After the Divorce

Nineteen Hundred and Seven. In the “strangers’ room” of the Porru house a woman sat crying. Crouched on the floor near the bed, her knees drawn up, her arms resting on her knees, and her forehead on her arms, she wept and sobbed continuously, shaking her head from time to time as though to indicate that there was no more hope, absolutely none at all; while her plump shoulders and straight young back rose and fell in the tightly fitting yellow bodice, like a wave of the sea.

The room was nearly in darkness; there were no windows, but through the open door which gave upon a bricked gallery, a stretch of dull grey sky could be seen, growing momentarily darker; and far, far away, against this dusky background, gleamed the yellow ray of a little, solitary star. From the courtyard below came the shrill chirping of a cricket, and the occasional stamp of horses’ hoofs on the stone pavement.

A short, heavy woman, clad in the Nuorese dress, with a large, fat, old-woman face, appeared in the doorway; she carried a four-branched iron candlestick, in one socket of which burned a wick soaked in oil.

“Giovanna Era,” said she in a gruff voice, “what are you about all in the dark? Are you there? What are you doing? I believe you are crying! You must be crazy! Upon my word, that’s just what you are⁠—crazy!”

“Mamma, dear, why need you swear at him? Has not fate cursed him enough as it is?” murmured Giovanna.

The women now left the building and stood outside, waiting for the prisoner to be brought forth. When Giovanna’s eyes fell upon the group of carbineers who were to escort him to court, she fell to trembling violently, although on all the preceding days she had seen precisely the same thing; and her big, black eyes, stretched to their widest extent, fastened upon the great doorway with the unseeing stare of a crazy woman. Slowly the minutes lagged by, then the dragon mouth opened, and once more, surrounded by stony-faced guards with fierce black moustaches, the figure of Costantino appeared.

He was tall and as lithe as a young poplar tree; a long lock of lustrous black hair hung down on either side of a face, beardless, pallid from prison confinement, and almost feminine in its beauty. The eyes were large, and chestnut-brown in colour; the mouth small, and as innocent as a child’s, and there was a little cleft in the middle of the chin. He looked like a young Apollo.

The moment his eyes fell upon Giovanna, although he too had been waiting for that moment, he grew whiter than ever, and stopped short, resisting the guards. Giovanna rushed forward, sobbing, and seized hold of his manacled hands.

“Forward!” said one of the carbineers; then, gently, to her: “You know, my girl, it is not allowed.”

Yes, he loved brandy; wine was good too, but not so good as brandy. His father before him had liked ardent spirits; so much so, in fact, that one day, after drinking heavily, he fell into the fire and was so badly burned that⁠—Heaven preserve us!⁠—he died of the effects! But there! enough of such melancholy thoughts! Nowadays people are more careful, they don’t allow themselves to tumble into the fire! Moreover, to balance the passion for brandy, Brontu had his other passion, for Giovanna. Ah, brandy and Giovanna! The two most beautiful, ardent, intoxicating things in the whole world! But where Giovanna was concerned Brontu was as timid and fearful as he was reckless in the matter of brandy. He trembled merely at the thought of approaching her⁠—of speaking to her. On those days when he knew that she was working for his mother he fairly yearned to go home, to gaze at her, to see her working there in his own house, and yet he dared not stir from the tanca! Now, though, as time went on, he was growing weary of waiting; a devouring anxiety, moreover, had seized upon him. What if, by hesitating so long, he were to meet with another refusal! Tormented by this thought, he longed to tell her of his solicitude for her; how, in order to console her for all that had occurred, he would gladly have married her at once, immediately after Costantino’s sentence! His ideas differed from those of most people, but he was made that way and could not change. At bottom, like most drunkards, he had not a bad heart, nor was he immoral: his one passion, apart from drink, had always

Costantino, who had seen this man before, stood waiting, his heart thumping in his breast. Mechanically his thoughts dwelt upon the description of the water-phantoms he had just been listening to, and the voice saying: “calf”; he wondered vaguely if one would be justified in feeling angry at that. Not a sound broke the stillness of the room, except the scratch, scratch, of the pen, as it travelled over the coarse paper. Again the pale blue eyes were fixed upon the prisoner, and again lowered to the sheet. Costantino, trembling and unnerved, gazed desperately around the room. Still the man wrote on. The prisoner could feel his heart beating furiously; a thousand dark fancies, hideous, terrifying, rushed through his brain, like clouds driven before an angry tempest. And still the man wrote on, and on. Suddenly, without warning, all the dark fancies vanished⁠—dispersed and swallowed up, as it were, in a single glorious flood of light. A thought, so dazzling and beautiful as almost to be painful, shot into his mind. “They have discovered that I am innocent!”

The idea did not remain for long, but it left behind it a vague, tremulous light.

The man was still writing, and did not stop as he presently said in a loud, hard voice: “You are named⁠—?”

“Costantino Ledda.”

“Where from?”

“Orlei, in Sardinia, Province of Sassari.”

“Very good.”

Silence. The man wrote a little while longer; then suddenly he dug his pen into the paper, raised his red face, and fastened his round, expressionless eyes upon the man standing before him. Costantino’s own eyes dropped.

“Listen to me,” he said, bending forward and continuing to rub his arm. “Hell is a dreadful place. I’ve got to die, and I’ve got to tell you something first. Now listen, but don’t get frightened, Anna-Rosa, because I am certainly going to die; and Uncle Isidoro, you know it already, so I can tell you. Well, this is it. It was I who killed Basile Ledda.”

Aunt Anna-Rosa’s eyes and mouth flew wide open; she leaned against the side of the bed, and began to shake convulsively.

“I knew it already?” exclaimed Isidoro. “Why, I knew nothing at all!”

Giacobbe raised a terrified face, and began to tremble as well.

“Don’t have me arrested,” he implored. “I’m going to die, anyhow; you can tell them then. I thought you knew. What is the matter, Anna-Ro? Don’t be frightened; don’t have me arrested.”

“It’s not that,” she said, raising herself. Her first sensation of having received a blow on the head was passing away, but now, in its place, there came a singular feeling of some change that was taking place within her; her own spirit seemed to have fled in dismay, and in its place had come something that regarded the world, life, heaven, earth⁠—God himself⁠—from a totally different standpoint; and everything viewed in the light of this new spirit was full of horror, misery, chaos.

“I will not tell any one. No, no! But how could you ever suppose that I knew about it?” protested Isidoro.