Lady Rose’s Daughter quotes
The lines readers remember from Lady Rose’s Daughter, by Mary Augusta Ward.
34 quotes · About the book
Standout lines
It was the manner of someone who counted; and—through all outward modesty—knew it.
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“I think he was invalided home,” she said, with that manner, at once restrained and gracious, that Sir Wilfrid had already observed in her.
It was the manner of someone who counted; and—through all outward modesty—knew it.
“He wants something out of the ministry. I remember the man,” was Sir Wilfrid’s unspoken comment.
There is one disease from which no one recovers, my dear Wilfrid, and it has long since fastened upon me.
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Lady Henry gave an impatient sigh. “Everything troubles me more than of old.
There is one disease from which no one recovers, my dear Wilfrid, and it has long since fastened upon me.
”
She never throws to win—never!—but so as to leave you all the chances.
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It seemed to me I had not been so brilliant for months. I was as good, in fact, as I had ever been. The difficulty in England is to find anyone to keep up the ball. She does it to perfection.
She never throws to win—never!—but so as to leave you all the chances.
You make a brilliant stroke; she applauds, and in a moment she has arranged you another. Oh, it is the most extraordinary gift of conversation—and she never says a thing that you want to remember.”
Life became a soft and cushioned business, with an infinity of layers between it and any hard reality—a round pea in a silky pod.
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And for the persons in command of this power, a certain appareil de vie was necessary, taken for granted. So much income, so many servants, such and such habits—these things imposed themselves.
Life became a soft and cushioned business, with an infinity of layers between it and any hard reality—a round pea in a silky pod.
And he meanwhile found himself hungry to throw aside these tamed and trite forms of existence, and to penetrate to the harsh, true, simple things behind.
The outward signs of life’s most poignant and most beautiful moments are generally very simple and austere.
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He tenderly asked her pardon if he had wounded her. But he shrank from offering any caress.
The outward signs of life’s most poignant and most beautiful moments are generally very simple and austere.
That a man should not only appear but be so good was still in her eyes a little absurd.
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a self whose acts and ways she watched, sometimes with the held breath of fascination, sometimes with a return of shrinking or fear.
That a man should not only appear but be so good was still in her eyes a little absurd.
Perhaps her feeling was at bottom the common feeling of the sceptical nature. “We should listen to the higher voices; but in such a way that if another hypothesis were true, we should not have been too completely duped.”
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Chapter I
Half the people I ever knew there are dead, and the rest are uncivil.
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“Paris? Not I!
Half the people I ever knew there are dead, and the rest are uncivil.
Well, and how are you getting on? Making your fortune, eh?”
It was the manner of someone who counted; and—through all outward modesty—knew it.
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“I think he was invalided home,” she said, with that manner, at once restrained and gracious, that Sir Wilfrid had already observed in her.
It was the manner of someone who counted; and—through all outward modesty—knew it.
“He wants something out of the ministry. I remember the man,” was Sir Wilfrid’s unspoken comment.
Her dark eyes blazed. She stood for anger; she breathed humiliation.
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But now, as she stood silent behind the blind old lady who had flouted her, her wonderfully expressive face, her delicate frame, spoke for her with an energy not to be mistaken.
Her dark eyes blazed. She stood for anger; she breathed humiliation.
“A dangerous woman, and an extraordinary situation,” so ran his thought, while aloud he was talking Central Asian politics and the latest Simla gossip to his two companions.
There is one disease from which no one recovers, my dear Wilfrid, and it has long since fastened upon me.
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Lady Henry gave an impatient sigh. “Everything troubles me more than of old.
There is one disease from which no one recovers, my dear Wilfrid, and it has long since fastened upon me.
”
Chapter II
She never throws to win—never!—but so as to leave you all the chances.
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It seemed to me I had not been so brilliant for months. I was as good, in fact, as I had ever been. The difficulty in England is to find anyone to keep up the ball. She does it to perfection.
She never throws to win—never!—but so as to leave you all the chances.
You make a brilliant stroke; she applauds, and in a moment she has arranged you another. Oh, it is the most extraordinary gift of conversation—and she never says a thing that you want to remember.”
Oh, it is the most extraordinary gift of conversation—and she never says a thing that you want to remember.
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She does it to perfection. She never throws to win—never!—but so as to leave you all the chances. You make a brilliant stroke; she applauds, and in a moment she has arranged you another.
Oh, it is the most extraordinary gift of conversation—and she never says a thing that you want to remember.
”
Chapter IV
The cloak became symbolic, a flag not to be struck.
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With what imperious will did the thin shoulders straighten themselves under the folds of chinchilla!
The cloak became symbolic, a flag not to be struck.
“I never answer back, please understand—never,” she went on, hurriedly. “You saw today how Lady Henry gave me her orders. There is not a servant in the house with whom she would dare such a manner. Did I resent it?”
Chapter VI
The age in him held out secret hands to the age in her—as against encroaching and rebellious youth.
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“When I am gone she will think of what I have been saying,” he assured himself, and he rose to take his leave. Her look of exhaustion distressed him, and, for all her unreason, he felt himself astonishingly in sympathy with her.
The age in him held out secret hands to the age in her—as against encroaching and rebellious youth.
Perhaps it was the consciousness of this mood in him which at last partly appeased her.
Chapter VIII
“If it’s ugly, so am I.”
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“It suits me,” she would say, impatiently, when her stout sister-in-law pleaded placidly for white paint and bright colors.
“If it’s ugly, so am I.”
Fierce, certainly, and forbidding she was on this February evening.
Chapter IX
Within the bright, fire-lit room the social comedy was being played at its best; but here surely was Tragedy—or Fate.
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M. du Bartas lifted astonished eyes. On the threshold of the room stood an old lady, leaning heavily on two sticks. She was deathly pale, and her fierce eyes blazed upon the scene before her.
Within the bright, fire-lit room the social comedy was being played at its best; but here surely was Tragedy—or Fate.
Who was she? What did it mean?
Chapter XI
“Why, it looks as though everything here had gone to sleep for a hundred years,”
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The Duchess glanced at her uneasily. “What is she thinking about?” she wondered. But Julie roused herself.
“Why, it looks as though everything here had gone to sleep for a hundred years,”
she said, gazing in astonishment at the little hall, with its old clock, its two or three stiff hunting-pictures, its drab-painted walls, its poker-work chest.
“Do you ever go to mass?”
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“The good nuns at Bruges took care of that.”
“Do you ever go to mass?”
“Then you’re not a good Catholic, Julie?”
“No,” said Julie, after a pause, “not at all. But it sometimes catches hold of me.”
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“Then you’re not a good Catholic, Julie?”
“No,” said Julie, after a pause, “not at all. But it sometimes catches hold of me.”
The old clock in the hall struck. The Duchess sprang up.
Chapter XII
“The people who keep out of scrapes are not the people one loves,” was the Duchess’s peevish reply.
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“Oh, that’s all very well,” said the Duchess, throwing up a hand in mock annoyance; “but why weren’t you there?”
“The people who keep out of scrapes are not the people one loves,” was the Duchess’s peevish reply.
“Let him alone,” said Lord Lackington, coming for some more teacake. “He will get his deserts. Next Wednesday he will be tête-à-tête with Lady Henry.”
“That’s the worst of our class. The margin between us and calamity is too wide. We risk too little. Nobody goes to the workhouse.”
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“Not perhaps to be had for the lending, and ready to step into at a day’s notice,” said Lord Lackington, with his queer smile, like the play of sharp sunbeams through a mist.
“That’s the worst of our class. The margin between us and calamity is too wide. We risk too little. Nobody goes to the workhouse.”
Sir Wilfrid looked at him curiously. “Do I catch your meaning?” he said, dropping his voice; “is it that if there had been no Duchess, and no Heribert Street, Miss Le Breton would have managed to put up with Lady Henry?”
“The coming-in would have been nothing if it had led quickly to the going-out. It was the coffee that ruined you.”
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Bury returned, smiling, to the tea-table.
“The coming-in would have been nothing if it had led quickly to the going-out. It was the coffee that ruined you.”
“I see,” said the Duchess, pouting—“it meant that it was possible for us to enjoy ourselves without Lady Henry. That was the offence.”
“Last night’s coffee was already drunk,”
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“Yes, yes, that’s it!” exclaimed Lord Lackington—“that’s it! When Lady Henry wanted a companion—and fate brought her Miss Le Breton—”
“Last night’s coffee was already drunk,”
put in Sir Wilfrid.
Chapter XIII
Life became a soft and cushioned business, with an infinity of layers between it and any hard reality—a round pea in a silky pod.
Show the passage
And for the persons in command of this power, a certain appareil de vie was necessary, taken for granted. So much income, so many servants, such and such habits—these things imposed themselves.
Life became a soft and cushioned business, with an infinity of layers between it and any hard reality—a round pea in a silky pod.
And he meanwhile found himself hungry to throw aside these tamed and trite forms of existence, and to penetrate to the harsh, true, simple things behind.
“It is easy to hate success.”
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“I dare say not,” said Julie, flushing.
“It is easy to hate success.”
“No, come, we’re not as mean as that!” cried the Duchess. “I vow that all the heroes I’ve ever known had a ripping time. Julie”—she kissed her friend impulsively—“Julie, don’t like him too much. I don’t think he’s good enough.”
“When people are nameless and kinless,” was her passionate reply, in the same undertone as his, “they must be lonely.”
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“You should never be lonely if I could help it,” he said, in a low voice.
“When people are nameless and kinless,” was her passionate reply, in the same undertone as his, “they must be lonely.”
He looked at her with eagerness. She lay back in the firelight, her beautiful brow and eyes softly illuminated. He felt within him a sudden snapping of restraints. Why—why refuse what was so clearly within his grasp? Love has many manners—many entrances—and many exits.
Love has many manners—many entrances—and many exits.
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He looked at her with eagerness. She lay back in the firelight, her beautiful brow and eyes softly illuminated. He felt within him a sudden snapping of restraints. Why—why refuse what was so clearly within his grasp?
Love has many manners—many entrances—and many exits.
“When will you tell me all that I want to know about you?” he said, bending towards her with tender insistence. “There is so much I have to ask.”
Chapter XVI
“Oh, what a good man!” she said, sighing. “What a good man!”
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She came back alone into the drawing-room.
“Oh, what a good man!” she said, sighing. “What a good man!”
And then, all in a moment, she was thankful that he was gone—that she was alone with and mistress of her pain.
Chapter XVII
But in England, it seems, people must be paid to talk. Talk is a business affair—you give it for a consideration.
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“I suppose,” said Julie, shrugging her shoulders, “I had been thinking of the French maîtresses de salon, like a fool; of Mademoiselle de l’Espinasse—or Madame Mohl—imagining that people would come to me for a cup of tea and an agreeable hour.
But in England, it seems, people must be paid to talk. Talk is a business affair—you give it for a consideration.
”
Chapter XVIII
Julie, too, was in her room. She sat on the edge of her bed, her head drooped, her hands clasped before her absently, like Hope still listening for the last sounds of the harp of life.
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Léonie had shut up the house, in a grim silence, and had taken her way upstairs to bed.
Julie, too, was in her room. She sat on the edge of her bed, her head drooped, her hands clasped before her absently, like Hope still listening for the last sounds of the harp of life.
The candle beside her showed her, in the big mirror opposite, her grace, the white confusion of her dress.
Chapter XIX
“But not”—he spoke slowly—“without your own self-respect.”
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“If you had not interfered.” Her veil had fallen over her face again. She flung it back in impatient despair. “Mr. Delafield, I can do without your anxieties.”
“But not”—he spoke slowly—“without your own self-respect.”
Julie’s face trembled. She hid it in her hands.
Chapter XX
“Don’t grieve, my dear,” he murmured. “It must come to an end some time—‘cette charmante promenade à travers la réalité!’ ”
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Lord Lackington supposed that she was weeping.
“Don’t grieve, my dear,” he murmured. “It must come to an end some time—‘cette charmante promenade à travers la réalité!’ ”
And he smiled at her, agreeably vain to the last of that French accent and that French memory which—so his look implied—they two could appreciate, each in the other. Then he turned to the Duchess.
Chapter XXI
“Men are not worth all that women spend upon them.”
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“One should,” said Meredith, with energy.
“Men are not worth all that women spend upon them.”
“Oh, that’s true!” cried the Duchess—“so dreadfully true! But what’s the good of preaching? We shall go on spending it to the end of time.”
“Oh, that’s true!” cried the Duchess—“so dreadfully true! But what’s the good of preaching? We shall go on spending it to the end of time.”
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“One should,” said Meredith, with energy. “Men are not worth all that women spend upon them.”
“Oh, that’s true!” cried the Duchess—“so dreadfully true! But what’s the good of preaching? We shall go on spending it to the end of time.”
“Well, at any rate, don’t choose the dummies and the frauds.”
“On ne s’appuie que sur ce qui résiste.”
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But silently, by a kind of tacit agreement, they drew away from Delafield and Julie. They dimly understood that he pursued and she resisted; and that for him life was becoming gradually absorbed into the two facts of her presence and her resistance.
“On ne s’appuie que sur ce qui résiste.”
For both of them these words were true. Fundamentally, and beyond all passing causes of grief and anger, each was fascinated by the full strength of nature in the other. Neither could ever forget the other.
Chapter XXII
“Oh, well, you see, you can’t make the world into a moral tale to please you,” said the Duchess, absently.
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The Duke threw himself back in the carriage with the air of one who waits for Providence to reply.
“Oh, well, you see, you can’t make the world into a moral tale to please you,” said the Duchess, absently.
Then, after a pause, she asked, “Are you still going to let them have the house, Freddie?”
“Why are you to have all the high thinking and plain living to yourself?”
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And all the time she must have the best of everything—a maid, luxurious travelling, dainty food. They had had one or two wrestles on the subject already.
“Why are you to have all the high thinking and plain living to yourself?”
she had asked him, angrily, only to be met by the plea, “Dear, get strong first—then you shall do what you like.”
Chapter XXIII
The outward signs of life’s most poignant and most beautiful moments are generally very simple and austere.
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He tenderly asked her pardon if he had wounded her. But he shrank from offering any caress.
The outward signs of life’s most poignant and most beautiful moments are generally very simple and austere.
Chapter XXIV
That a man should not only appear but be so good was still in her eyes a little absurd.
Show the passage
a self whose acts and ways she watched, sometimes with the held breath of fascination, sometimes with a return of shrinking or fear.
That a man should not only appear but be so good was still in her eyes a little absurd.
Perhaps her feeling was at bottom the common feeling of the sceptical nature. “We should listen to the higher voices; but in such a way that if another hypothesis were true, we should not have been too completely duped.”
It was one of those hours which determine the history of a man or woman.
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Yet to this sense she could put no words. Only, in the end, through the constant action of her visualizing imagination, it connected itself with Delafield’s face, and with the memory of many of his recent acts and sayings.
It was one of those hours which determine the history of a man or woman.
And the august Alpine beauty entered in, so that Julie, in this sad and thrilling act of self-probing, felt herself in the presence of powers and dominations divine.
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