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Our Mutual Friend

by Charles Dickens

Length: 325,290 words, about 1,301 pages, about 23 hours to read

Novels, Romance, Satire and humour

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What it is

When the body of an unknown man is dragged from the river Thames, a series of complications involving the will of a wealthy man entangle the lives of several Londoners.

The best passages

Pages from the book itself, chosen to make you want to read on. Each opens in the reader at that exact spot.

I: On the Look Out

In these times of ours, though concerning the exact year there is no need to be precise, a boat of dirty and disreputable appearance, with two figures in it, floated on the Thames, between Southwark bridge which is of iron, and London Bridge which is of stone, as an autumn evening was closing in.

The figures in this boat were those of a strong man with ragged grizzled hair and a sun-browned face, and a dark girl of nineteen or twenty, sufficiently like him to be recognizable as his daughter. The girl rowed, pulling a pair of sculls very easily; the man, with the rudder-lines slack in his hands, and his hands loose in his waistband, kept an eager look out. He had no net, hook, or line, and he could not be a fisherman; his boat had no cushion for a sitter, no paint, no inscription, no appliance beyond a rusty boat-hook and a coil of rope, and he could not be a waterman; his boat was too crazy and too small to take in cargo for delivery, and he could not be a lighterman or river-carrier; there was no clue to what he looked for, but he looked for something, with a most intent and searching gaze. The tide, which had turned an hour before, was running down, and his eyes watched every little race and eddy in its broad sweep, as the boat made slight headway against it, or drove stern foremost before it, according as he directed his daughter by a movement of his head. She watched his face as earnestly as he watched the river.

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II: The Man from Somewhere

Mr. and Mrs. Veneering were bran-new people in a bran-new house in a bran-new quarter of London. Everything about the Veneerings was spick and span new. All their furniture was new, all their friends were new, all their servants were new, their plate was new, their carriage was new, their harness was new, their horses were new, their pictures were new, they themselves were new, they were as newly married as was lawfully compatible with their having a bran-new baby, and if they had set up a great-grandfather, he would have come home in matting from the Pantechnicon, without a scratch upon him, French polished to the crown of his head.

For, in the Veneering establishment, from the hall-chairs with the new coat of arms, to the grand pianoforte with the new action, and upstairs again to the new fire-escape, all things were in a state of high varnish and polish. And what was observable in the furniture, was observable in the Veneerings⁠—the surface smelt a little too much of the workshop and was a trifle sticky.

There was an innocent piece of dinner-furniture that went upon easy castors and was kept over a livery stable-yard in Duke Street, Saint James’s, when not in use, to whom the Veneerings were a source of blind confusion. The name of this article was Twemlow. Being first cousin to Lord Snigsworth, he was in frequent requisition, and at many houses might be said to represent the dining-table in its normal state. Mr. and Mrs. Veneering, for example, arranging a dinner, habitually started with Twemlow, and then put leaves in him, or added guests to him.

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V: Boffin’s Bower

Over against a London house, a corner house not far from Cavendish Square, a man with a wooden leg had sat for some years, with his remaining foot in a basket in cold weather, picking up a living on this wise:⁠—Every morning at eight o’clock, he stumped to the corner, carrying a chair, a clotheshorse, a pair of trestles, a board, a basket, and an umbrella, all strapped together. Separating these, the board and trestles became a counter, the basket supplied the few small lots of fruit and sweets that he offered for sale upon it and became a foot-warmer, the unfolded clotheshorse displayed a choice collection of halfpenny ballads and became a screen, and the stool planted within it became his post for the rest of the day. All weathers saw the man at the post. This is to be accepted in a double sense, for he contrived a back to his wooden stool, by placing it against the lamppost. When the weather was wet, he put up his umbrella over his stock in trade, not over himself; when the weather was dry, he furled that faded article, tied it round with a piece of yarn, and laid it crosswise under the trestles: where it looked like an unwholesomely-forced lettuce that had lost in colour and crispness what it had gained in size.

He had established his right to the corner, by imperceptible prescription. He had never varied his ground an inch, but had in the beginning diffidently taken the corner upon which the side of the house gave.

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VII: Mr. Wegg Looks After Himself

Not, however, towards the “shops” where cunning artificers work in pearls and diamonds and gold and silver, making their hands so rich, that the enriched water in which they wash them is bought for the refiners;⁠—not towards these does Mr. Wegg stump, but towards the poorer shops of small retail traders in commodities to eat and drink and keep folks warm, and of Italian frame-makers, and of barbers, and of brokers, and of dealers in dogs and singing-birds. From these, in a narrow and a dirty street devoted to such callings, Mr. Wegg selects one dark shopwindow with a tallow candle dimly burning in it, surrounded by a muddle of objects vaguely resembling pieces of leather and dry stick, but among which nothing is resolvable into anything distinct, save the candle itself in its old tin candlestick, and two preserved frogs fighting a small-sword duel. Stumping with fresh vigour, he goes in at the dark greasy entry, pushes a little greasy dark reluctant side-door, and follows the door into the little dark greasy shop. It is so dark that nothing can be made out in it, over a little counter, but another tallow candle in another old tin candlestick, close to the face of a man stooping low in a chair.

Mr. Wegg nods to the face, “Good evening.”

The face looking up is a sallow face with weak eyes, surmounted by a tangle of reddish-dusty hair. The owner of the face has no cravat on, and has opened his tumbled shirt-collar to work with the more ease.

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XII: The Sweat of an Honest Man’s Brow

“Apparently one of the ghosts has lost its way, and dropped in to be directed. Look at this phantom!”

Lightwood, whose back was towards the door, turned his head, and there, in the darkness of the entry, stood a something in the likeness of a man: to whom he addressed the not irrelevant inquiry, “Who the devil are you?”

“I ask your pardons, Governors,” replied the ghost, in a hoarse double-barrelled whisper, “but might either on you be Lawyer Lightwood?”

“What do you mean by not knocking at the door?” demanded Mortimer.

“I ask your pardons, Governors,” replied the ghost, as before, “but probable you was not aware your door stood open.”

“What do you want?”

Hereunto the ghost again hoarsely replied, in its double-barrelled manner, “I ask your pardons, Governors, but might one on you be Lawyer Lightwood?”

“One of us is,” said the owner of that name.

“All right, Governors Both,” returned the ghost, carefully closing the room door; “ ’tickler business.”

Mortimer lighted the candles. They showed the visitor to be an ill-looking visitor with a squinting leer, who, as he spoke, fumbled at an old sodden fur cap, formless and mangey, that looked like a furry animal, dog or cat, puppy or kitten, drowned and decaying.

“Now,” said Mortimer, “what is it?”

“Governors Both,” returned the man, in what he meant to be a wheedling tone, “which on you might be Lawyer Lightwood?”

“I am.”

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10 of the best lines

Has a dead man any use for money?

I: On the Look OutKeep reading from here

“My dear Mr. Boffin, everything wears to rags,” said Mortimer, with a light laugh.

VIII: Mr. Boffin in ConsultationKeep reading from here

“Then it was their own fault,” said Mr. Podsnap.

XI: PodsnapperyKeep reading from here

The absurdity of the situation put its pathos to the rout.

XVI: Minders and RemindersKeep reading from here

“A kiss for the boofer lady.”

IX: In Which the Orphan Makes His WillKeep reading from here

Animate London, with smarting eyes and irritated lungs, was blinking, wheezing, and choking; inanimate London was a sooty spectre, divided in purpose between being visible and invisible, and so being wholly neither.

I: Lodgers in Queer StreetKeep reading from here

Avarice, and the evening’s legends of avarice, and the inflammatory effect of what he had seen, and perhaps the rush of his ill-conditioned blood to his brain in his descent, wrought Silas Wegg to such a pitch of insatiable appetite

VI: The Golden Dustman Falls Into Worse CompanyKeep reading from here

I’ve sorted a lot of dust in my time, but I never knew the two things go into separate heaps.

XIV: Mr. Wegg Prepares a Grindstone for Mr. Boffin’s NoseKeep reading from here

“Disguise is of no use,” said Bella; “they all find me out; I think it must be, Pa and John dear, because I look so happy!”

IV: A Runaway MatchKeep reading from here

“Then you ought to have said it, sir,” returned Bella, giving him two pulls and one kiss

XIII: Showing How the Golden Dustman Helped to Scatter DustKeep reading from here

All 107 Our Mutual Friend quotes, with the words around each

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Contents

All 72 parts
  1. Book the First: The Cup and the Lip
  2. I: On the Look Out
  3. II: The Man from Somewhere
  4. III: Another Man
  5. IV: The R. Wilfer Family
  6. V: Boffin’s Bower
  7. VI: Cut Adrift
  8. VII: Mr. Wegg Looks After Himself
  9. VIII: Mr. Boffin in Consultation
  10. IX: Mr. and Mrs. Boffin in Consultation
  11. X: A Marriage Contract
  12. XI: Podsnappery
  13. XII: The Sweat of an Honest Man’s Brow
  14. XIII: Tracking the Bird of Prey
  15. XIV: The Bird of Prey Brought Down
  16. XV: Two New Servants
  17. XVI: Minders and Reminders
  18. XVII: A Dismal Swamp
  19. Book the Second: Birds of a Feather
  20. I: Of an Educational Character
  21. II: Still Educational
  22. III: A Piece of Work
  23. IV: Cupid Prompted
  24. V: Mercury Prompting
  25. VI: A Riddle Without an Answer
  26. VII: In Which a Friendly Move Is Originated
  27. VIII: In Which an Innocent Elopement Occurs
  28. IX: In Which the Orphan Makes His Will
  29. X: A Successor
  30. XI: Some Affairs of the Heart
  31. XII: More Birds of Prey
  32. XIII: A Solo and a Duet
  33. XIV: Strong of Purpose
  34. XV: The Whole Case So Far
  35. XVI: An Anniversary Occasion
  36. Book the Third: A Long Lane
  37. I: Lodgers in Queer Street
  38. II: A Respected Friend in a New Aspect
  39. III: The Same Respected Friend in More Aspects Than One
  40. IV: A Happy Return of the Day
  41. V: The Golden Dustman Falls Into Bad Company
  42. VI: The Golden Dustman Falls Into Worse Company
  43. VII: The Friendly Move Takes Up a Strong Position
  44. VIII: The End of a Long Journey
  45. IX: Somebody Becomes the Subject of a Prediction
  46. X: Scouts Out
  47. XI: In the Dark
  48. XII: Meaning Mischief
  49. XIII: Give a Dog a Bad Name, and Hang Him
  50. XIV: Mr. Wegg Prepares a Grindstone for Mr. Boffin’s Nose
  51. XV: The Golden Dustman at His Worst
  52. XVI: The Feast of the Three Hobgoblins
  53. XVII: A Social Chorus
  54. Book the Fourth: A Turning
  55. I: Setting Traps
  56. II: The Golden Dustman Rises a Little
  57. III: The Golden Dustman Sinks Again
  58. IV: A Runaway Match
  59. V: Concerning the Mendicant’s Bride
  60. VI: A Cry for Help
  61. VII: Better to Be Abel Than Cain
  62. VIII: A Few Grains of Pepper
  63. IX: Two Places Vacated
  64. X: The Dolls’ Dressmaker Discovers a Word
  65. XI: Effect Is Given to the Dolls’ Dressmaker’s Discovery
  66. XII: The Passing Shadow
  67. XIII: Showing How the Golden Dustman Helped to Scatter Dust
  68. XIV: Checkmate to the Friendly Move
  69. XV: What Was Caught in the Traps That Were Set
  70. XVI: Persons and Things in General
  71. XVII: The Voice of Society
  72. Postscript

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Text from Standard Ebooks. Standard Ebooks dedicate their edition to the public domain (CC0 1.0). Every passage and line on this page is the book's own words, checked against the text.