Poor Folk

But what think you of the plan of the curtain, Barbara? It is a charming one, is it not? No matter whether I be at work, or about to retire to rest, or just awaking from sleep, it enables me to know that you are thinking of me, and remembering me⁠—that you are both well and happy. Then when you lower the curtain, it means that it is time that I, Makar Alexievitch, should go to bed; and when again you raise the curtain, it means that you are saying to me, “Good morning,” and asking me how I am, and whether I have slept well. “As for myself,” adds the curtain, “I am altogether in good health and spirits, glory be to God!” Yes, my heart’s delight, you see how easy a plan it was to devise, and how much writing it will save us! It is a clever plan, is it not? And it was my own invention, too! Am I not cunning in such matters, Barbara Alexievna?

Well, next let me tell you, dearest, that last night I slept better and more soundly than I had ever hoped to do, and that I am the

Then the door of the room opened, and Pokrovski entered!

I must here remark that he never could bear to have his possessions tampered with. Woe to the person, in particular, who touched his books! Judge, therefore, of my horror when books small and great, books of every possible shape and size and thickness, came tumbling from the shelf, and flew and sprang over the table, and under the chairs, and about the whole room. I would have turned and fled, but it was too late. “All is over!” thought I. “All is over! I am ruined, I am undone! Here have I been playing the fool like a ten-year-old child! What a stupid girl I am! The monstrous fool!”

Indeed, Pokrovski was very angry. “What? Have you not done enough?” he cried. “Are you not ashamed to be forever indulging in such pranks? Are you never going to grow sensible?” With that he darted forward to pick up the books, while I bent down to help him.

“You need not, you need not!” he went on. “You would have done far better not to have entered without an invitation.”

Next, a little mollified by my humble demeanour, he resumed in his usual tutorial tone⁠—the tone which he had adopted in his newfound role of preceptor:

“When are you going to grow steadier and more thoughtful? Consider yourself for a moment. You are no longer a child, a little girl, but a maiden of fifteen.”

Not far away, near another table that was heaped with books, I perceived the elder Pokrovski, and a crowd of four or five hucksters plaguing him nearly out of his senses. Each of these fellows was proffering the old man his own particular wares; and while there was nothing that they did not submit for his approval, there was nothing that he wished to buy. The poor old fellow had the air of a man who is receiving a thrashing. What to make of what he was being offered him he did not know. Approaching him, I inquired what he happened to be doing there; whereat the old man was delighted, since he liked me (it may be) no less than he did Petinka.

“I am buying some books, Barbara Alexievna,” said he, “I am buying them for my Petinka. It will be his birthday soon, and since he likes books I thought I would get him some.”

The old man always expressed himself in a very roundabout sort of fashion, and on the present occasion he was doubly, terribly confused. Of no matter what book he asked the price, it was sure to be one, two, or three roubles. The larger books he could not afford at all; he could only look at them wistfully, fumble their leaves with his finger, turn over the volumes in his hands, and then replace them. “No, no, that is too dear,” he would mutter under his breath. “I must go and try somewhere else.” Then again he would fall to examining copybooks, collections of poems, and almanacs of the cheaper order.

What, do you think, is an idea that sometimes enters my head? In fact, what if I myself were to write something? How if suddenly a book were to make its appearance in the world bearing the title of The Poetical Works of Makar Dievushkin? What then, my angel? How should you view, should you receive, such an event? I may say of myself that never, after my book had appeared, should I have the hardihood to show my face on the Nevski Prospect; for would it not be too dreadful to hear everyone saying, “Here comes the literateur and poet, Dievushkin⁠—yes, it is Dievushkin himself.” What, in such a case, should I do with my feet (for I may tell you that almost always my shoes are patched, or have just been resoled, and therefore look anything but becoming)? To think that the great writer Dievushkin should walk about in patched footgear! If a duchess or a countess should recognise me, what would she say, poor woman? Perhaps, though, she would not notice my shoes at all, since it may reasonably be supposed that countesses do not greatly occupy themselves with footgear, especially with the footgear of civil service officials (footgear may differ from footgear, it must be remembered). Besides, I should find that the countess had heard all about me, for my friends would have betrayed me to her⁠—Rataziaev among the first of them, seeing that he often goes to visit Countess V., and practically lives at her house. She is said to be a woman of great intellect and wit. An artful dog, that Rataziaev!

But enough of this. I write this sort of thing both to amuse myself and to divert your thoughts. Goodbye now, my angel.