Indian Summer

Midway of the Ponte Vecchio at Florence, where three arches break the lines of the little jewellers’ booths glittering on either hand, and open an approach to the parapet, Colville lounged against the corner of a shop and stared out upon the river. It was the late afternoon of a day in January, which had begun bright and warm, but had suffered a change of mood as its hours passed, and now, from a sky dimmed with flying grey clouds, was threatening rain. There must already have been rain in the mountains, for the yellow torrent that seethed and swirled around the piers of the bridge was swelling momently on the wall of the Lung’ Arno, and rolling a threatening flood toward the Cascine, where it lost itself under the ranks of the poplars that seemed to file across its course, and let their delicate tops melt into the pallor of the low horizon.

The city, with the sweep of the Lung’ Arno on either hand, and its domes and towers hung in the dull air, and the country with its white villas and black cypresses breaking the grey stretches of the olive orchards on its hillsides, had alike been growing more and more insufferable; and Colville was finding a sort of vindictive satisfaction in the power to ignore the surrounding frippery of landscape and architecture. He isolated himself so perfectly from it, as he brooded upon the river, that, for any sensible difference, he might have been standing on the Main Street Bridge at Des Vaches, Indiana, looking down at the tawny sweep of the Wabash. He had no love for that stream, nor for the ambitious town on its banks, but ever since he woke that morning he had felt a growing conviction that he had been a great ass to leave them.

Colville had readied this point in that sarcastic study of his own condition of mind for the advantage of his late readers in the Post-Democrat-Republican, when he was aware of a polite rustling of draperies, with an ensuing well-bred murmur, which at once ignored him, deprecated intrusion upon him, and asserted a common right to the prospect on which he had been dwelling alone. He looked round with an instinctive expectation of style and poise, in which he was not disappointed. The lady, with a graceful lift of the head and a very erect carriage, almost Bernhardtesque in the backward fling of her shoulders and the strict compression of her elbows to her side, was pointing out the different bridges to the little girl who was with her.

“That first one is the Santa Trinità, and the next is the Carraja, and that one quite down by the Cascine is the iron bridge. The Cascine you remember⁠—the park where we were driving⁠—that clump of woods there⁠—”

A vagueness expressive of divided interest had crept into the lady’s tone rather than her words. Colville could feel that she was waiting for the right moment to turn her delicate head, sculpturesquely defined by its toque, and steal an imperceptible glance at him: and he involuntarily afforded her the coveted excuse by the slight noise he made in changing his position in order to be able to go away as soon as he had seen whether she was pretty or not.

“I began to doubt whether Mrs. Bowen was going to bring you at all,” she said frankly, with an innocent, nervous laugh, which made favour for her with Colville. “She promised it early in the evening.”

“She has used me much worse, Miss Graham,” said Colville. “She has kept me waiting from the beginning of time. So that I have grown grey on my way up to you,” he added, by an inspiration. “I was a comparatively young man when Mrs. Bowen first told me she was going to introduce me.”

“Oh, how good!” said Miss Graham joyously. And her companion, after a moment’s hesitation, permitted herself a polite little titter. She had made a discovery; she had discovered that Mr. Colville was droll.

“I’m very glad you like it,” he said, with a gravity that did not deceive them.

“Oh yes,” sighed Miss Graham, with generous ardour. “Who but an American could say just such things? There’s the loveliest old lady here in Florence, who’s lived here thirty years, and she’s always going back and never getting back, and she’s so homesick she doesn’t know what to do, and she always says that Americans may not be better than other people, but they are different.”

“That’s very pretty. They’re different in everything but thinking themselves better. Their native modesty prevents that.”

“I don’t exactly know what you mean,” said Miss Graham, after a little hesitation.

“Well,” said Colville, “that’s one conquest since I came to Florence. And merely by being funny! When I was in Florence before, Mrs. Bowen,” he continued, after a moment, “there were two ladies here, and I used to go about quite freely with either of them. They were both very pretty, and we were all very young. Don’t you think it was charming?” Mrs. Bowen coloured a lovely red, and smiled, but made no other response. “Florence has changed very much for the worse since that time. There used to be a pretty flower-girl, with a wide-flapping straw hat, who flung a heavy bough full of roses into my lap when she met me driving across the Carraja bridge. I spent an hour looking for that girl today, and couldn’t find her. The only flower-girl I could find was a fat one of fifty, who kept me fifteen minutes in Via Tornabuoni while she was fumbling away at my buttonhole, trying to poke three secondhand violets and a sickly daisy into it. Ah, youth! youth! I suppose a young fellow could have found that other flower-girl at a glance; but my old eyes! No, we belong, each of us, to our own generation. Mrs. Bowen,” he said, with a touch of tragedy⁠—whether real or affected, he did not well know himself⁠—in his hardiness, “what has become of Mrs. Pilsbury?”

“Mrs. Milbury, you mean?” gasped Mrs. Bowen, in affright at his boldness.

He slept late, and when Paolo brought up his breakfast, he brought with it a letter which he said had been left with the porter an hour before. A faint appealing perfume of violet exhaled from the note, and mingled with the steaming odours of the coffee and boiled milk, when Colville, after a glance at the unfamiliar handwriting of the superscription, broke the seal.

“Dear Mr. Colville⁠—I don’t know what you will think of my writing to you, but perhaps you can’t think worse of me than you do already, and anything will be better than the misery that I am in. I have not been asleep all night. I hate myself for telling you, but I do want you to understand how I have felt. I would give worlds if I could take back the words that you say wounded you. I didn’t mean to wound you. Nobody is to blame for them but me; nobody ever breathed a word about you that was meant in unkindness.

“I am not ashamed of writing this, whatever you think, and I will sign my name in full.

Imogene Graham.”

Colville had commonly a good appetite for his breakfast, but now he let his coffee stand long untasted. There were several things about this note that touched him⁠—the childlike simplicity and directness, the generous courage, even the imperfection and crudity of the literature. However he saw it afterward, he saw it then in its true intention. He respected that intention; through all the sophistications in which life had wrapped him, it awed him a little. He realised that if he had been younger he would have gone to Imogene herself with her letter.