Pushing to the Front

"Are you in earnest? Seize this very minute; What you can do, or dream you can, begin it."

"If we succeed, what will the world say?" asked Captain Berry in delight, when Nelson had explained his carefully formed plan before the battle of the Nile.

"There is no if in the case," replied Nelson. "That we shall succeed is certain. Who may live to tell the tale is a very different question." Then, as his captains rose from the council to go to their respective ships, he added: "Before this time to-morrow I shall have gained a peerage or Westminster Abbey." His quick eye and daring spirit saw an opportunity of glorious victory where others saw only probable defeat.

"Is it POSSIBLE to cross the path?" asked Napoleon of the engineers who had been sent to explore the dreaded pass of St. Bernard. "Perhaps," was the hesitating reply, "it is within the limits of possibility."

"FORWARD THEN," said the Little Corporal, without heeding their account of apparently insurmountable difficulties. England and Austria laughed in scorn at the idea of transporting across the Alps, where "no wheel had ever rolled, or by any possibility could roll," an army of sixty thousand men, with ponderous artillery, tons of cannon balls and baggage, and all the bulky munitions of war. But the besieged Massena was starving in Genoa, and the victorious Austrians thundered at the gates of Nice, and Napoleon was not the man to fail his former comrades in their hour of peril.

Don't wait for extraordinary opportunities. Seize common occasions and make them great.

On the morning of September 6, 1838, a young woman in the Longstone Lighthouse, between England and Scotland, was awakened by shrieks of agony rising above the roar of wind and wave. A storm of unwonted fury was raging, and her parents could not hear the cries; but a telescope showed nine human beings clinging to the windlass of a wrecked vessel whose bow was hanging on the rocks half a mile away. "We can do nothing," said William Darling, the light-keeper. "Ah, yes, we must go to the rescue," exclaimed his daughter, pleading tearfully with both father and mother, until the former replied: "Very well, Grace, I will let you persuade me, though it is against my better judgment." Like a feather in a whirlwind the little boat was tossed on the tumultuous sea, but, borne on the blast that swept the cruel surge, the shrieks of those shipwrecked sailors seemed to change her weak sinews into cords of steel. Strength hitherto unsuspected came from somewhere, and the heroic girl pulled one oar in even time with her father. At length the nine were safely on board. "God bless you; but ye're a bonny English lass," said one poor fellow, as he looked wonderingly upon this marvelous girl, who that day had done a deed which added more to England's glory than the exploits of many of her monarchs.

"If you will let me try, I think I can make something that will do," said a boy who had been employed as a scullion at the mansion of Signer Faliero, as the story is told by George Cary Eggleston. A large company had been invited to a banquet, and just before the hour the confectioner, who had been making a large ornament for the table, sent word that he had spoiled the piece. "You!" exclaimed the head servant, in astonishment; "and who are you?" "I am Antonio Canova, the grandson of Pisano, the stone-cutter," replied the pale-faced little fellow.

"And pray, what can you do?" asked the major-domo. "I can make you something that will do for the middle of the table, if you'll let me try." The servant was at his wits' end, so he told Antonio to go ahead and see what he could do. Calling for some butter, the scullion quickly molded a large crouching lion, which the admiring major-domo placed upon the table.

Dinner was announced, and many of the most noted merchants, princes, and noblemen of Venice were ushered into the dining-room. Among them were skilled critics of art work. When their eyes fell upon the butter lion, they forgot the purpose for which they had come in their wonder at such a work of genius. They looked at the lion long and carefully, and asked Signer Faliero what great sculptor had been persuaded to waste his skill upon such a temporary material. Faliero could not tell; so he asked the head servant, who brought Antonio before the company.

Hundreds of years ago there lived near the shore of the river Indus a Persian by the name of Ali Hafed. He lived in a cottage on the river bank, from which he could get a grand view of the beautiful country stretching away to the sea. He had a wife and children; an extensive farm, fields of grain, gardens of flowers, orchards of fruit, and miles of forest. He had plenty of money and everything that heart could wish. He was contented and happy. One evening a priest of Buddha visited him, and, sitting before the fire, explained to him how the world was made, and how the first beams of sunlight condensed on the earth's surface into diamonds.

The old priest told that a drop of sunlight the size of his thumb was worth more than large mines of copper, silver, or gold; that with one of them he could buy many farms like his; that with a handful he could buy a province, and with a mine of diamonds he could purchase a kingdom. Ali Hafed listened, and was no longer a rich man. He had been touched with discontent, and with that all wealth vanishes. Early the next morning he woke the priest who had been the cause of his unhappiness, and anxiously asked him where he could find a mine of diamonds. "What do you want of diamonds?" asked the astonished priest. "I want to be rich and place my children on thrones." "All you have to do is to go and search until you find them," said the priest.

"One moonlight evening in winter," writes the biographer of Beethoven, "we were walking through a narrow street of Bonn. 'Hush!' exclaimed the great composer, suddenly pausing before a little, mean dwelling, 'what sound is that? It is from my Sonata in F. Hark! how well it is played!'

"In the midst of the finale there was a break, and a sobbing voice cried: 'I cannot play any more. It is so beautiful; it is utterly beyond my power to do it justice. Oh, what would I not give to go to the concert at Cologne!' 'Ah! my sister,' said a second voice; 'why create regrets when there is no remedy? We can scarcely pay our rent.' 'You are right,' said the first speaker, 'and yet I wish for once in my life to hear some really good music. But it is of no use.'

"'Let us go in,' said Beethoven. 'Go in!' I remonstrated; 'what should we go in for?' 'I will play to her,' replied my companion in an excited tone; 'here is feeling,—genius,—understanding! I will play to her, and she will understand it. Pardon me,' he continued, as he opened the door and saw a young man sitting by a table, mending shoes, and a young girl leaning sorrowfully upon an old-fashioned piano; 'I heard music and was tempted to enter.