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Les Misérables

by Victor Hugo

Length: 561,123 words, about 2,244 pages, about 39 hours to read

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What it is

An escaped convict steals two candlesticks and uses the proceeds to redeem himself and become an honest man.

The best passages

Pages from the book itself, chosen to make you want to read on. Each opens in the reader at that exact spot.

I: M. Myriel

In 1804, M. Myriel was the Curé of Brignolles. He was already advanced in years, and lived in a very retired manner.

About the epoch of the coronation, some petty affair connected with his curacy⁠—just what, is not precisely known⁠—took him to Paris. Among other powerful persons to whom he went to solicit aid for his parishioners was M. le Cardinal Fesch. One day, when the Emperor had come to visit his uncle, the worthy Curé, who was waiting in the anteroom, found himself present when His Majesty passed. Napoleon, on finding himself observed with a certain curiosity by this old man, turned round and said abruptly:⁠—

“Who is this good man who is staring at me?”

“Sire,” said M. Myriel, “you are looking at a good man, and I at a great man. Each of us can profit by it.”

That very evening, the Emperor asked the Cardinal the name of the Curé, and some time afterwards M. Myriel was utterly astonished to learn that he had been appointed Bishop of Digne.

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I: The Evening of a Day of Walking

“Twelve.”

“There is enough food there for twenty.”

“They have engaged the whole of it and paid for it in advance.”

The man seated himself again, and said, without raising his voice, “I am at an inn; I am hungry, and I shall remain.”

Then the host bent down to his ear, and said in a tone which made him start, “Go away!”

At that moment the traveller was bending forward and thrusting some brands into the fire with the iron-shod tip of his staff; he turned quickly round, and as he opened his mouth to reply, the host gazed steadily at him and added, still in a low voice: “Stop! there’s enough of that sort of talk. Do you want me to tell you your name? Your name is Jean Valjean. Now do you want me to tell you who you are? When I saw you come in I suspected something; I sent to the town-hall, and this was the reply that was sent to me. Can you read?”

So saying, he held out to the stranger, fully unfolded, the paper which had just travelled from the inn to the town-hall, and from the town-hall to the inn. The man cast a glance upon it. The landlord resumed after a pause.

“I am in the habit of being polite to everyone. Go away!”

The man dropped his head, picked up the knapsack which he had deposited on the ground, and took his departure.

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III: The Heroism of Passive Obedience

“See here. My name is Jean Valjean. I am a convict from the galleys. I have passed nineteen years in the galleys. I was liberated four days ago, and am on my way to Pontarlier, which is my destination. I have been walking for four days since I left Toulon. I have travelled a dozen leagues today on foot. This evening, when I arrived in these parts, I went to an inn, and they turned me out, because of my yellow passport, which I had shown at the town-hall. I had to do it. I went to an inn. They said to me, ‘Be off,’ at both places. No one would take me. I went to the prison; the jailer would not admit me. I went into a dog’s kennel; the dog bit me and chased me off, as though he had been a man. One would have said that he knew who I was. I went into the fields, intending to sleep in the open air, beneath the stars. There were no stars. I thought it was going to rain, and I reentered the town, to seek the recess of a doorway. Yonder, in the square, I meant to sleep on a stone bench. A good woman pointed out your house to me, and said to me, ‘Knock there!’ I have knocked. What is this place? Do you keep an inn? I have money⁠—savings. One hundred and nine francs fifteen sous, which I earned in the galleys by my labor, in the course of nineteen years. I will pay. What is that to me? I have money. I am very weary; twelve leagues on foot; I am very hungry.

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V: Tranquillity

Hardly had he pronounced these words full of peace, when all of a sudden, and without transition, he made a strange movement, which would have frozen the two sainted women with horror, had they witnessed it. Even at this day it is difficult for us to explain what inspired him at that moment. Did he intend to convey a warning or to throw out a menace? Was he simply obeying a sort of instinctive impulse which was obscure even to himself? He turned abruptly to the old man, folded his arms, and bending upon his host a savage gaze, he exclaimed in a hoarse voice:⁠—

“Ah! really! You lodge me in your house, close to yourself like this?”

He broke off, and added with a laugh in which there lurked something monstrous:⁠—

“Have you really reflected well? How do you know that I have not been an assassin?”

The Bishop replied:⁠—

“That is the concern of the good God.”

Then gravely, and moving his lips like one who is praying or talking to himself, he raised two fingers of his right hand and bestowed his benediction on the man, who did not bow, and without turning his head or looking behind him, he returned to his bedroom.

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V: The Little One All Alone

She panted with a sort of painful rattle; sobs contracted her throat, but she dared not weep, so afraid was she of the Thénardier, even at a distance: it was her custom to imagine the Thénardier always present.

However, she could not make much headway in that manner, and she went on very slowly. In spite of diminishing the length of her stops, and of walking as long as possible between them, she reflected with anguish that it would take her more than an hour to return to Montfermeil in this manner, and that the Thénardier would beat her. This anguish was mingled with her terror at being alone in the woods at night; she was worn out with fatigue, and had not yet emerged from the forest. On arriving near an old chestnut-tree with which she was acquainted, made a last halt, longer than the rest, in order that she might get well rested; then she summoned up all her strength, picked up her bucket again, and courageously resumed her march, but the poor little desperate creature could not refrain from crying, “O my God! my God!”

At that moment she suddenly became conscious that her bucket no longer weighed anything at all: a hand, which seemed to her enormous, had just seized the handle, and lifted it vigorously. She raised her head. A large black form, straight and erect, was walking beside her through the darkness; it was a man who had come up behind her, and whose approach she had not heard.

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10 of the best lines

True or false, that which is said of men often occupies as important a place in their lives, and above all in their destinies, as that which they do.

I: M. MyrielKeep reading from here

Is it a question of country, he enlists; is it a question of liberty, he tears up the pavements.

V: At Bombarda’sKeep reading from here

Her grave resembled her bed.

V: A Suitable TombKeep reading from here

The Bishop had caused the dawn of virtue to rise on his horizon; Cosette caused the dawn of love to rise.

III: Two Misfortunes Make One Piece of Good FortuneKeep reading from here

The cat is a drawing-room tiger, the lizard is a pocket crocodile.

I: Ninety Years and Thirty-Two TeethKeep reading from here

“Oh! I could eat the whole world!”

VI: The Wild Man in His LairKeep reading from here

When a certain stage of distress has been reached in his misery, the poor man no longer groans over evil, no longer returns thanks for good.

II: In Which Little Gavroche Extracts Profit from Napoleon the GreatKeep reading from here

The whole of this itinerary resembled a descent of black steps.

I: From the Rue Plumet to the Quartier Saint-DenisKeep reading from here

For our own part, we prefer martyrdom to success. John Brown is greater than Washington, and Pisacane is greater than Garibaldi.

XX: The Dead Are in the Right and the Living Are Not in the WrongKeep reading from here

I stand outside of life, sir.

I: The Seventh Circle and the Eighth HeavenKeep reading from here

All 708 Les Misérables quotes, with the words around each

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Contents

All 419 parts
  1. Preface
  2. Volume I: Fantine
  3. Book I: A Just Man
  4. I: M. Myriel
  5. II: M. Myriel Becomes M. Welcome
  6. III: A Hard Bishopric for a Good Bishop
  7. IV: Works Corresponding to Words
  8. V: Monseigneur Bienvenu Made His Cassocks Last Too Long
  9. VI: Who Guarded His House for Him
  10. VII: Cravatte
  11. VIII: Philosophy After Drinking
  12. IX: The Brother as Depicted by the Sister
  13. X: The Bishop in the Presence of an Unknown Light
  14. XI: A Restriction
  15. XII: The Solitude of Monseigneur Welcome
  16. XIII: What He Believed
  17. XIV: What He Thought
  18. Book II: The Fall
  19. I: The Evening of a Day of Walking
  20. II: Prudence Counselled to Wisdom
  21. III: The Heroism of Passive Obedience
  22. IV: Details Concerning the Cheese-Dairies of Pontarlier
  23. V: Tranquillity
  24. VI: Jean Valjean
  25. VII: The Interior of Despair
  26. VIII: Billows and Shadows
  27. IX: New Troubles
  28. X: The Man Aroused
  29. XI: What He Does
  30. XII: The Bishop Works
  31. XIII: Little Gervais
  32. Book III: In the Year 1817
  33. I: The Year 1817
  34. II: A Double Quartet
  35. III: Four and Four
  36. IV: Tholomyès Is So Merry That He Sings a Spanish Ditty
  37. V: At Bombarda’s
  38. VI: A Chapter in Which They Adore Each Other
  39. VII: The Wisdom of Tholomyès
  40. VIII: The Death of a Horse
  41. IX: A Merry End to Mirth
  42. Book IV: To Confide Is Sometimes to Deliver Into a Person’s Power
  43. I: One Mother Meets Another Mother
  44. II: First Sketch of Two Unprepossessing Figures
  45. III: The Lark
  46. Book V: The Descent
  47. I: The History of a Progress in Black Glass Trinkets
  48. II: Madeleine
  49. III: Sums Deposited with Laffitte
  50. IV: M. Madeleine in Mourning
  51. V: Vague Flashes on the Horizon
  52. VI: Father Fauchelevent
  53. VII: Fauchelevent Becomes a Gardener in Paris
  54. VIII: Madame Victurnien Expends Thirty Francs on Morality
  55. IX: Madame Victurnien’s Success
  56. X: Result of the Success
  57. XI: Christus Nos Liberavit
  58. XII: M. Bamatabois’s Inactivity
  59. XIII: The Solution of Some Questions Connected with the Municipal Police
  60. Book VI: Javert
  61. I: The Beginning of Repose
  62. II: How Jean May Become Champ
  63. Book VII: The Champmathieu Affair
  64. I: Sister Simplice
  65. II: The Perspicacity of Master Scaufflaire
  66. III: A Tempest in a Skull
  67. IV: Forms Assumed by Suffering During Sleep
  68. V: Hindrances
  69. VI: Sister Simplice Put to the Proof
  70. VII: The Traveller on His Arrival Takes Precautions for Departure
  71. VIII: An Entrance by Favor
  72. IX: A Place Where Convictions Are in Process of Formation
  73. X: The System of Denials
  74. XI: Champmathieu More and More Astonished
  75. Book VIII: A Counterblow
  76. I: In What Mirror M. Madeleine Contemplates His Hair
  77. II: Fantine Happy
  78. III: Javert Satisfied
  79. IV: Authority Reasserts Its Rights
  80. V: A Suitable Tomb
  81. Volume II: Cosette
  82. Book I: Waterloo
  83. I: What Is Met with on the Way from Nivelles
  84. II: Hougomont
  85. III: The Eighteenth of June, 1815
  86. IV: A
  87. V: The Quid Obscurum of Battles
  88. VI: Four O’Clock in the Afternoon
  89. VII: Napoleon in a Good Humor
  90. VIII: The Emperor Puts a Question to the Guide Lacoste
  91. IX: The Unexpected
  92. X: The Plateau of Mont-Saint-Jean
  93. XI: A Bad Guide to Napoleon; A Good Guide to Bülow
  94. XII: The Guard
  95. XIII: The Catastrophe
  96. XIV: The Last Square
  97. XV: Cambronne
  98. XVI: Quot Libras in Duce?
  99. XVII: Is Waterloo to Be Considered Good?
  100. XVIII: A Recrudescence of Divine Right
  101. XIX: The Battlefield at Night
  102. Book II: The Ship Orion
  103. I: Number 24,601 Becomes Number 9,430
  104. II: In Which the Reader Will Peruse Two Verses, Which Are of the Devil’s Composition, Possibly
  105. III: The Ankle-Chain Must Have Undergone a Certain Preparatory Manipulation to Be Thus Broken with a Blow from a Hammer
  106. Book III: Accomplishment of the Promise Made to the Dead Woman
  107. I: The Water Question at Montfermeil
  108. II: Two Complete Portraits
  109. III: Men Must Have Wine, and Horses Must Have Water
  110. IV: Entrance on the Scene of a Doll
  111. V: The Little One All Alone
  112. VI: Which Possibly Proves Boulatruelle’s Intelligence
  113. VII: Cosette Side by Side with the Stranger in the Dark
  114. VIII: The Unpleasantness of Receiving Into One’s House a Poor Man Who May Be a Rich Man
  115. IX: Thénardier and His Manouvres
  116. X: He Who Seeks to Better Himself May Render His Situation Worse
  117. XI: Number 9,430 Reappears, and Cosette Wins It in the Lottery
  118. Book IV: The Gorbeau Hovel
  119. I: Master Gorbeau
  120. II: A Nest for Owl and a Warbler
  121. III: Two Misfortunes Make One Piece of Good Fortune
  122. IV: The Remarks of the Principal Tenant
  123. V: A Five-Franc Piece Falls on the Ground and Produces a Tumult
  124. Book V: For a Black Hunt, a Mute Pack
  125. I: The Zigzags of Strategy
  126. II: It Is Lucky That the Pont d’Austerlitz Bears Carriages
  127. III: To Wit, the Plan of Paris in 1727
  128. IV: The Gropings of Flight
  129. V: Which Would Be Impossible with Gas Lanterns
  130. VI: The Beginning of an Enigma
  131. VII: Continuation of the Enigma
  132. VIII: The Enigma Becomes Doubly Mysterious
  133. IX: The Man with the Bell
  134. X: Which Explains How Javert Got on the Scent
  135. Book VI: Le Petit-Picpus
  136. I: Number 62 Rue Petit-Picpus
  137. II: The Obedience of Martin Verga
  138. III: Austerities
  139. IV: Gayeties
  140. V: Distractions
  141. VI: The Little Convent
  142. VII: Some Silhouettes of This Darkness
  143. VIII: Post Corda Lapides
  144. IX: A Century Under a Guimpe
  145. X: Origin of the Perpetual Adoration
  146. XI: End of the Petit-Picpus
  147. Book VII: Parenthesis
  148. I: The Convent as an Abstract Idea
  149. II: The Convent as an Historical Fact
  150. III: On What Conditions One Can Respect the Past
  151. IV: The Convent from the Point of View of Principles
  152. V: Prayer
  153. VI: The Absolute Goodness of Prayer
  154. VII: Precautions to Be Observed in Blame
  155. VIII: Faith, Law
  156. Book VIII: Cemeteries Take That Which Is Committed Them
  157. I: Which Treats of the Manner of Entering a Convent
  158. II: Fauchelevent in the Presence of a Difficulty
  159. III: Mother Innocente
  160. IV: In Which Jean Valjean Has Quite the Air of Having Read Austin Castillejo
  161. V: It Is Not Necessary to Be Drunk in Order to Be Immortal
  162. VI: Between Four Planks
  163. VII: In Which Will Be Found the Origin of the Saying: Don’t Lose the Card
  164. VIII: A Successful Interrogatory
  165. IX: Cloistered
  166. Volume III: Marius
  167. Book I: Paris Studied in Its Atom
  168. I: Parvulus
  169. II: Some of His Particular Characteristics
  170. III: He Is Agreeable
  171. IV: He May Be of Use
  172. V: His Frontiers
  173. VI: A Bit of History
  174. VII: The Gamin Should Have His Place in the Classifications of India
  175. VIII: In Which the Reader Will Find a Charming Saying of the Last King
  176. IX: The Old Soul of Gaul
  177. X: Ecce Paris, Ecce Homo
  178. XI: To Scoff, to Reign
  179. XII: The Future Latent in the People
  180. XIII: Little Gavroche
  181. Book II: The Great Bourgeois
  182. I: Ninety Years and Thirty-Two Teeth
  183. II: Like Master, Like House
  184. III: Luc-Esprit
  185. IV: A Centenarian Aspirant
  186. V: Basque and Nicolette
  187. VI: In Which Magnon and Her Two Children Are Seen
  188. VII: Rule: Receive No One Except in the Evening
  189. VIII: Two Do Not Make a Pair
  190. Book III: The Grandfather and the Grandson
  191. I: An Ancient Salon
  192. II: One of the Red Spectres of That Epoch
  193. III: Requiescant
  194. IV: End of the Brigand
  195. V: The Utility of Going to Mass, in Order to Become a Revolutionist
  196. VI: The Consequences of Having Met a Warden
  197. VII: Some Petticoat
  198. VIII: Marble Against Granite
  199. Book IV: The Friends of the A.B.C.
  200. I: A Group Which Barely Missed Becoming Historic
  201. II: Blondeau’s Funeral Oration by Bossuet
  202. III: Marius’ Astonishments
  203. IV: The Back Room of the Café Musain
  204. V: Enlargement of Horizon
  205. VI: Res Angusta
  206. Book V: The Excellence of Misfortune
  207. I: Marius Indigent
  208. II: Marius Poor
  209. III: Marius Grown Up
  210. IV: M. Mabeuf
  211. V: Poverty a Good Neighbor for Misery
  212. VI: The Substitute
  213. Book VI: The Conjunction of Two Stars
  214. I: The Sobriquet: Mode of Formation of Family Names
  215. II: Lux Facta Est
  216. III: Effect of the Spring
  217. IV: Beginning of a Great Malady
  218. V: Divers Claps of Thunder Fall on Ma’am Bougon
  219. VI: Taken Prisoner
  220. VII: Adventures of the Letter U Delivered Over to Conjectures
  221. VIII: The Veterans Themselves Can Be Happy
  222. IX: Eclipse
  223. Book VII: Patron Minette
  224. I: Mines and Miners
  225. II: The Lowest Depths
  226. III: Babet, Gueulemer, Claquesous, and Montparnasse
  227. IV: Composition of the Troupe
  228. Book VIII: The Wicked Poor Man
  229. I: Marius, While Seeking a Girl in a Bonnet, Encounters a Man in a Cap
  230. II: Treasure Trove
  231. III: Quadrifrons
  232. IV: A Rose in Misery
  233. V: A Providential Peephole
  234. VI: The Wild Man in His Lair
  235. VII: Strategy and Tactics
  236. VIII: The Ray of Light in the Hovel
  237. IX: Jondrette Comes Near Weeping
  238. X: Tariff of Licensed Cabs: Two Francs an Hour
  239. XI: Offers of Service from Misery to Wretchedness
  240. XII: The Use Made of M. Leblanc’s Five-Franc Piece
  241. XIII: Solus Cum Solo, in Loco Remoto, Non Cogitabuntur Orare Pater Noster
  242. XIV: In Which a Police Agent Bestows Two Fistfuls on a Lawyer
  243. XV: Jondrette Makes His Purchases
  244. XVI: In Which Will Be Found the Words to an English Air Which Was in Fashion in 1832
  245. XVII: The Use Made of Marius’ Five-Franc Piece
  246. XVIII: Marius’ Two Chairs Form a Vis-a-Vis
  247. XIX: Occupying One’s Self with Obscure Depths
  248. XX: The Trap
  249. XXI: One Should Always Begin by Arresting the Victims
  250. XXII: The Little One Who Was Crying in Volume Two
  251. Volume IV: The Idyl in the Rue Plumet and the Epic in the Rue Saint-Denis
  252. Book I: A Few Pages of History
  253. I: Well Cut
  254. II: Badly Sewed
  255. III: Louis Philippe
  256. IV: Cracks Beneath the Foundation
  257. V: Facts Whence History Springs and Which History Ignores
  258. VI: Enjolras and His Lieutenants
  259. Book II: Éponine
  260. I: The Lark’s Meadow
  261. II: Embryonic Formation of Crimes in the Incubation of Prisons
  262. III: Apparition to Father Mabeuf
  263. IV: An Apparition to Marius
  264. Book III: The House in the Rue Plumet
  265. I: The House with a Secret
  266. II: Jean Valjean as a National Guard
  267. III: Foliis Ac Frondibus
  268. IV: Change of Gate
  269. V: The Rose Perceives That It Is an Engine of War
  270. VI: The Battle Begun
  271. VII: To One Sadness Oppose a Sadness and a Half
  272. VIII: The Chain-Gang
  273. Book IV: Succor from Below May Turn Out to Be Succor from on High
  274. I: A Wound Without, Healing Within
  275. II: Mother Plutarque Finds No Difficulty in Explaining a Phenomenon
  276. Book V: The End of Which Does Not Resemble the Beginning
  277. I: Solitude and the Barracks Combined
  278. II: Cosette’s Apprehensions
  279. III: Enriched with Commentaries by Toussaint
  280. IV: A Heart Beneath a Stone
  281. V: Cosette After the Letter
  282. VI: Old People Are Made to Go Out Opportunely
  283. Book VI: Little Gavroche
  284. I: The Malicious Playfulness of the Wind
  285. II: In Which Little Gavroche Extracts Profit from Napoleon the Great
  286. III: The Vicissitudes of Flight
  287. Book VII: Slang
  288. I: Origin
  289. II: Roots
  290. III: Slang Which Weeps and Slang Which Laughs
  291. IV: The Two Duties: To Watch and to Hope
  292. Book VIII: Enchantments and Desolations
  293. I: Full Light
  294. II: The Bewilderment of Perfect Happiness
  295. III: The Beginning of Shadow
  296. IV: A Cab Runs in English and Barks in Slang
  297. V: Things of the Night
  298. VI: Marius Becomes Practical Once More to the Extent of Giving Cosette His Address
  299. VII: The Old Heart and the Young Heart in the Presence of Each Other
  300. Book IX: Whither Are They Going?
  301. I: Jean Valjean
  302. II: Marius
  303. III: M. Mabeuf
  304. Book X: The 5th of June, 1832
  305. I: The Surface of the Question
  306. II: The Root of the Matter
  307. III: A Burial; An Occasion to Be Born Again
  308. IV: The Ebullitions of Former Days
  309. V: Originality of Paris
  310. Book XI: The Atom Fraternizes with the Hurricane
  311. I: Some Explanations with Regard to the Origin of Gavroche’s Poetry
  312. II: Gavroche on the March
  313. III: Just Indignation of a Hairdresser
  314. IV: The Child Is Amazed at the Old Man
  315. V: The Old Man
  316. VI: Recruits
  317. Book XII: Corinthe
  318. I: History of Corinthe from Its Foundation
  319. II: Preliminary Gayeties
  320. III: Night Begins to Descend Upon Grantaire
  321. IV: An Attempt to Console the Widow Hucheloup
  322. V: Preparations
  323. VI: Waiting
  324. VII: The Man Recruited in the Rue des Billettes
  325. VIII: Many Interrogation Points with Regard to a Certain le Cabuc
  326. Book XIII: Marius Enters the Shadow
  327. I: From the Rue Plumet to the Quartier Saint-Denis
  328. II: An Owl’s View of Paris
  329. III: The Extreme Edge
  330. Book XIV: The Grandeurs of Despair
  331. I: The Flag: Act First
  332. II: The Flag: Act Second
  333. III: Gavroche Would Have Done Better to Accept Enjolras’ Carbine
  334. IV: The Barrel of Powder
  335. V: End of the Verses of Jean Prouvaire
  336. VI: The Agony of Death After the Agony of Life
  337. VII: Gavroche as a Profound Calculator of Distances
  338. Book XV: The Rue de l’Homme Armé
  339. I: A Drinker Is a Babbler
  340. II: The Street Urchin an Enemy of Light
  341. III: While Cosette and Toussaint Are Asleep
  342. IV: Gavroche’s Excess of Zeal
  343. Volume V: Jean Valjean
  344. Book I: The War Between Four Walls
  345. I: The Charybdis of the Faubourg Saint Antoine and the Scylla
  346. II: What Is to Be Done in the Abyss if One Does Not Converse
  347. III: Light and Shadow
  348. IV: Minus Five, Plus One
  349. V: The Horizon Which One Beholds from the Summit of a Barricade
  350. VI: Marius Haggard, Javert Laconic
  351. VII: The Situation Becomes Aggravated
  352. VIII: The Artillerymen Compel People to Take Them Seriously
  353. IX: Employment of the Old Talents of a Poacher and That Infallible Marksmanship Which Influenced the Condemnation of 1796
  354. X: Dawn
  355. XI: The Shot Which Misses Nothing and Kills No One
  356. XII: Disorder a Partisan of Order
  357. XIII: Passing Gleams
  358. XIV: Wherein Will Appear the Name of Enjolras’ Mistress
  359. XV: Gavroche Outside
  360. XVI: How from a Brother One Becomes a Father
  361. XVII: Mortuus Pater Filium Moriturum Expectat
  362. XVIII: The Vulture Become Prey
  363. XIX: Jean Valjean Takes His Revenge
  364. XX: The Dead Are in the Right and the Living Are Not in the Wrong
  365. XXI: The Heroes
  366. XXII: Foot to Foot
  367. XXIII: Orestes Fasting and Pylades Drunk
  368. XXIV: Prisoner
  369. Book II: The Intestine of the Leviathan
  370. I: The Land Impoverished by the Sea
  371. II: Ancient History of the Sewer
  372. III: Bruneseau
  373. Chapter IV
  374. V: Present Progress
  375. VI: Future Progress
  376. Book III: Mud but the Soul
  377. I: The Sewer and Its Surprises
  378. II: Explanation
  379. III: The “Spun” Man
  380. IV: He Also Bears His Cross
  381. V: In the Case of Sand as in That of Woman, There Is a Fineness Which Is Treacherous
  382. VI: The Fontis
  383. VII: One Sometimes Runs Aground When One Fancies That One Is Disembarking
  384. VIII: The Torn Coattail
  385. IX: Marius Produces on Some One Who Is a Judge of the Matter, the Effect of Being Dead
  386. X: Return of the Son Who Was Prodigal of His Life
  387. XI: Concussion in the Absolute
  388. XII: The Grandfather
  389. Book IV: Javert Derailed
  390. Chapter I
  391. Book V: Grandson and Grandfather
  392. I: In Which the Tree with the Zinc Plaster Appears Again
  393. II: Marius, Emerging from Civil War, Makes Ready for Domestic War
  394. III: Marius Attacked
  395. IV: Mademoiselle Gillenormand Ends by No Longer Thinking It a Bad Thing That M. Fauchelevent Should Have Entered with Something Under His Arm
  396. V: Deposit Your Money in a Forest Rather Than with a Notary
  397. VI: The Two Old Men Do Everything, Each One After His Own Fashion, to Render Cosette Happy
  398. VII: The Effects of Dreams Mingled with Happiness
  399. VIII: Two Men Impossible to Find
  400. Book VI: The Sleepless Night
  401. I: The 16th of February, 1833
  402. II: Jean Valjean Still Wears His Arm in a Sling
  403. III: The Inseparable
  404. IV: The Immortal Liver
  405. Book VII: The Last Draught from the Cup
  406. I: The Seventh Circle and the Eighth Heaven
  407. II: The Obscurities Which a Revelation Can Contain
  408. Book VIII: Fading Away of the Twilight
  409. I: The Lower Chamber
  410. II: Another Step Backwards
  411. III: They Recall the Garden of the Rue Plumet
  412. IV: Attraction and Extinction
  413. Book IX: Supreme Shadow, Supreme Dawn
  414. I: Pity for the Unhappy, but Indulgence for the Happy
  415. II: Last Flickerings of a Lamp Without Oil
  416. III: A Pen Is Heavy to the Man Who Lifted the Fauchelevent’s Cart
  417. IV: A Bottle of Ink Which Only Succeeded in Whitening
  418. V: A Night Behind Which There Is Day
  419. VI: The Grass Covers and the Rain Effaces

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