XIV
  15. Chapter XV
  16. Chapter XVI
  17. Chapter XVII
  18. Chapter XVIII
  19. Chapter XIX
  20. Chapter XX
  21. Chapter XXI
  22. Chapter XXII
  23. Chapter XXIII
  24. Chapter XXIV
  25. Chapter XXV
  26. Chapter XXVI
  27. Chapter XXVII
  28. Chapter XXVIII
  29. Chapter XXIX
  30. Chapter XXX
  31. Chapter XXXI
  32. Chapter XXXII
  33. Chapter XXXIII
  34. Chapter XXXIV
  35. Chapter XXXV
  36. Chapter XXXVI
  37. Chapter XXXVII
  38. Chapter XXXVIII
  39. Chapter XXXIX
  40. Chapter XL
  41. Chapter XLI
  42. Chapter XLII
  43. Chapter XLIII

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About this edition

Text from Standard Ebooks. Standard Ebooks dedicate their edition to the public domain (CC0 1.0). Every passage and line on this page is the book's own words, checked against the text.