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In Search of Lost Time

by Marcel Proust

Length: 1,214,044 words, about 4,856 pages, about 85 hours to read

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What it is

The first-person account of a man’s introspections on his life and examination of memory.

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The best passages

Pages from the book itself, chosen to make you want to read on. Each opens in the reader at that exact spot.

Overture

For a long time I used to go to bed early. Sometimes, when I had put out my candle, my eyes would close so quickly that I had not even time to say “I’m going to sleep.” And half an hour later the thought that it was time to go to sleep would awaken me; I would try to put away the book which, I imagined, was still in my hands, and to blow out the light; I had been thinking all the time, while I was asleep, of what I had just been reading, but my thoughts had run into a channel of their own, until I myself seemed actually to have become the subject of my book: a church, a quartet, the rivalry between François I and Charles V. This impression would persist for some moments after I was awake; it did not disturb my mind, but it lay like scales upon my eyes and prevented them from registering the fact that the candle was no longer burning. Then it would begin to seem unintelligible, as the thoughts of a former existence must be to a reincarnate spirit; the subject of my book would separate itself from me, leaving me free to choose whether I would form part of it or no; and at the same time my sight would return and I would be astonished to find myself in a state of darkness, pleasant and restful enough for the eyes, and even more, perhaps, for my mind, to which it appeared incomprehensible, without a cause, a matter dark indeed.

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Overture

Good, that is, very good.”

I never took my eyes off my mother. I knew that when they were at table I should not be permitted to stay there for the whole of dinnertime, and that Mamma, for fear of annoying my father, would not allow me to give her in public the series of kisses that she would have had in my room. And so I promised myself that in the dining-room, as they began to eat and drink and as I felt the hour approach, I would put beforehand into this kiss, which was bound to be so brief and stealthy in execution, everything that my own efforts could put into it: would look out very carefully first the exact spot on her cheek where I would imprint it, and would so prepare my thoughts that I might be able, thanks to these mental preliminaries, to consecrate the whole of the minute Mamma would allow me to the sensation of her cheek against my lips, as a painter who can have his subject for short sittings only prepares his palette, and from what he remembers and from rough notes does in advance everything which he possibly can do in the sitter’s absence. But tonight, before the dinner-bell had sounded, my grandfather said with unconscious cruelty: “The little man looks tired; he’d better go up to bed. Besides, we are dining late tonight.”

And my father, who was less scrupulous than my grandmother or mother in observing the letter of a treaty, went on: “Yes, run along; to bed with you.”

I would have kissed Mamma then and there, but at that moment the dinner-bell rang.

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Overture

Many years had elapsed during which nothing of Combray, save what was comprised in the theatre and the drama of my going to bed there, had any existence for me, when one day in winter, as I came home, my mother, seeing that I was cold, offered me some tea, a thing I did not ordinarily take. I declined at first, and then, for no particular reason, changed my mind. She sent out for one of those short, plump little cakes called “petites madeleines,” which look as though they had been moulded in the fluted scallop of a pilgrim’s shell. And soon, mechanically, weary after a dull day with the prospect of a depressing morrow, I raised to my lips a spoonful of the tea in which I had soaked a morsel of the cake. No sooner had the warm liquid, and the crumbs with it, touched my palate than a shudder ran through my whole body, and I stopped, intent upon the extraordinary changes that were taking place. An exquisite pleasure had invaded my senses, but individual, detached, with no suggestion of its origin. And at once the vicissitudes of life had become indifferent to me, its disasters innocuous, its brevity illusory⁠—this new sensation having had on me the effect which love has of filling me with a precious essence; or rather this essence was not in me, it was myself. I had ceased now to feel mediocre, accidental, mortal. Whence could it have come to me, this all-powerful joy? I was conscious that it was connected with the taste of tea and cake, but that it infinitely transcended those savours, could not, indeed, be of the same nature as theirs. Whence did it come? What did it signify?

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Combray

“Françoise, didn’t you hear that bell just now! It split my head.”

“No, Mme. Octave.”

“Ah, poor girl, your skull must be very thick; you may thank God for that. It was Maguelone come to fetch Dr. Piperaud. He came out with her at once and they went off along the Rue de l’Oiseau. There must be some child ill.”

“Oh dear, dear; the poor little creature!” would come with a sigh from Françoise, who could not hear of any calamity befalling a person unknown to her, even in some distant part of the world, without beginning to lament. Or:

“Françoise, for whom did they toll the passing-bell just now? Oh dear, of course, it would be for Mme. Rousseau. And to think that I had forgotten that she passed away the other night. Indeed, it is time the Lord called me home too; I don’t know what has become of my head since I lost my poor Octave. But I am wasting your time, my good girl.”

“Indeed no, Mme. Octave, my time is not so precious; whoever made our time didn’t sell it to us. I am just going to see that my fire hasn’t gone out.”

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Swann in Love

Meanwhile the restaurants were closing, and their lights began to go out. Under the trees of the boulevards there were still a few people strolling to and fro, barely distinguishable in the gathering darkness. Now and then the ghost of a woman glided up to Swann, murmured a few words in his ear, asked him to take her home, and left him shuddering. Anxiously he explored every one of these vaguely seen shapes, as though among the phantoms of the dead, in the realms of darkness, he had been searching for a lost Eurydice.

Among all the methods by which love is brought into being, among all the agents which disseminate that blessed bane, there are few so efficacious as the great gust of agitation which, now and then, sweeps over the human spirit. For then the creature in whose company we are seeking amusement at the moment, her lot is cast, her fate and ours decided, that is the creature whom we shall henceforward love. It is not necessary that she should have pleased us, up till then, any more, or even as much as others. All that is necessary is that our taste for her should become exclusive. And that condition is fulfilled so soon as⁠—in the moment when she has failed to meet us⁠—for the pleasure which we were on the point of enjoying in her charming company is abruptly substituted an anxious torturing desire, whose object is the creature herself, an irrational, absurd desire, which the laws of civilised society make it impossible to satisfy and difficult to assuage⁠—the insensate, agonising desire to possess her.

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10 of the best lines

For a long time I used to go to bed early.

OvertureKeep reading from here

For him to believe that she was lying, an anticipatory suspicion was indispensable. It was also, however, sufficient.

Swann in LoveKeep reading from here

But certain favourite parts are played by us so often before the public and rehearsed so carefully when we are alone that we find it easier to refer to their fictitious testimony than to that of a reality which we have almost entirely forgotten.

Madame Swann at HomeKeep reading from here

But the cakes understood, the tarts were gossips.

Seascape, with Frieze of GirlsKeep reading from here

I admit she doesn’t look like a cow, she looks like a dozen,

Chapter IKeep reading from here

The need to speak prevents one not merely from listening but from seeing things, and in this case the absence of any description of my external surroundings is tantamount to a description of my internal state.

Chapter IIKeep reading from here

“Of course I can’t, Léontine,” he had groaned; “can’t you see I’ve got my white waistcoat on?”

II (Continued)Keep reading from here

I was as careless as everyone who imagines that his happiness will endure.

I: Life with AlbertineKeep reading from here

“Come, Baron, let us go and smoke a cigarette, this young man has not yet seen all the marvels of the house.”

II (Continued)Keep reading from here

In bodily suffering, at least we do not have ourselves to choose our pain. The malady decides it and imposes it on us.

I: Grief and OblivionKeep reading from here

All 643 In Search of Lost Time quotes, with the words around each

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Contents

All 46 parts
  1. Volume I: Swann’s Way
  2. Author’s Dedication
  3. Translator’s Dedication
  4. Overture
  5. Combray
  6. Swann in Love
  7. Place-Names: The Name
  8. Volume II: Within a Budding Grove
  9. Translator’s Dedication
  10. Part I
  11. Madame Swann at Home
  12. Place-Names: The Place
  13. Part II
  14. Place-Names: The Place (Continued)
  15. Seascape, with Frieze of Girls
  16. Volume III: The Guermantes Way
  17. Author’s Dedication
  18. Translator’s Dedication
  19. Part I
  20. Chapter I
  21. Part II
  22. Chapter I
  23. Chapter II
  24. Volume IV: Cities of the Plain
  25. Translator’s Dedication
  26. Part I
  27. Prologue
  28. Chapter I
  29. The Heart’s Intermissions
  30. Chapter II
  31. Part II
  32. II (Continued)
  33. Chapter III
  34. Chapter IV
  35. Volume V: The Captive
  36. Part I
  37. I: Life with Albertine
  38. II: The Verdurins Quarrel with M. de Charlus
  39. Part II
  40. II (Continued)
  41. III: Flight of Albertine
  42. Volume VI: The Sweet Cheat Gone
  43. I: Grief and Oblivion
  44. II: Mademoiselle de Forcheville
  45. III: Venice
  46. IV: A Fresh Light Upon Robert de Saint-Loup

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About this edition

Text from Standard Ebooks. Standard Ebooks dedicate their edition to the public domain (CC0 1.0). Every passage and line on this page is the book's own words, checked against the text.