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Manhattan Transfer

by John Dos Passos

Length: 130,518 words, about 522 pages, about 9 hours to read

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Read Manhattan Transfer free, starting with its best pages and lines below. Listen to it free too, read aloud by your phone's own voice.

What it is

Several characters strive for happiness and excitement in early twentieth century New York City.

The best passages

Pages from the book itself, chosen to make you want to read on. Each opens in the reader at that exact spot.

I: Ferryslip

Three gulls wheel above the broken boxes, orangerinds, spoiled cabbage heads that heave between the splintered plank walls, the green waves spume under the round bow as the ferry, skidding on the tide, crashes, gulps the broken water, slides, settles slowly into the slip. Handwinches whirl with jingle of chains. Gates fold upwards, feet step out across the crack, men and women press through the manuresmelling wooden tunnel of the ferryhouse, crushed and jostling like apples fed down a chute into a press.

The nurse, holding the basket at arm’s length as if it were a bedpan, opened the door to a big dry hot room with greenish distempered walls where in the air tinctured with smells of alcohol and iodoform hung writhing a faint sourish squalling from other baskets along the wall. As she set her basket down she glanced into it with pursed-up lips. The newborn baby squirmed in the cottonwool feebly like a knot of earthworms.

On the ferry there was an old man playing the violin. He had a monkey’s face puckered up in one corner and kept time with the toe of a cracked patent-leather shoe. Bud Korpenning sat on the rail watching him, his back to the river. The breeze made the hair stir round the tight line of his cap and dried the sweat on his temples. His feet were blistered, he was leadentired, but when the ferry moved out of the slip, bucking the little slapping scalloped waves of the river he felt something warm and tingling shoot suddenly through all his veins.

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I: Ferryslip

A small bearded bandylegged man in a derby walked up Allen Street, up the sunstriped tunnel hung with skyblue and smokedsalmon and mustardyellow quilts, littered with second hand gingerbread-colored furniture. He walked with his cold hands clasped over the tails of his frockcoat, picking his way among packing boxes and scuttling children. He kept gnawing his lips and clasping and unclasping his hands. He walked without hearing the yells of the children or the annihilating clatter of the L trains overhead or smelling the rancid sweet huddled smell of packed tenements.

At a yellowpainted drugstore at the corner of Canal, he stopped and stared abstractedly at a face on a green advertising card. It was a highbrowed cleanshaven distinguished face with arched eyebrows and a bushy neatly trimmed mustache, the face of a man who had money in the bank, poised prosperously above a crisp wing collar and an ample dark cravat. Under it in copybook writing was the signature King C. Gillette. Above his head hovered the motto No Stropping No Honing. The little bearded man pushed his derby back off his sweating brow and looked for a long time into the dollarproud eyes of King C. Gillette. Then he clenched his fists, threw back his shoulders and walked into the drugstore.

His wife and daughters were out. He heated up a pitcher of water on the gasburner. Then with the scissors he found on the mantel he clipped the long brown locks of his beard.

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II: Metropolis

A goblet for Rhine wine hobnobbed with a champagne glass at each place along the glittering white oval table. On eight glossy white plates eight canapés of caviar were like rounds of black beads on the lettuceleaves, flanked by sections of lemon, sprinkled with a sparse chopping of onion and white of egg. “Beaucoup de soing and dont you forget it,” said the old waiter puckering up his knobbly forehead. He was a short waddling man with a few black strands of hair plastered tight across a domed skull.

“Awright.” Emile nodded his head gravely. His collar was too tight for him. He was shaking a last bottle of champagne into the nickelbound bucket of ice on the serving-table.

“Beaucoup de soing, sporca madonna.⁠ ⁠… Thisa guy trows money about lika confetti, see.⁠ ⁠… Gives tips, see. He’s a verra rich gentleman. He dont care how much he spend.” Emile patted the crease of the tablecloth to flatten it. “Fais pas, como, ça.⁠ ⁠… Your hand’s dirty, maybe leava mark.”

Resting first on one foot then on the other they stood waiting, their napkins under their arms. From the restaurant below among the buttery smells of food and the tinkle of knives and forks and plates, came the softly gyrating sound of a waltz.

When he saw the headwaiter bow outside the door Emile compressed his lips into a deferential smile.

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V: Steamroller

Bud sat on the edge of his cot and stretched out his arms and yawned. From all round through a smell of sweat and sour breath and wet clothes came snores, the sound of men stirring in their sleep, creaking of bedsprings. Far away through the murk burned a single electric light. Bud closed his eyes and let his head fall over on his shoulder. O God I want to go to sleep. Sweet Jesus I want to go to sleep. He pressed his knees together against his clasped hands to keep them from trembling. Our father which art in Heaven I want to go to sleep.

“Wassa matter pardner cant ye sleep?” came a quiet whisper from the next cot.

“Hell, no.” “Me neither.”

Bud looked at the big head of curly hair held up on an elbow turned towards him.

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VII: Rollercoaster

It was blowing cold in his face and he was sitting on the front of a ferryboat when he came to. His teeth were chattering, he was shivering⁠ ⁠… “I’m having D.T.’s. Who am I? Where am I? City of New York, State of New York.⁠ ⁠… Stanwood Emery age twentytwo occupation student.⁠ ⁠… Pearline Anderson twentyone occupation actress. To hell with her. Gosh I’ve got fortynine dollars and eight cents and where the hell have I been? And nobody rolled me. Why I havent got the D.T.’s at all. I feel fine, only a little delicate. All I need’s a little drink, dont you? Hello, I thought there was somebody here. I guess I’d better shut up.”

Fortynine dollars ahanging on the wall Fortynine dollars ahanging on the wall

Across the zinc water the tall walls, the birchlike cluster of downtown buildings shimmered up the rosy morning like a sound of horns through a chocolatebrown haze. As the boat drew near the buildings densened to a granite mountain split with knifecut canyons. The ferry passed close to a tubby steamer that rode at anchor listing towards Stan so that he could see all the decks. An Ellis Island tug was alongside. A stale smell came from the decks packed with upturned faces like a load of melons. Three gulls wheeled complaining. A gull soared in a spiral, white wings caught the sun, the gull skimmed motionless in whitegold light. The rim of the sun had risen above the plumcolored band of clouds behind East New York. A million windows flashed with light. A rasp and a humming came from the city.

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10 of the best lines

The newborn baby squirmed in the cottonwool feebly like a knot of earthworms.

I: FerryslipKeep reading from here

Aint no good place to look for a job, young feller.

II: MetropolisKeep reading from here

Dollars swarming up like steam, twisting scattering against the stars.

IV: TracksKeep reading from here

Sometimes I think I’ll go to bed and just stay there till the end of the world.

I: Great Lady on a White HorseKeep reading from here

Men’s hands crawl like bugs on the unbreakable glass. Men’s looks blunder and flutter against it helpless as moths.

III: Nine Days’ WonderKeep reading from here

Kerist I wish I was a skyscraper.

VII: RollercoasterKeep reading from here

Life’s just temporary for that matter.

II: NickelodeonKeep reading from here

“I aint never goin to have any children,” she said between her teeth, “never, never, never.”

IV: SkyscraperKeep reading from here

Below them beyond a sulphurgreen lace of budding trees was the Hudson going silver with evening and the white palisade of apartment-houses of upper Manhattan.

V: The Burden of NinevehKeep reading from here

Tony’s one of God’s mistakes, I’m through with him.

V: The Burden of NinevehKeep reading from here

All 70 Manhattan Transfer quotes, with the words around each

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Contents

  1. Section I
  2. I: Ferryslip
  3. II: Metropolis
  4. III: Dollars
  5. IV: Tracks
  6. V: Steamroller
  7. Section II
  8. I: Great Lady on a White Horse
  9. II: Longlegged Jack of the Isthmus
  10. III: Nine Days’ Wonder
  11. IV: Fire Engine
  12. V: Went to the Animals’ Fair
  13. VI: Five Statutory Questions
  14. VII: Rollercoaster
  15. VIII: One More River to Jordan
  16. Section III
  17. I: Rejoicing City That Dwelt Carelessly
  18. II: Nickelodeon
  19. III: Revolving Doors
  20. IV: Skyscraper
  21. V: The Burden of Nineveh

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About this edition

Text from Standard Ebooks. Standard Ebooks dedicate their edition to the public domain (CC0 1.0). Every passage and line on this page is the book's own words, checked against the text.