He Who Gets Slapped quotes
The lines readers remember from He Who Gets Slapped, by Leonid Andreyev.
18 quotes · About the book
Standout lines
So sudden.—Without waiting.—How funny—you didn’t hurt me, and yet my cheek burns.
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Comically. He says he wants more—The gentleman smiles, rubbing his cheek.
So sudden.—Without waiting.—How funny—you didn’t hurt me, and yet my cheek burns.
Again there is loud laughter. The clowns cackle like ducks, hens, cocks; they bark. Zinida says something to Briquet, casts a glance toward Bezano, and goes out. Mancini assumes a bored air and looks at his watch. The two actresses go out.
Your eyes command me to love you—and I don’t like to be commanded. I am afraid of you.
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You are beautiful, like a queen. You are almost as beautiful as Consuelo. But I don’t like your eyes.
Your eyes command me to love you—and I don’t like to be commanded. I am afraid of you.
Do I command, Bezano? No—only implore.
Don’t you know, Consuelo, that every queen has a fool, and he is always in love with her, and they always beat him for it. He Who Gets Slapped.
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Didn’t you understand that you are a queen, and I a fool who is in love with his queen?
Don’t you know, Consuelo, that every queen has a fool, and he is always in love with her, and they always beat him for it. He Who Gets Slapped.
Yes, every queen. Beauty has her fool. Wisdom, too. Oh, how many fools she has! Her court is overcrowded with enamoured fools, and the sound of slaps does not cease, even through the night.
You are the crowd. If you live by my creations, you hate me; if you breathe my breath, you are choking with anger.
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Speaking slowly. What a comedy. How marvellously everything is turned about in this world: the robbed proves to be a robber, and the robber is complaining of theft, and cursing! Laughs. Listen, I was mistaken. You are not my shadow.
You are the crowd. If you live by my creations, you hate me; if you breathe my breath, you are choking with anger.
And choking with anger, hating me, you still walk slowly on the trail of my ideas. But you are advancing backward, advancing backward, comrade! Oh, what a marvellous comedy! Walking and smiling. Tell me, would you be relieved if I really had died?
They buy off everything that is beautiful.
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When did you see a beauty clad in simple cotton? If this one does not buy her, another will.
They buy off everything that is beautiful.
Yes, I know. For the first ten years she will be a sad beauty, who will attract the eyes of the poor man on the sidewalk: afterward she will begin to paint a little around her eyes and smile, and then will take—
Baron, let us drink to the very small distance which will always remain ’twixt the cup and the lip!
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But I want to drink with the Baron. What can be simpler? Simpler?
Baron, let us drink to the very small distance which will always remain ’twixt the cup and the lip!
Spills his wine, and laughs.
All quotes
Act I
If I were the government I would forbid artists to read books. Let them read the posters, that’s enough.
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You are stupid, Mancini. What do you do it for? In a didactic tone. You are fearfully stupid, Mancini. Why does she need to learn? Since she is here she need never know anything about that life. Don’t you understand? What is geography?
If I were the government I would forbid artists to read books. Let them read the posters, that’s enough.
During Briquet’s speech, the two clowns and another actor enter. They sit down wearily.
Eureka—I shall be among you, he who gets slapped.
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Find something—find something … Eureka!
Eureka—I shall be among you, he who gets slapped.
General laughter. Even Briquet smiles.
So sudden.—Without waiting.—How funny—you didn’t hurt me, and yet my cheek burns.
Show the passage
Comically. He says he wants more—The gentleman smiles, rubbing his cheek.
So sudden.—Without waiting.—How funny—you didn’t hurt me, and yet my cheek burns.
Again there is loud laughter. The clowns cackle like ducks, hens, cocks; they bark. Zinida says something to Briquet, casts a glance toward Bezano, and goes out. Mancini assumes a bored air and looks at his watch. The two actresses go out.
When a stray dog comes to you, you don’t ask his name—you simply give him another. Let me be that dog.
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Yes, something like that. Why can’t you imagine that I have no name? Can’t I lose it as I might lose my hat? Or let someone else take it by mistake?
When a stray dog comes to you, you don’t ask his name—you simply give him another. Let me be that dog.
Laughing. He—the Dog!
Can’t I lose it as I might lose my hat?
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Yes, something like that. Why can’t you imagine that I have no name?
Can’t I lose it as I might lose my hat?
Or let someone else take it by mistake? When a stray dog comes to you, you don’t ask his name—you simply give him another. Let me be that dog. Laughing. He—the Dog!
Your eyes command me to love you—and I don’t like to be commanded. I am afraid of you.
Show the passage
You are beautiful, like a queen. You are almost as beautiful as Consuelo. But I don’t like your eyes.
Your eyes command me to love you—and I don’t like to be commanded. I am afraid of you.
Do I command, Bezano? No—only implore.
You pronounce the word love as if you were cracking me with your whip.
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Please never tell me any more that you love me. I don’t want it. Otherwise I will quit.
You pronounce the word love as if you were cracking me with your whip.
You know it is disgusting—
Act II
The gods grow lonely and die, when they are not recognized.
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Don’t mock! The gods don’t like such, empty laughter from beautiful lips.
The gods grow lonely and die, when they are not recognized.
Oh, Consuelo! Oh, great joy and love! Do recognize this god, and accept him. Think a moment, one day a god suddenly went crazy!
Don’t you know, Consuelo, that every queen has a fool, and he is always in love with her, and they always beat him for it. He Who Gets Slapped.
Show the passage
Didn’t you understand that you are a queen, and I a fool who is in love with his queen?
Don’t you know, Consuelo, that every queen has a fool, and he is always in love with her, and they always beat him for it. He Who Gets Slapped.
Yes, every queen. Beauty has her fool. Wisdom, too. Oh, how many fools she has! Her court is overcrowded with enamoured fools, and the sound of slaps does not cease, even through the night.
Beauty has her fool. Wisdom, too. Oh, how many fools she has!
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Yes, every queen.
Beauty has her fool. Wisdom, too. Oh, how many fools she has!
Her court is overcrowded with enamoured fools, and the sound of slaps does not cease, even through the night. But I never received such a sweet slap as the one given by my little queen. Someone appears at the door.
Here is a shadow I cannot lose!
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I have been looking for you, for half a year—through many countries. And suddenly, today—by accident, indeed—I had no acquaintances here, and I went to the circus. We must talk things over … He, I implore you. Silence.
Here is a shadow I cannot lose!
To talk things over! Do you really think we still have something to talk over? All right. Leave your address with the porter, and I will let you know when you can see me. Now get out. Proudly. I am busy.
Act III
You are the crowd. If you live by my creations, you hate me; if you breathe my breath, you are choking with anger.
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Speaking slowly. What a comedy. How marvellously everything is turned about in this world: the robbed proves to be a robber, and the robber is complaining of theft, and cursing! Laughs. Listen, I was mistaken. You are not my shadow.
You are the crowd. If you live by my creations, you hate me; if you breathe my breath, you are choking with anger.
And choking with anger, hating me, you still walk slowly on the trail of my ideas. But you are advancing backward, advancing backward, comrade! Oh, what a marvellous comedy! Walking and smiling. Tell me, would you be relieved if I really had died?
But you are advancing backward, advancing backward, comrade!
Show the passage
You are not my shadow. You are the crowd. If you live by my creations, you hate me; if you breathe my breath, you are choking with anger. And choking with anger, hating me, you still walk slowly on the trail of my ideas.
But you are advancing backward, advancing backward, comrade!
Oh, what a marvellous comedy! Walking and smiling. Tell me, would you be relieved if I really had died?
They are breakable toys.
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Indifferently. Or his leg, or his back; they all have to break something. Laughs.
They are breakable toys.
Listening to the music. I’ll be lonesome without them, Father! The Baron promised to make a ring for me to gallop over as much as I want. He’s not lying?
Act IV
It is nice, to have everything done according to law, isn’t it, Zinida?
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Hardly. Why should she know it? Yes, she is a girl from Corsica whose parents are unknown. He preferred to use her for business rather than. … But according to the law, she is his daughter, Countess Veronica Mancini.
It is nice, to have everything done according to law, isn’t it, Zinida?
But it is curious there is more blue blood in her than in this Mancini. One would say that it was she who found him on the street, and made him a count and her father. Count Mancini! Laughs.
They buy off everything that is beautiful.
Show the passage
When did you see a beauty clad in simple cotton? If this one does not buy her, another will.
They buy off everything that is beautiful.
Yes, I know. For the first ten years she will be a sad beauty, who will attract the eyes of the poor man on the sidewalk: afterward she will begin to paint a little around her eyes and smile, and then will take—
Let us drink to those who know how to wait longer, until they get it.
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Then another one, Baron.
Let us drink to those who know how to wait longer, until they get it.
I do not accept any toasts which I do not understand. Say it more simply.
Baron, let us drink to the very small distance which will always remain ’twixt the cup and the lip!
Show the passage
But I want to drink with the Baron. What can be simpler? Simpler?
Baron, let us drink to the very small distance which will always remain ’twixt the cup and the lip!
Spills his wine, and laughs.
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