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New Grub Street

by George Gissing

Length: 186,322 words, about 745 pages, about 13 hours to read

Novels, Romance

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What it is

A group of writers try to hold on to artistic merit in the face of abject poverty in the quickly changing literary and social landscape of Victorian London.

The best passages

Pages from the book itself, chosen to make you want to read on. Each opens in the reader at that exact spot.

I: A Man of His Day

As the Milvains sat down to breakfast the clock of Wattleborough parish church struck eight; it was two miles away, but the strokes were borne very distinctly on the west wind this autumn morning. Jasper, listening before he cracked an egg, remarked with cheerfulness:

“There’s a man being hanged in London at this moment.”

“Surely it isn’t necessary to let us know that,” said his sister Maud, coldly.

“And in such a tone, too!” protested his sister Dora.

“Who is it?” inquired Mrs. Milvain, looking at her son with pained forehead.

“I don’t know. It happened to catch my eye in the paper yesterday that someone was to be hanged at Newgate this morning. There’s a certain satisfaction in reflecting that it is not oneself.”

“That’s your selfish way of looking at things,” said Maud.

“Well,” returned Jasper, “seeing that the fact came into my head, what better use could I make of it? I could curse the brutality of an age that sanctioned such things; or I could grow doleful over the misery of the poor fellow. But those emotions would be as little profitable to others as to myself. It just happened that I saw the thing in a light of consolation. Things are bad with me, but not so bad as that. I might be going out between Jack Ketch and the Chaplain to be hanged; instead of that, I am eating a really fresh egg, and very excellent buttered toast, with coffee

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IV: An Author and His Wife

Eight flights of stairs, consisting alternately of eight and nine steps. Amy had made the calculation, and wondered what was the cause of this arrangement. The ascent was trying, but then no one could contest the respectability of the abode. In the flat immediately beneath resided a successful musician, whose carriage and pair came at a regular hour each afternoon to take him and his wife for a most respectable drive. In this special building no one else seemed at present to keep a carriage, but all the tenants were gentlefolk.

And as to living up at the very top, why, there were distinct advantages⁠—as so many people of moderate income are nowadays hastening to discover. The noise from the street was diminished at this height; no possible tramplers could establish themselves above your head; the air was bound to be purer than that of inferior strata; finally, one had the flat roof whereon to sit or expatiate in sunny weather. True that a gentle rain of soot was wont to interfere with one’s comfort out there in the open, but such minutiae are easily forgotten in the fervour of domestic description. It was undeniable that on a fine day one enjoyed extensive views. The green ridge from Hampstead to Highgate, with Primrose Hill and the foliage of Regent’s Park in the foreground; the suburban spaces of St. John’s Wood, Maida Vale, Kilburn; Westminster Abbey and the Houses of Parliament, lying low by the side of the hidden river, and a glassy gleam on far-off hills which meant the Crystal Palace; then the clouded majesty of eastern London, crowned by St. Paul’s dome. These things one’s friends were expected to admire.

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IV: An Author and His Wife

“Amy⁠—”

“Well.”

“I think it’s all over with me. I don’t think I shall write any more.”

“Don’t be so foolish, dear. What is to prevent your writing?”

“Perhaps I am only out of sorts. But I begin to be horribly afraid. My will seems to be fatally weakened. I can’t see my way to the end of anything; if I get hold of an idea which seems good, all the sap has gone out of it before I have got it into working shape. In these last few months, I must have begun a dozen different books; I have been ashamed to tell you of each new beginning. I write twenty pages, perhaps, and then my courage fails. I am disgusted with the thing, and can’t go on with it⁠—can’t! My fingers refuse to hold the pen. In mere writing, I have done enough to make much more than three volumes; but it’s all destroyed.”

“Because of your morbid conscientiousness. There was no need to destroy what you had written. It was all good enough for the market.”

“Don’t use that word, Amy. I hate it!”

“You can’t afford to hate it,” was her rejoinder, in very practical tones. “However it was before, you must write for the market now. You have admitted that yourself.”

He kept silence.

“Where are you?” she went on to ask. “What have you actually done?”

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IX: Invita Minerva

The latter alternative was often enough before him. He seldom slept for more than two or three consecutive hours in the night, and the time of wakefulness was often terrible. The various sounds which marked the stages from midnight to dawn had grown miserably familiar to him; worst torture to his mind was the chiming and striking of clocks. Two of these were in general audible, that of Marylebone parish church, and that of the adjoining workhouse; the latter always sounded several minutes after its ecclesiastical neighbour, and with a difference of note which seemed to Reardon very appropriate⁠—a thin, querulous voice, reminding one of the community it represented. After lying awake for awhile he would hear quarters sounding; if they ceased before the fourth he was glad, for he feared to know what time it was. If the hour was complete, he waited anxiously for its number. Two, three, even four, were grateful; there was still a long time before he need rise and face the dreaded task, the horrible four blank slips of paper that had to be filled ere he might sleep again. But such restfulness was only for a moment; no sooner had the workhouse bell become silent than he began to toil in his weary imagination, or else, incapable of that, to vision fearful hazards of the future. The soft breathing of Amy at his side, the contact of her warm limbs, often filled him with intolerable dread.

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XVII: The Parting

“Oh no! I shall be engaged only three mornings in the week and three evenings. In my free time I shall do literary work, and no doubt I can earn fifty pounds a year by it⁠—if I have your sympathy to help me. Tomorrow I shall go and look for rooms some distance from here; in Islington, I think. We have been living far beyond our means; that must come to an end. We’ll have no more keeping up of sham appearances. If I can make my way in literature, well and good; in that case our position and prospects will of course change. But for the present we are poor people, and must live in a poor way. If our friends like to come and see us, they must put aside all snobbishness, and take us as we are. If they prefer not to come, there’ll be an excuse in our remoteness.”

Amy was stroking the back of her hand. After a long silence, she said in a very quiet, but very resolute tone:

“I shall not consent to this.”

“In that case, Amy, I must do without your consent. The rooms will be taken, and our furniture transferred to them.”

“To me that will make no difference,” returned his wife, in the same voice as before. “I have decided⁠—as you told me to⁠—to go with Willie to mother’s next Tuesday. You, of course, must do as you please. I should have thought a summer at the seaside would have been more helpful to you; but if you prefer to live in Islington⁠—”

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10 of the best lines

There’s a certain satisfaction in reflecting that it is not oneself.

I: A Man of His DayKeep reading from here

You are much weaker than I imagined. Difficulties crush you, instead of rousing you to struggle.

IV: An Author and His WifeKeep reading from here

I shall do many a base thing in life, just to get money and reputation; I tell you this that you mayn’t be surprised if anything of that kind comes to your ears.

VIII: To the Winning SideKeep reading from here

One’s own brain would soon run dry; a clever fellow knows how to use the brains of other people.

XII: Work Without HopeKeep reading from here

The curse of poverty is to the modern world just what that of slavery was to the ancient.

XV: The Last ResourceKeep reading from here

How good it was to be alone!

XVIII: The Old HomeKeep reading from here

Refuge from despair is often found in the passion of self-pity and that spirit of obstinate resistance which it engenders.

XXV: A Fruitless MeetingKeep reading from here

You have to become famous before you can secure the attention which would give fame.

XXVIII: InterimKeep reading from here

Why will you go cutting your loaf with a razor when you have a serviceable bread-knife?

XXXI: A Rescue and a SummonsKeep reading from here

Only he who belonged to no class, who was rejected alike by his fellows in privation and by his equals in intellect, must die without having known the touch of a loving woman’s hand.

XXXV: Fever and RestKeep reading from here

All 59 New Grub Street quotes, with the words around each

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Contents

All 37 parts
  1. I: A Man of His Day
  2. II: The House of Yule
  3. III: Holiday
  4. IV: An Author and His Wife
  5. V: The Way Hither
  6. VI: The Practical Friend
  7. VII: Marian’s Home
  8. VIII: To the Winning Side
  9. IX: Invita Minerva
  10. X: The Friends of the Family
  11. XI: Respite
  12. XII: Work Without Hope
  13. XIII: A Warning
  14. XIV: Recruits
  15. XV: The Last Resource
  16. XVI: Rejection
  17. XVII: The Parting
  18. XVIII: The Old Home
  19. XIX: The Past Revived
  20. XX: The End of Waiting
  21. XXI: Mr. Yule Leaves Town
  22. XXII: The Legatees
  23. XXIII: A Proposed Investment
  24. XXIV: Jasper’s Magnanimity
  25. XXV: A Fruitless Meeting
  26. XXVI: Married Woman’s Property
  27. XXVII: The Lonely Man
  28. XXVIII: Interim
  29. XXIX: Catastrophe
  30. XXX: Waiting on Destiny
  31. XXXI: A Rescue and a Summons
  32. XXXII: Reardon Becomes Practical
  33. XXXIII: The Sunny Way
  34. XXXIV: A Check
  35. XXXV: Fever and Rest
  36. XXXVI: Jasper’s Delicate Case
  37. XXXVII: Rewards

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About this edition

Text from Standard Ebooks. Standard Ebooks dedicate their edition to the public domain (CC0 1.0). Every passage and line on this page is the book's own words, checked against the text.