Backwater

A swarthy turbaned face shone at Miriam from a tapestry screen standing between her and the ferns rising from a basket framework in the bow of the window. Consulting it at intervals as the afternoon wore on, she found that it made very light of the quiet propositions that were being elaborated within hearing of her inattentive ears. Looking beyond it she could catch glimpses between the crowded fernery, when a tram was not jingling by, of a close-set palisade just across the roadway and beyond the palisade of a green level ending at a row of Spanish poplars. The trams seemed very near and noisy. When they passed by the window, the speakers had to raise their voices. Otherwise the little drawing-room was very quiet, with a strange old-fashioned quietness. It was full of old things, like the Gobelin screen, and old thoughts like the thoughts of the ladies who were sitting and talking there. She and her mother had seemed quite modern, fussy, worldly people when they had first come into the room. From the moment the three ladies had come in and begun talking to her mother, the things in the room, and the view of the distant row of poplars had grown more and more peaceful, and now at the end of an hour she felt that she, and to some extent Mrs. Henderson too, belonged to the old-world room with its quiet green outlook shut in by the poplars. Only the trams were disturbing. They came busily by, with their strange jingle-jingle, plock-plock, and made her inattentive. Why were there so many people coming by in trams? Where were they going? Why were all the trams painted that hard, dingy blue?

Miriam extended herself on the drawing-room sofa which had been drawn up at the end of the room under the open window.

The quintets of candles on the girandoles hanging on either side of the high overmantel gave out an unflickering radiance, and in the centre of the large room the chandelier, pulled low, held out in all directions bulbs of softly tinted light.

In an intensity of rose-shaded brilliance pouring from a tall standard lamp across the sheepskin hearthrug stood a guest with a fiddle under her arm fluttering pages on a music stand. The family sat grouped towards her in a circle.

On her low sofa, outside the more brilliant light, Miriam was a retreating loop in the circle of seated forms, all visible as she lay with her eyes on the ceiling.

Wheezing, cook had spread a plaster of dampened ashy cinders upon the basement schoolroom fire and gone bonily away across the oilcloth in her heelless boots. As the door closed Miriam’s eye went up from her book to the little slope of grass showing above the concrete wall of the area. The grass gleamed along the edge of a bank of mist. In the mist the area railings stood hard and solid against the edge of empty space. Several times she glanced at the rich green, feeling that neither “emerald,” “emerald velvet,” nor “velvety enamel” quite expressed it. She had not noticed that there was a mist shutting in and making brilliant the half-darkness of the room at breakfast-time, only feeling that for some reason it was a good day. “It’s fog⁠—there’s a sort of fog,” she said, glowing. The fog made the room with the strange brilliant brown light on the table, on the horsehair chairs, on the shabby length of brown and yellow oilcloth running out to the bay of the low window, seem to be rushing through space, alone. It was quite safe, going on its journey⁠—towards some great good.

The back door, just across the little basement hall, scrooped inwards across the oilcloth, jingling its little bell, and was banged to. The flounter-crack of a rain-cloak smartly shaken out was followed by a gentle scrabbling in a shoebox⁠—the earliest girl, peaceful and calm, a wonderful sort of girl, coming into the empty basement quietly getting off her things, with all the rabble of the school coming along the roads, behind. The jingling door was pushed open again just as her slippered feet ran upstairs.